EDUCATION

1991        Glasgow School of Art, Glasgow, Scotland
1988        Leicester Polytechnic, Leicester, England
   

SOLO EXHIBITIONS
(*catalogue)

2007        “New Paintings,” Galleri Nicolai Wallner, Copenhagen, Denmark
"Some kind of Game Between This and That," Casey Kaplan, New York, NY
"WITHOUT TITLE," Y8, Hamburg, Germany

2007/06    “Yesterday, Today, Tomorrow, etc.,” Kunstverein Hannover, Hannover, Germany; Kunstmuseum St. Gallen, St. Gallen, Switzerland; Kunsthalle Nürnberg, Nürnberg, Germany; Leiterin Haus am Waldsee, Berlin, Germany*
"Gallery Hours," MAC/VAL, Musée D'Art Contemporain, De Val-De-Marne, France*

2005    “Some...Time...Waiting,” independent project curated by Adam Carr
“Untitled and Unfinished (Afghanistan),” The British School at Rome,
Rome, Italy*
“To Infinity and Beyond,” Public Art Project at Art 36 Basel, Basel, Switzerland
“Jonathan Monk: Continuous Project Altered Daily,” Institute of Contemporary Art, London*
“In Place and Out of Place,” Yvon Lambert, Paris, France
“Florida Calls…A Project by Jonathan Monk,” The Moore Space, Miami, FL
"Family of Man," Centre d'art Contemporain Domaine de Kerguéhennec, Bignan, France*

2005/04    “Ocean Wave,” Künstlerhaus Bremen, Germany

2004    "Sculptures, Neons & Drawings," Galleri Nicolai Wallner, Copenhagen, Denmark
“Jonathan Monk: Dutch Details and Other Details,” Büro Friedrich, Berlin, Germany
“Jonathan Monk: The Unseen Seen,” Judin Belot, Zurich, Switzerland

2004/03        “Jonathan Monk,” La Salle de Bains, Lyon France

2003    “The Unrealised Realised Realised in New York,” Casey Kaplan, New York, NY
“Time and or space,” Swiss Institute - Contemporary Art, New York, NY
“Jonathan Monk: Square Circles Squares,” exhibited alongside “Kazimir Malevich: Suprematism,” The Menil Collection, Houston, TX
“I wear black on the outside because black is how I feel on the inside,” Galleria Sonia Rosso, Torino, Italy
“During the exhibition the gallery will be open,” Galerie Jan Mot, Brussels, Belgium
“The Unrealised Realised,” Yvon Lambert, Paris, France
“Neither a borrower, nor a lender be”, Arnolfini, Bristol, England
“Projected Works,” Lisson Gallery, London, England
“Yes/No/Maybe,” Centro de Arte, Anzures, Spain
“Spectacular I,” Museum Kunst Palast, Dusseldorf, Germany
"Small fires burning (after Ed Ruscha after Bruce Nauman after),”
Grazer Kunstverein, Graz, Austria
"Looking through a hole large enough for me to see you, but not large enough
for you…," La Salle de Bain, Lyon, France

2002    “Jonathan Monk,” Galleri Nicolai Wallner, Copenhagen, Denmark
“Today is just a copy of yesterday (Tel Aviv),” Dvir Gallery, Tel Aviv, Israel
“Free Lane,” Casey Kaplan, New York
“Jonathan Monk, How The World Works,” Lieu d’Art Contemporain,
Hameau du Lac, France
“Jonathan Monk. Special guest: Pierre Bismuth,” Galerie Diana
   Stigter, Amsterdam, Holland
“repertoire & other works by Jonathan Monk,” Yvon Lambert, Paris, France
“Jonathan Monk,” Atelier Augarten, Center for Contemporary Art, Österreichische Galerie Belvedere, Vienna, Austria
“1+1=2,” Meyer Riegger Galerie, Karlsruhe, Germany
“Present Tense Series: Jonathan Monk," The Art Gallery of Ontario, Toronto, Canada

2001    “If you stare at a printed page long enough it starts to move,” Galerie Yvon Lambert, Paris, France
“You’ll get a Bang out of this,” with Douglas Gordon, Galleri
Nicolai Wallner, Copenhagen, Denmark
“Our Trip Out West” (with Pierre Bismuth) Contemporary Arts
Centre, Vilnius, Lithuania.

2000    “Jonathan Monk: Tea Party at 136 and Other Works”, Galerie Yvon Lambert, Paris, France
“Sollewittonehundredcubescantzlowslowsloweasynowfronttobackbacktofrontonitssideforever,” Meyer Riegger Galerie, Karlsruhe, Germany
“Something between something and something else,” Galleria Sonia Rosso, Pordenone, Italy
“Gyrostasis,” (with Dave Allen), Workweb-art, Köln, Germany

1999    “… & does Phineas Fogg (David Niven) really go around the world in eighty days in the film, Around the World in 80 Days?,”Casey Kaplan 10-6, New York
“...and do you think Rusty James (Matt Dillon) really drove his brother’s motorbike to the ocean at the end of Rumble Fish”, Jack Hanley Gallery, San Francisco, CA
       "Meine Onkel," Meyer Riegger Galerie, Karlsruhe, Germany

1998        Lisson Gallery, London, England
       Galerie Francesca Pia, Bern, Switzerland
“Jonathan Monk: Tea Party at 136 and Other Works", Galerie Yvon Lambert,
Paris, France
       Galleri Nicolai Wallner, Copenhagen, Denmark

1997        Casey Kaplan, New York
“Anything by the Smiths”, Centre d'Art Contemporain, Neuchatel,
Switzerland

1996       "Salon Ryman," FRAC Des Pays de la Loire, Nantes, France
"Crash Bang Wallop," City Racing, London
"The Time Between the 12th and 13th of January 1996,"
c/o-Atle Gerhardsen, Oslo, Norway

1995    "The Agony, The Ecstasy (and some other stuff)," Galleri Index, Stockholm, Sweden
"A Brush with Death," Tramway, Glasgow, Scotland, cat.
"Lust for Life," Galleri Nicolai Wallner, Copenhagen, Denmark

1994    "Almost Enough," CCA, Glasgow, Scotland
"Old Peculiar," Galleri Nicolai Wallner, Copenhagen, Denmark, cat.
"My Record Collection," Bentinck Street, Glasgow, Scotland

1992    "On the Cheap," Center for Contemporary Arts, Glasgow, Scotland


SELECTED GROUP EXHIBITIONS

2007-08    “Meanwhile in Baghdad,” The Renaissance Society, The University of Chicago, Chicago, IL
   “July 2007 – July 2008,” Ingleby Gallery, Edinburgh

2007    “Nothing Moments,” Steve Turner Contemporary, Los Angeles, California;
   Silverman Gallery, San Francisco, California
“For Sale,” Curated by Jens Hoffman, Guerra Contemporary Art, Lisboa, Portugal
“About-turn (Um-Kehrungen)” Kunstverein Braunschweig e.V., Germany
“Ref.”, curated by Gigiotto del Vechhio  Unosunove Arte Contemporanea, Rome, Italy
“Learn to Read,” Tate Modern, London, United Kingdom
"Five Ballerinas in Manhattan," Six Actions for New York City, organized by Creative Time, Chinatown, East Village, Greenwich Village, Times Square, SoHo, Central Park, Wall Street, New York, NY
“Jonathan Monk and Peter Roehr,” Mehdi Chouakri, Berlin, Germany
"Arte Povera Now and Then: Perspectives for a New Guerrilla Art," Esso Gallery and Books, New York, NY
"Story Tellers," curated by Gea Politi e Sonia Rosso, Prague Biennale 3, Prague, Czech Republic
"READ Edition," (a fundraising print edition for the ECI Press), curated by Christoph Keller and Kathy Slade, specific object, New York, NY
"Breaking Up/ U raskoraku," British Council and the Museum of Contemporary Art Belgrade, Belgrade, Serbia
"Made in Germany," Kestner Gesellschaft, Sprengel Museum Hannover, Kunstverein Hannover, Hannover, Germany*
"Half Square Half Crazy," Villa Arson, Nice, France
"SOME TIME WAITING," curated by Adam Carr, Kadist Art Foundation, Paris
"Shoot the Family," organized by iCI, curated by Ralph Rugoff, Sandra and David Bakalar Gallery, MASSArt, Boston, MA

2007/06        “PRC/POV: Photography Now and The Next 30 Years,” The Photographic                 Resource Center, Boston, MA
"Six Feet Under," Kunstmuseum Bern, Switzerland (November 11 - January 21, 2007)

2006    "Back and Forth," Jonathan Monk and Michael Snow, Jessica Bradley, Art + projects, Toronto, Canada
"Eye on Europe: Prints, Books & Multiples/1960 to Now," MOMA,
   New York, NY
"Five Billion Years/Grand Opening including A Competition of Chainsaw Sculpture," Palais de Tokyo, Paris, France
New-con. Contemporary Returns to Conceptual Art, " Apexart, New York, NY
"Collaboration I: Liam Gillick & Jonathan Monk," Casey Kaplan, New York, NY
“The Show Will Be Open When The Show Will Be Closed,” curated by
   Adam Carr, STORE gallery, London, United Kingdom
"Yes, Bruce Nauman,” Zwirner & Wirth, New York, NY
“Strange Powers,” Creative Time, New York, NY
“New Photography 2006,” The Museum of Modern Art, New York, NY
“Group Exhibition,” Dvir Gallery, Tel Aviv, Israel
“Jonathan Monk & Richard Prince,” Galerie Mezzanin, Vienna, Austria
“DaimlerChrysler Contemporary: Classically Modern Masterpieces in the Exhibition,” Daimler Chrysler Contemporary, Berlin, Germany
“Minimalism and After IV,” Daimler Chrysler Contemporary, Stuggart, Germany
“Message Personnel,” Yvon Lambert, Paris, France
“The Peace Tower in Day for Night,” The 2006 Whitney Biennial,
The Whitney Museum of American Art, NY
“Draw a Straight Line and Follow It,” The Center for Curatorial Studies,
Bard College, Annandale on Hudson, NY
       “Grey Flags,” The Sculpture Center, Long Island City, NY

2008/06        “Shoot the Family,” curated by Ralph Rugoff, Independent Curators
International: Cranbrook Art Museum, Bloomfield Hills, MI; Knoxville Museum of Art, TN; Western Gallery, Western Washington University, WA; Columbus College of Art and Design, Columbus, OH*

2005    “A Brief History of Invisible Art,” CCA Wattis Institute for Contemporary Arts, San Franscisco, CA*
“Some Time Waiting: Project 2,” an online exhibition project curated by Adam Carr
“General Ideas,” CCA Wattis Institute for Contemporary Arts, San Francisco, CA
“En Route: Via Another Route,” Moscow—Novosibirsk—Beijing
“Punkt und Linie, Flaache und Raum,” Overbeck-Gesellscheft, Lubeck,     Germany
“Today is Just a Copy of Yesterday,” Galerie Jan Mot, Brussels, Belgium.
“Baby Shower,” Galleri Nicolai Wallner, Copenhagen, Denmark
“Theorema. Une Collection Privée en Italie, la collection d’Enea Righi,” Collection Lambert en Avignon, Avignon, France
“Goodbye Fourteenth Street,” Casey Kaplan, New York
“Post Notes,” Institute of Contemporary Arts, London, England, Midway Contemporary Art, Minnesota, MN
“Formalism. Modern Art, today,” Kunstverein Hamburg, Hamburg, Germany
“We Disagree,” Andrew Kreps, New York

2004    "Prototype," Contemporary Art from the Joe Friday Collection, Carleton University Art Gallery, Ottawa, Canada
“MINIMAL ARTISTS TRY TO MAKE SOMETHING LOOK LIKE
NOTHING AND CONCEPTUAL ARTISTS TRY TO MAKE NOTHING
LOOK LIKE SOMETHING, OR IS IT THE OTHER WAY AROUND?”
group show curated by Jonathan Monk, Yvon Lambert, New York, NY
“Jonathan Monk,” GióMARCONI, Milan, Italy
“Formalism. Modern Art Today,” Hamburg Kunstverein, Hamburg, Germany
“Small: The Object in Film, Video, and Slide Installation,” The Whitney Museum of American Art, New York, NY
“John Baldessari/ Jonathan Monk,” Galleri Nicolai Wallner, Copenhagen, Denmark
“SlideShow,” Baltimore Museum of Art, traveling to the Contemporary Arts Center, Cincinnati*
“Mute,” Guild & Greyshkul, New York, NY
“Five Billion Years,” Swiss Institute, New York, NY
“Cave Birds,” Raffaela Cortese, Milano, Italy
“Io Mi Ricordo,” Galleria s.a.l.e.s, Rome, Italy
“Terminal Five,” Projects fo JFK Airport, New York, NY
Whitney Museum of American Art, New York, NY

2003        “We’ll meet you in the lobby,” Buyuk Londra Oteli, Istanbul
“Love,” curated by Judith Reichart and Wolfgang Fetz, Palais Thurn und Taxis, Bregenz, Austria*
“The Next Documenta Should Be Curated by an Artist,” curated by Jens Hoffmann, www.e-flux.com
“Living with Duchamp,” The Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY
“Dust Memories,” curated by Emmanuel Latreille, Swiss Institute, New York
“Perfect Timeless Repetition,” c/o Atle Gerhardsen, Berlin
Galleri Nicolai Wallner, Copenhagen
“The Distance Between Me and You,” Lisson Gallery, London
“Utopia Station,” Curated by Molly Nesbit, Hans Ulrich Obrist and Rirkrit Tiravanija, 50th International Exhibition of Art, Venice Bienniale, Venice, Italy•
“Animations,” KW-Institute for Contemporary Art, Berlin, Germany
“Spectacular–the Art of Action,” Museum Kunst Palast, Dusseldorf, Germany
“Jonathon Monk,” Galerie Yvon Lambert, Paris, France
“Out of Place,” Harewood House, England
“Independence,” South London Gallery, London, England
“Somewhere between here and there,” Le Spot 1, Le Havre, France
           
2002    “Summer Cinema,” Casey Kaplan, New York
"Superstudio," Yvon Lambert, Paris, France
"Trans>Area," Special Video Projects, Yvon Lambert Le Studio, New York
“Basics,” Kunsthalle Bern, Bern, Switzerland
“Tableau vivants: Living pictures and attitudes in Photography, Film, and Video,” Kunsthalle Wien, Austria
“Bureau Amsterdam: Jim, Jonathan, Kenny, Frances and Sol,” Stedelijk Museum, Amsterdam, Holland

2002    “About Belief,” South London Gallery, London
“New” Green on Red Gallery, Dublin, Ireland
“Wordsindeeds,” Portland Institute of Contemporary Art, Oregon
"Greyscale/CMYK,” Tramway 2, Glasgow
“The Music in Me.  Chapter 1: Concerting an Exhibition,” Gesellschaft für Aktuelle Kunst e.V. Bremen, Germany
“To Whom it May Concern,” CCAC Wattis Institute for Contemporary Art,
   San Francisco, CA
“So Jackie,” Galerie P, Brussels, Belgium

2001    “Moving Pictures: Photography and Film in Contemporary Art,” Villa Merkel, Bahnwärterhaus and Glerie im Heppächer, Esslingen, Germany
“Nothing,” CAC Vilnius, Roosmuseum Malmo, Sweden (travelling exhibition)
“L’anonyme,” Rencontres Internationales de la photographie, Arles, France
“Sport in der zeitgenössischen, Kunst,” Kunsthalle Nürnberg, Germany
“Hunger nach bildern,” Kunsthalle Palazzo, Liestal/Baselland, Switzerland
“Wedding Show,” Casey Kaplan, New York
“G3NY13,” Casey Kaplan, New York
"Rendez-vous #2: Collection Lambert en Avignon," Hôtel de
Caumont, Avignon, France
“Rovaniemi,” Galerie Yvon Lambert, Paris, France
“City Racing 1988-1998: a partial account,” ICA London, England
“Our trip out West,” (with Pierre Bismuth), CAC Vilnius, Lithuania
“Out From Under,” Dvir Gallery, Tel Aviv, Israel
“141,” ZKM, Karlsruhe, Germany
“You’ll get a Bang out of this,” (with Douglas Gordon), Galleri Nicolai Wallner, Copenhagen, Denmark
Berlin Bienniale 2, Berlin, Germany
“Underneath the Arches: a new work by Jonathan Monk and an old work by Gilbert & George,” Büro Friedrich, Berlin
“Air Guitar: Art Reconsidering Rock Music,” Milton Keynes Gallery, curated by Emma Mahony, (cat.) tours to Cornerhouse, Manchester
“In between–Bildmedien im Dialog,” Kunsthous Langenthal
“Le temps d’un trait,” Galerie des Grands Bains Douches de la Plaine, Marseille, France
“Devoler,” Institut d’art contemporain, Villeurbanne, France
“Playmakers” in Boom!, Manifattura Tabacchi, Florence
“Jonathan Monk,” Galerie Diana Stiger, Amsterdam (with Pierre Bismuth)
“Sol Lewitt, Jonathan Monk,” Galerie Yvon Lambert, Paris
“Ingenting,” Rooseum Center for Contemporary Art, Sweden
“Le College,” Fonds Regional d’art Contemporain, Champagne-Ardenne, France
“Animation,” P.S.1, Long Island, New York
“About Belief,” South London Gallery, London

2000    “Au dela du spectacle,” Centre Pompidou, Paris France
“Le Fou dédoublé,” Château d’Oiron, Oiron, France
"Rendez-vous #,” Collection Lambert - Musee d’Art Contemporain,
   Avignon, France
“Gyrostasis,” workweb_art, Cologne, Germany
“The sky is the limit,” 2000 Taipei Biennale, Taipei, Taiwan, Japan
"GS4: 100% Painting," Mehdi Chouakri, Berlin, Germany
“Film/Video Works - Lisson Gallery at 9 Keane Street”, Lisson Gallery, London
"I Looked at the City and there was no City," Transfert- Kunst im Urbanen Raum-Art dans l'Espace Urbain, Biel-Bienne, Switzerland
“For those about to rock,” curated by Raimar Stange,
Palais Enzenberg, Schwarz, Austria
“Diary,” Cornerhouse, Manchester, England
“Drive,” Govett Brewster Art Gallery, New Plymouth, NZ
“Jonathan Monk,” Casey Kaplan, New York
“Urban Hymns”, Luckman Gallery, Los Angeles
“Sentimental,” Galerie Yvon Lambert, Paris, France
“Century of Innocence,” Rooseum, Malmö & Liljevalchs Kunsthalle,
Stockholm, Sweden
“Sailing into San Francisco Three Sailors & One Tatoo,” Jack Hanley
Gallery, San Francisco
“Hair Styling,” c/o Coiffures Complices, Paris, France
“Duchamp’s Suitcase,” perspectives by five European curators, Arnolfini, Londres
“Transfert–Art dans l’espace urbain n° 10,” Bienne

1999        “Bildung,” Grazer Kunstverein, Graz, Austria
"L.A. International," Chac Mool Gallery, Los Angeles, CA in collaboration with Lisson Gallery, London, England
"Landscape Memories," Rosamund Felson Gallery, Los Angeles, CA
"Lè Grând Praemière Opénïng Shöw," Galleri Nicolai Wallner, Copenhagen, Denmark
       Galerie Yvon Lambert, Paris, France    
“Le fou dédoublé–L’idiotie comme strategie contemporaine,” touring, Moscow Nijni, Novgorod, Samara,                     Ekaterinbourg, Chateau d’Oiron

1998    "La Sphere de l'Intime," Le Printemps de Cahors, Cahors France*
"June/July" Casey Kaplan, New York
"1970 N. Bronson Ave.," Meyer Riegger Galerie, Karlsruhe, Germany
"John Armleder, Angela Bulloch, Piere Joseph, Jonathan Monk," Le Spot,Studio d'Art Contemporain, Le Havre, France

1997        "Work in progress and or finished," Ubermain, Los Angeles
"Waves in Particals Out," CCA, Glasgow, Scotland
"It Always Jumps Back and Finds Its Way," De Appel, Amsterdam, Netherlands
“Objective Lune”, Centre d’art Contemporain Neuchatel, Switzerland
"Des Histoires en Formes," La Magasin, Centre National d'Art Contemporain de Grenoble, Grenoble, France
"ViewFinders," Über Main, Los Angeles, CA
"Works Almost Finished and Not," Ubermain, Los Angeles
“What is a guy from Leicester, a Swedish girl, a family father and a gay couple doing on a deserted island                 between Denmark and Sweden?” curated by Jacob Fabricius, Copenhagen, Denmark
"Biscuit Barrel," Margaret Harvey Gallery, St. Albans, England

1996        "Gallery Artists," Galleri Nicolai Wallner, Copenhagen, Denmark
"Triple Axel," Roubaix, France
"(almost) an Evening with Jonathan Monk, Part of Wish You Were Here," De Appel, Amsterdam, Netherlands
"All girls,” Berlin, Germany
"Host," curated by Otto Berchem, Amsterdam, Netherlands
“Insane, Stupid, Phat, Fuct, Pervert”, Concrete Skates, Glasgow
“The Most Important Thing in the World: Oasis vs. Blur and Artists who Rock," Broad Street, New York, curated by Bill Arning
"Bad Blood," Glasgow Print Studio, Glasgow, Scotland
"Never a Dumb Moment," The Film and Video Umbrella, London, England
“Transmission”, Globe, Copenhagen, Denmark
"Monstrosities 1," Berlin, Germany

1995    “Video screening”, Centre d’Art Contemporain Neuchatel, Switzerland
"One Night Stand," Kunstlerhaus, Oslo, Norway
"Group Show," FRAC Pays-de-Loire, Loire, France
"Ideal Standard Summertime," Lisson Gallery, London, England
"Gang Warfare," Dallas, Texas and London, England
RAM, Portalen, Greve, Denmark*
“Art Hotel”, Galleri Nicolai Wallner, Copenhagen, Denmark *
"444 and 222 too," South London Gallery, London
“Onzieme Ateliers du Frac des pays de la Loire,” Saint-Nazaire
"Faction Video," Det Kongelige Danske Kunstakademi,
   Copenhagen, Denmark
"Summer Shorts," CCA TV, CCA, Glasgow, Scotland
"External Links," Glasgow School of Art, Glasgow, Scotland
"Making Work," Salatfadet, Copenhagen, Denmark, organized by Nicolai Wallner
"Varje gang jag ser dig," Malmö, Sweden and traveled
       Index Gallery, Stockholm, Sweden, curated by Nicolai Wallner
   
1994    "Some of My Friends," curated by Jonathan Monk, Campbells Occasionally, Copenhagen, Denmark*
"On Line," with Galleri Nicolai Wallner, Gent, Belgium *
"Art Unlimited," CCA, Glasgow, Scotland, traveled to Manchester, Leeds and London, England*
"Group Show," Galleri Nicolai Wallner, Copenhagen, Denmark
"Europa 1994," Ratthouse, Munich, Germany
"Modern Art," Transmission Gallery, Glasgow, Scotland
"Übergange," Budapest Galeria, Budapest, Romania,traveled to Bratislava, Slovakia, cat.
"Young Scottish Artists," Overgarten, Copenhagen, Denmark*
"30 Secs. Plus Tittle," Transmission Gallery, Glasgow, Scotland
   
1993        "Cadavre Exquis," The Drawing Center, New York, cat.
"November TV," Esther Schipper Gallery, Cologne, Germany
“Unfair”, (w. Maureen Paley, London) Cologne, Germany*
"Kiss Alive," Six Pack, Cologne, Germany
"Left Luggage," Paris, France
"Übergange," Museum Moderna Kunst, Passau, Germany, cat.
       Futura Book Collection, Nice, France        
"Landscape Painting," Transmission Gallery, Glasgow, Scotland
"Instructions for Liam Gillick," Gio Marconi Gallery, Milan, Italy*

1992        "Superprix," Glasgow, Scotland
"Sale to European Parliament," Paley Wright Gallery, London
"Salon Glasgow," Center for Contemporary Arts, Glasgow, Scotland
"Contact," Transmission Gallery, Glasgow, Scotland


PERMANENT COLLECTION

Atelier Augarten-Zentrum für zeitgenössische Kunst der Österreichischen Galerie, Vienna
FRAC, Burgandy, Dijon, France
FRAC, Languedoc-Rouyssilla, Montpellier, France
FRAC, des Pays de la Loire, Nantes, France
LACMA, Los Angeles County Museum of Art, Los Angeles, CA
Moderna Museet, Stockholm, Sweden
MMK, Frankfurt, Germany
Museum of Modern Art, New York, NY
Norton Collection, Santa Monica, CA
Solomon R. Guggenheim Museum, New York, NY
Statens Museum for Kunst, Copenhagen, Denmark
TATE Modern, London, United Kingdom


BOOKS/CATALOGS

Eveline Bernasconi et al., Made in Germany, Kestner Gesellschaft, Sprengel Museum Hannover, Kunstverein Hannover, Hannover, Ostfildern: Haje Cantz, 2007, p.198-199.
Monk, Jonathan, Jonathan Monk: Until Then…If not Before, lel Domaine de kerguéhennec, Cnetre d'art contemporain, Bignan: Domaine de Kerguéhennec, 2006.
One in one hundred (child), (Artist Book), Paris: Onestar press, 2007.
Wiehager, Renate, (ed.), "Jonathan Monk," Minimalism and After, DaimlerChrysler AF, Ostfildren: Hatje Catz Verlag, 2007, p. 366-369.
Pedrosa, Adriano, (ed.), Desenhos [Drawings]: A-Z, Ilha da Madeira: Coleccão Madeira Corporate Services, 2006.
Gallery Hours, MAC/VAL, Musée D'Art Contemporain, Du Val-De-Marne, France, 2006.
Koh, Germaine, Prototype: Contemporary Art From Joe Friday's Collection, Ottawa: Carleton University Art Gallery, 2006.
Laura Hoptman and Peter Eleey (writers and curators), Strange Powers, New York:
   Creative Time, 2006.
Hoffmann, Jens, et al., Jonathan Monk: Continuous Project Altered Daily, London: The     Institute of Contemporary Arts & Revolver, 2006.
Grey Flags, The Sculpture Center, Long Island City, New York, May 2006
Eye on Europe: Prints, Books & Multiples, 1960 to Now. New York: The Museum of Modern     Art, 2006
Berg, Stephan, et al., Jonathan Monk: Yesterday, Today, Tomorrow, Etc., Frankfurt,     Germany: Revolver-Verlag, 2006
Rugoff, Ralph, ed., Shoot the Family. New York: Independent Curators International, 2006
Rugoff, Ralph, ed., A Brief History of Invisible Art. San Francisco, CA: California College of the     Arts, 2005.
Alexander, Darsie, ed., Slide Show, Baltimore, MD: The Baltimore Museum of Art & The     Pennsylvania State University Press, 2005.
Perrella, Christiana, ed., Winged Mirror, Rome, Italy: Contemporary Arts Programme, The     British School at Rome, 2005.
Glimcher, Marc, ed. Logical Conclusions: 40 Years of Rule-Based Art New York:
   PaceWildenstein, 2005.
Dziewior, Yilmaz, et. al,  Formalism. Modern Art, Today. Germany: Kunstverein Hamburg &     Hatje Cantz Verlag, 2004.
The Next Documenta Should Be Curated By An Artist, curated by Jens Hoffmann, Electronic     Flux Corporation with Revolver Books, 2004.
“Somewhere Between Here and There,” Le Spot, Le Havre, France, 2003.
Higgs, Matthew, ed. Jonathan Monk, Lisson Gallery, London and Galerie Yvon Lambert,
   Paris, 2003.
Love, curated by Judith Reichart and Wolfgang Fetz, Palais Thurn und Taxis, Bregenz,
   Austria, 2003.
Cream3: 100 Artists, 10 Curators, 10 Source Artists, Phaidon Press, London, 2003.
Art Now: 137 Artists at the Rise of the New Millennium, Edited by Uta Grosenick&Burkhard
   Riemschneider, Taschen, Cologne and Berlin, May 2002, p. 300-303.
Charley, ed Maurizio Cattelan, Bettina Funcke, Massimiliano Gioni & Ali Subotnick,
   Italy 2002.
Grosenick, Uta and Burkhard Riemschneider, eds. Art Now: 137 Artists at the Rise of the New Millennium, Taschen Books, 2002.
Keller, Christoph, ed. Sur.faces: Interviews: 2001/02, Archiv für aktuellen Kunst, Frankfurt am     Main, Germany, 2002.
Keller, Christoph, ed. Circles. Socializing, Networking & Peer-Grouping in Contemporary Art,Center for Art and Media, Archiv für aktuellen Kunst, Frankfurt am Main, Germany, 2002.
Keller, Christoph, ed. Camobook, Museum Wiesbaden, 2001.
Keller, Christoph, ed. None of the Buildings on Sunset Strip, Archiv für aktuellen Kunst,     Frankfurt am Main, Germany, 2002.
Keller, Christoph, ed. P: Potato print children’s book, Archiv für aktuellen Kunst, Frankfurt am     Main, Germany, 2002.
Meeting #13 (Artist Book), Paris: Editions Yovn Lambert/ Book Works, 2000
Comic Book, (Artist Book) Paris: Editions Yvon Lambert, 1999.
Jonathan Monk 2, Archiv für aktuelle Kunst, Stuttgart, Germany,1999
Unbuilt Roads, 107 Unrealized Projects, Obrist, Hans-Ulrich, Musee D'Art Moderne de la ville de Paris, Paris 1997.
"Photographs of Jonathan Monk and Alexis Vaillant," Kunst Bulletin, June 1997.
Jonathan Monk, Tramway, Glasgow, Scotland and Frac des Pays de la Loire, Nantes,
France, 1996


SELECTED BIBLIOGRAPHY

Burton, Johanna, “Jonathan Monk: Casey Kaplan Gallery,” Artforum, Summer 2007, Issue XLV, No. 10, p. 496-497.
Engeser, Manfred, “Rheinische Kunstboutique,” Wirtschafts Woche, Issue 16, April 2007,
p. 174-175.
Scharrer, Eva, “Jonathan Monk and Peter Roehr,” Artforum, Critics’ picks, May 18, 2007, Available: www. Artforum.com/picks/section=de#picks15336
Tousley, Nancy, “Back and Forth,” Canadian Art, Spring 2007, p. 103 – 104.
Rosenberg, Karen, “An Afternoon in Chelsea, What to see – and what to skip – On your Satruday Gallery tour,” New York magazine, May 7, 2007, p. 78-79.
Armetta, Amoreen, “Jonathan Monk,” TimeOutNY, Apriil 26 – May 2, 2007, p. 106.
Smith, Roberta, "Space Redefined in Chelsea," The New York Times, April 13, 2007,
E29 & E38.
Ackermann, Tim, "Jonathan Monk: I'm not good at telling jokes," Deutsche Bank spotlight, 2007/01, Available: www.deutsche-bank-kunst.com/art/assets/2007/1/e/2/517.php
Vecchio, Riccardo, "Museum of Modern Art, New Photography 2006," The New Yorker, December 11, 2006, p. 20.
Tinari, Philip, "Beijing," Artforum, December 2006, XLV, no. 4, p. 265-267.
Smith, Roberta, "The Body, Electric: Text, and Yes, Videotape," The New York Times,
Art & Design, Friday, August 4, 2006, p. E31.
Vogel, Carol, [Online, Internet], "A Scary Show," The New York Times, Inside Art, July 14, 2006, Available: www.nytimes.com/2006/07/14/arts/design/14voge.html?    
Smith, Roberta, "Grey Flags," The New York Times, Art in Review, July 14, 2006.
Rosenau, Von Mirja, “Das Spiegel-Konzept,” Frankfurter Rundschau, April 4, 2006.
Glanz, Alexandra, “Die Angst vor dem Rand,” Hannoversche Allgemeine Zeitgung, February 24, 2006.
Gardner, Belinda Grace, [Online, Internet], “Rasender Stillstand,” Artnet, February 27, 2006, Available: www.artnet.de/magazine/reviews/gardner/gardner02-27-06.asp
Grant, Catherine, “Jonathan Monk: ICA,” Flash Art, January-February 2006, p. 106.
Williams, Eliza, “Special Issue on Curators: Profiles: Jens Hoffmann,” Contemporary. No. 77, December 2005, p. 70-74.
Herbert, Martin, “Previews. Jonathan Monk: Institute of Contemporary Art London,” Artforum, September 2005, p. 151.
Lange, Christy, “Bound to Fail,” Tate etc. Summer 2005, p. 28-36.
Kley, Elisabeth, “Goodbye Fourteenth Street: A Review,” ARTnews, May 2005, p. 146.
Bell, Kirsty, “Formalism: Modern Art, Today, Kunstverein Hamburg, Germany” Frieze,
Issue 89, March 2005, p. 124.
Schwendener, Martha, “We Disagree: ArtForum Picks,” www.artforum.com, February 2005.
Cotter, Holland, “We Disagree,” The New York Times, February 4, 2005.
Dailey, Meghan,  “Young Collectors Council: Recent Acquisitions,” Guggenheim: A Magazine for Members, Summer 2004, p. 10.
Johnson, Ken “Art in Review: Five Billion Years,” The New York Times, May 16, 2004.
Lorch, Catrin, “What Did You Expect?” www.artforum.com, March 2004.
Smith, Roberta, “Emerging Talent, and Plenty of It,” The New York Times, March 12, 2004.
Johnson, Ken, “Art in Review: Mute,” The New York Times, February 6, 2004, p.E39.
Malasauskas, Raimundas, “An Extended Family,” Tema Celeste, January/February 2004, XXI No. 101, p. 60-65.
Stern, Steven, “Time And or Space,” Time Out New York, Decmber 4-11, 2003, p. 66.
Bollen, Christopher, “Artforum Picks: Aleksandra Mir/Jonathan Monk,” www.artforum.com, December 2003.
Garulli Lavinia and Valentina Sansone, “Focus Photography,” Flash Art International, October 2003, Vol. XXXVI, NO. 232, p.86-93.
Godfrey, Mark, “Jonathan Monk,” Untitled, Contemporary Art, Number 30, Summer 2003.
Darwent, Charles, “The best clearance that I’ve seen for quite a long time,” Independent on Sunday, 13 July 2003.
Herbert, Martin, “Jonathan Monk,” Frieze, May 2003, Issue 75, p.94-95.
“Jonathan Monk/Pierre Bismuth,” Art Monthly, March 2003, p.21.
Lafuente, Pablo, “Spot the Celebrity,” Art Review, February 2003, Vol. LIII, p. 36.
“Pierre Bismuth and Jonathan Monk,” ¨The Guardian, 24 Feb 2003, p.21.
Smithson, Helen, “Art of nostalgia,” Wood & Vale Express, Highbury & Islington Express, Hampstead & Highgate Express, 7 Feb 2003.
Coomer, Martin, “Jonathan Monk,” Time Out London, 19 Feb 2003.
“Jonathan Monk: Neither a borrower, nor a lender be, Arnolfini, Bristol,” Art Review,
March 2003.
Gioni, Massimiliano, “New York Cut Up,” Flash Art, March-April 2002, p. 65.
Mahoney, Robert, “Art Reviews: Jonathan Monk, ‘Free Lane,’” Time Out New
York, January 31-February 7, 2002, Issue 331, p. 47
Smith, Roberta, “Art in Review: Jonathan Monk,” The New York Times,
January 18, 2002.
Wilson, Michael, “Artforum Picks: Jonathan Monk, Artforum.com, January 2002.
“Jonathan Monk,” Beaux Art, edition 2002
“Air Guitar: Art Reconsidering Rock Music,” Milton Keynes Gallery, curated by
Emma Mahony
Harrison, Sarah, “Art Guitar: Art Reconsidering Rock Music,” Art Monthly No. 259, September 2002, p.35-7.
Richardson, Craig, “Greyscale/CMYK,” Art Monthly, No. 260, October 2002, p. 39-40.
Stange, Raimar, “One of you among you with you,” Modern Painters, Winter 2002, p.66-9.
Herbstreuth, Peter, “Berlin Biennale in Kunst-Werke im Postfuhram, unter der Jannowitzbrücke und in den Allianz Treptowers,” Kunst-Bulletin, June 2001, p. 39.
Lapp, Alex, “Berlin Biennale 2,” Art Monthly, June 2001, p. 8-11.
Eichler, Dominic, “Berlin Biennale 2,” Frieze, Issue 61, p. 103.
Finlay, Alec, ed., The Libraries of Thought and Imagination: an anthology of books and bookshelves,” Pocketbooks, Morning Star Publications Polygon, p. 122.
Vogel, Sabine B., “For those about to rock,” Kunst-Bulletin, Lucern, Switzerland, April 2000.
Packer, William, “Screening Time,” Financial Times, May 6, 2000.
Stange, Raimar, “Jonathan, der Libero,” Kunst-Bulletin, (CH), Sept 2002, p. 10-15.
Moisdon Trembley, Stephanie, “Jonathan Monk: Galerie Lambert,” Artpress, No. 259, 2000.
Godfrey, Mark, “Video Work, Lisson Gallery in Covent Garden,” Frieze, No. 54,
Sept. - Oct. 2000.
Artist pages, Blocnotes, no 17, fall 1999.
Könches, Barbara, “Drei Onkel locken vor den Spiegel,” Badische Neuste Nachrichten, Germany, 16 June 99.
“Comic Book,” (exh. cat.), Yvon Lambert, Paris, 1999.
Krygier, Irit, “Letter from L.A.” artnet.com, 1999.
Beech, Dave, “Jonathan Monk”, Art Monthly, no. 222, January 1999.
Perreau, David, translation, L-S. Torgoff, “Jonathan Monk, l’imitateur Chugalug the Beer, Don’t Swallow the Rules”, Art Press, June 1999.
Burrows, David, "Waves In, Particles Out," Art Monthly, February 1998.
Jouanno, Evelyne, "Jonathan Monk, coté rue - Yvon Lambert," Flash Art, October 1998.
Artist page, “Waiting for Famous People,” Self-Service - class of 1998, February 1998.
Gibbs, Michael, "It always jumps back and finds its way," Art Monthly, May 1997.
Perreau, David, "I Could do that," Omibus, July 1997.
Modin, Lars, “Jonathan Monk”, Magasin Schäfer, no. 8, Denmark, 1997.
"Crash Bang Wallop (City Racing)," Art Monthly, April 1996.
Herbert, Martin, "City Racing," Time Out London, March 27, 1996.
Sinclair, Ross, "Getting Closer to Failure," B.E., no. 2, 1996.
Perreau, David, "Stroboscopes," Documents Sur l'Art, no. 8, 1996.
artist pages, Index, March/April 1995.
artist pages, Vagrant, March/April, 1995.
Boije af Gennas, Staffan, "Lust for Life," Material, no. 27, 1995.
Sanderson, Philip, "Ideal Standard Summertime," Art Monthly, no. 189, 1995.
Findlay, Judith, "Almost Enough," Flash Art, no. 81, 1995.
Gordon-Nesbitt Rebecca, “Urban Myths,” Contemporary Visual Arts, no 17, 1995.
Kent Sarah, “Sound and Vision”, Time Out London, no 1306, August 30, 1995.
"Bloody Hell," interview with Lili Badawi, Art-Land, vol. 1, 1994.