EDUCATION

1990-92    Glasgow School of Art
1987-90    Nottingham Polytechnic
1986-87    Maidstone College of Art


AWARDS

2005        The Turner Prize, Tate Britain, London, UK*

2004        Nominee for The Hugo Boss Prize, Solomon R. Guggenheim Museum, New York*

1999    Blinky Palermo Prize, Galerie Fur Zeitgenossiche Kunst, Leipzig, Germany
    Henry Moore Sculpture Fellowship, Duncan and Jordanstone College of Art,
    Dundee, Scotland
    Paul Hamlyn Foundation Award for Artists, London, England


SOLO EXHIBITIONS
(*catalogue/publication)

2008    Mass MOCA, North Adams, MA
        
2007        Appenzell Biennale, Aktuelle Kunst im Schaukasten Herisau, Switzerland
        Casey Kaplan, New York NY
“Nachbau,” Städtischen Kunstmuseum zum Museum Folkwang, Essen, Germany

2007/06    "Wilhem Noach oHG," Neugerriemschneider, Berlin, Germany

2006    “24 hr. Tangenziale,” Galleria Franco Noero, Turin, Italy*
"Autoxylopyrocycloboros," Cove Park, Cove, Scotland
"Amplified Feedback Loop," Wiels Centre for Contemporary Art, Brussels, Belgium
        Kunstverein Heidelberg, Heildelberg, Germany

2006-05    “Cuttings,” Kunstmuseum Basel, Museum für Gegenwartskunst, Basel,
        Switzerland; traveling to The Powerplant Contemporary Art Gallery, Toronto, Ontario

2005    "C.A.M. Crassulacaen Acid Metabolism," Void, Derry, N. Ireland        

2004    “Tabernas Desert Run,” The Modern Institute, Glasgow, Scotland           
“One Ton,” Neugerriemschneider, Berlin, Germany
Miro Foundation, Barcelona, Spain
Art Statements, Art/33/Basel, Basel, Switzerland
        
2003    Villa Arson Nice, France
"Work, Made-Ready, In Light of Nature," MACRO, Rome, Italy*
"Djungel," South London Gallery, London, United Kingdom
                
2002    “Inverted Retrograde Theme, USA,” Casey Kaplan, New York and UCLA Hammer Museum, Los Angeles, CG
“Flaga (1972-2000),” Franco Noero, Turin, Italy *
"Kakteenhaus," Portikus, Frankfurt, Germany*
“Djungel,” Dundee Contemporary Arts, Dundee, Scotland*

2001    “Poul henningsen,” DCA, Dundee, Scotland*
“CMYK/RGB,” Frac Languedoc-Rousillion, Montpellier, France*
“Inverted Retrograde Theme,” Vienna Secession, Vienna, Austria’
“Burn- Time,” Neugerriemschneider, Berlin, Germany

2000    Camden Arts Centre, London, England *

1999     “Signal,” Malmö, Sweden
     Blinky Palermo Prize, Galerie fur Zeitgenbssiche Kunst, Leipzig, Germany

1998     Project for a Modern Museum, Moderna Museet, Stockholm, Sweden*

1997    “Blue Boat Black,” Transmission Gallery, Glasgow, Scotland *

1995    “An Eichbaum Pils beer can,” The Showroom, London, England *


SELECTED GROUP EXHIBITIONS

2007    “The History of a Decade That Has Not Yet Been Named,” Lyon Biennial of Contemporary Art, Lyon,             France
“Held Together With Water,” Art from the Sammlung Verbund, Vienna, Austria
"László Moholy-Nagy & Simon Starling," Presentation House Gallery, Vancouver, Canada
"Made in Germany," Kestner Gesellschaft, Sprengel Museum Hannover, Kunstverein Hannover, Hannover,             Germany*
" Nicolas Bourriaud," 2nd Moscow Biennale for Contemporary Art, Russia
    8th Sharjah Biennale, UAE

2006    "Breathing Time," organized by Gary Sangster, Works from the Dennis Scholl Collection, Newcomb Art             Gallery, Tulane University, New Orleans, LA
Busan Biennale, Busan, Korea
“Ecotopia: The Second ICP Triennial of Photography and Video,”
    International Center of Photography, New York, NY
“Strange I’ve Seen that Face Before,” Museum Abteiberg,
    Moenchengladbach, Germany

2005/06    “The Forest: Politics, Poetics, and Practice,” Nasher Museum of Art, Duke University,  Durham, North     Carolina*

2005     “Academy Remix Symposium,” Portikus Im Leinwandhaus, Frankfurt, Germany
“The 2005 Turner Prize Exhibition,” Tate Britain, London, UK
“ThickDesign 05,” Betty Rymer Gallery, The School of the Art Institute of Chicago, Chicago, IL
“Goodbye Fourteenth Street,” Casey Kaplan, New York, NY
“Universal Experience: Art, Life and the Tourist's Eye,” curated by Francesco Bonami, MCA Chicago, IL

2004    "Prototype: Contemporary Art Collection from Joe Friday's Collection," Canada's Captial University,             Ottowa, Canada*
Sao Paolo Bienalle, Brazil
“Strange I’ve seen that face before,” GOMA, Glasgow, Scotland, curated by Toby Webster and Henriette                 Bretton-Meyer

2003        Munsterland Sculpture Biennale, Germany
“Outlook,” International Art Exhibition, Athens, Greece*
Franco Noero, Turin, Italy
“Moving Pictures,” Solomon R. Guggenheim Museum, Bilbao, Spain*
Scottish Pavillion, 50th International Exhibition of Art, Venice Bienniale,
       Venice, Italy
Individual Systems, Curated by Igor Zabel, 50th International Exhibition of
    Art, Venice Bienniale, Venice, Italy
“GNS (Global Navigation System),” Palais de Tokyo, Paris, France
“Independence,” South London Gallery, London, England
“Special Dédicace Rochechouart,” Museum of Contemporary Art, France
“The Moderns,” Castello di Rivoli, Torino, Italy
“Faking Real,” Neiman Gallery, Columbia University School of the Arts,
    New York, NY

2002    “Zusammenhänge herstellen,” Kunstverein, Munich, Germany
“Mathew Jones / Simon Starling,” Museum of Modern Art, Sydney, Australia*
“My Head is on Fire But My Heart is Full of Love,” Charlottenborg Museum, Copenhagen, Denmark
Sphere Sir John Soane’s Museum, London, England
“Der Globale Komplex – continental drift,” Grazer Kunstverein, Austria
“Summer Cinema,” Casey Kaplan, New York
“Lap Dissolve” Nathan Carter, Jason Dodge, Ceal Floyer, Liam Gillick, Carsten Höller & Simon Starling, Casey         Kaplan, New York
“Wrong Time, Wrong Place,” Kunsthalle Basel, Switzerland
“Inter.Play,” The Moore Building, Miami, Florida, traveling to Puerto Rico *
“EN/OF,” Manifesta 4, Frankfurt, Germany

2001    “Words and Things,” CCA, Glasgow, Scotland
“Larson Effect,” OK Centrum fur Gegenwartskunst, Linz Squatters, Witte de With, Rotterdam, Netherlands*
“East Doors (North),” Harris Museum and Art Gallery, Preston, England*
“Here and Now,” Dundee Contemporary Arts & Aberdeen Art Gallery, UK
“Total Object Complete With Missing Parts,” Tramway, Glasgow, Scotland
“Let’s Get to Work,” Susquehanna Art Museum, Harrisburg, PA; touring to
    Serralves Foundation, Porto, Portugal
“Silk Purse,” Arnofini, Bristol, UK
“Poul Henningson, Simon Starling,” Cooper Gallery, Dundee, Scotland*
“Open Country: Contemporary Scottish Artists,” Musée Cantonal des Beaux-Arts de Luzem, France*
“Circles,” ZKM, Karlsruhe, Germany*
“G3,” Casey Kaplan 10-6, New York
“1998-2001”, Deste Foundation, Athens, Greece

2000    “No Hortus is Conclusus,” Marres, Maastricht, Holland
“Play-Use,” Witte de With, Rotterdam, Netherlands
“Future Perfect,” Centre for Visual Arts, Cardiff
“Artifice,” Deste Foundation, Athens, Greece
“Manifesta 3,” Moderna Galerija, Ljubljana *
“The Work in this Space is a Response to the Existing Conditions and/or Work Previously Shown within the Space,” Neuger Riemscheider, Berlin, Germany *
“Micropolitique,” Le Magasin, Grenoble, Switzerland *
“Spacecraft,” Bluecoat, Liverpool, England *
“The British Art Show,” various venues *
“If I Ruled the World,” CCA, Glasgow, Scotland
“What If,” Moderna Museet, Stockholm, Sweden *

1999    “The Office of Misplaced Events,” 51 Cleveland St, London, England “Fireworks,” De Appel, Amsterdam,     Holland
“Fang den Hut,” Galerie Eigen & Art, Leipzig, Germany \
Dundee Contemporary Arts, Artist’s Projects, Dundee, Scotland
Tyrebagger Sculpture Project, Aberdeenshire, England
The Living Art Museum, Reykjavik, Iceland
“Un Certain,” ATA Centre d’Art Contemporarian, Sofia, Bulgaria

1998    “Dummy,” Catalyst Arts Project, Belfast, Ireland
“Thinking Aloud,” Camden Arts Centre, London, England
“Family,” Inverlith House, Edinburgh, Scotland Museum of Modern Art at Heide, Melbourne, Australia*
“Reconstructions,” Smart project Space, Amsterdam, Holland *
“Bad Faith,” Three Month Gallery, Liverpool, England *
“Bad Faith,” Waygood Gallery, Newcastle, Scotland
“Lost and Found,” Decima Gallery, London, England
The Modern Institute at Sadie Coles HO, London, England

1997    “L’Automne dans toutes ses collections,” MAC, Marseille, France
“Nerve,” Artspace, Sydney, Australia *
“Glasgow,” Kunsthalle Bern, Kunsthalle Bern, Switzerland *
“B.c.c,” Cleveland and The Tannery, London, England
“Fishing for Shapes,” Kunstlerhaus Bethanien, Berlin, Germany
“Wish You Were Here Too,” 83 Hill St., Glasgow, Scotland

1996    “After you made me soft again,” Galerie Barz, Hanover, Germany *
“Once Removed,” Laure Genillard, London, England
“Kilt ou Double,” La Vigie, Nimes, France
“Sick Building,” Transmission Gallery, Copenhagen, Denmark
“City Limits,” Staffordshire University, Stoke on Trent, England * “Fishing for Shapes,” Projektraum Voltmerstrasse, Hanover, Germany

1995    “Maikafer Flieg,” Bunker K6In-Ehrenfeld, Kbln, Germany *
“Kabinett fur Zeichnung,” Kampnagel, Hamburg, Germany
“About Place,” Collective Gallery, Edinburgh, Scotland

1994    “Institute of Cultural Anxiety,” ICA, London, England *
“Miniatures,” The Agency, London, England
Oriel Mostyn Open, Oriel Mostyn, Llandudno
Modern Art, Transmission Gallery, Glasgow, Scotland
“Die Zweite Wirklichkeit,” Aktuelle Aspekte des Mediums Kunst, Wilhemspalais, Stuttgart

1993    BT New Contemporaries, Traveling Exhibition*
“Left Luggage,”10 Artists Traveling Exhibition
“Matter and Fact,” Collection Gallery, London, England*

1992    “Invisible Cities,” Fruitmarket Gallery, Edinburgh, Scotland*
“Three New Works,” Transmission Gallery, Glasgow, Scotland
“Gesture No. 5,” Post West Gallery, Adelaide, Australia

1991    Museum Piece, Collaborative Installation in the Mackintosh Museum, Glasgow School of Art, Scotland


PERMANENT COLLECTIONS

Aarhus Kunstmseum, Denmark
Akzo Nobel Art Foundation, Arnhem
Astrup Fearnley Collection, Museet for Moderne Kunst, Oslo, Norway
Arts Council of Great Britain
British Council Collection
Caldic Collection, Rotterdam
Fondazione Sandretto Re Rebaudengo per l'Arte, Turin, Italy
Fons National d’Art Contemporain, Paris, France
FRAC Languedoc – Roussillin, Montpellier, France
FRAC Pay de Calais, France
FRAC Pays De Loire, France
Gallery of Modern Art, Glasglow, Scotland
Harvard University Art Museum, Cambridge, MA
Henry Moore Foundation
KIASMA, Helsinki, Finland
Kroller Muller Museum, Netherlands
Kunst Museum, Basel, Switzerland
Länsmuseet Gävleborg, Gävle
Magasin 3 Konsthall, Stockholm
Malmö Konstmuseum
Moderna Museet, Stockholm, Switzerland
Museum of Contemporary Art, Chicago, IL
Norrköpings Konstmuseum
SFMOMA, San Francisco, CA
Skövde Konstmuseum
Statens Museum for Kunst, Copenhagen, Denmark
Scottish Arts Council
Solomon R. Guggenheim Museum, New York
TATE Modern, London, United Kingdom
Västeras Konstmuseum


WORK/LECTURES

2009/03        Professor of Fine Arts, Staatliche Hochschule für Bildende Künste, Städelschule,                         Frankfurt, Germany
2007        California College of The Arts, San Francisco, CA
1995/92        Committee Member at Transmission Gallery, Glasglow, Scotland
1994        Part time teaching and workshops at: Kunsthogskolan, Malmo; Kunstakademi,                         Copenhagen; Glasgow School of Art, Glasgow; Goldsmiths College of Art, London; Northumbria University, Newcastle; Slade School of Art, London


PUBLICATIONS

Eveline Bernasconi et al., Made in Germany, Kestner Gesellschaft, Sprengel Museum Hannover, Kunstverein Hannover, Hannover, Ostfildern: Haje Cantz, 2007, p. 256-259.
Koh, Germaine, Prototype: Contemporary Art From Joe Friday's Collection, Ottawa: Carleton University Art Gallery, 2006.
Demos, TJ, Vitamin PH: New Perspectives in Photography, London and New York:
Phaidon Press Ltd., 2006. Printed in China.
Simon Starling [24 hr. Tangenziale], Galleria Franco Noero, Torino, Italy, 2006
Uta Grosenick, ed., Art Now vol. 2, Koln & Los Angeles: Taschen, 2005
Lizzie Carey-Thomas, Martin Myrone, & robert tant, eds., Turner Prize 2005 Catalogue. London: Tate     Publishing, 2005.
Kathleen Goncharov, The Forest: Politics, Poetics, and Practice, Durham: North Carolina: Nasher     Museum of Art, Duke University, 2005.
Hugo Boss Prize 2004, Solomon R. Guggenheim Museum, New York, 2004.
Dennison, Lisa, Nancy Spector and Joan Young, Moving Pictures, Guggenheim Museum Bilbao,
Spain 2003-2004.
Eccher, Danilo, ed. Simon Starling, Contemporary Museum of Art, Rome, Italy, 2003.
Joachimides, Christos M., ed. Outlook, International Art Exhibition, Hellenic Culture
Organization S.A., Athens, Greece, 2003.
Volz, Jochen and Simon Starling, Kakteenhaus, Portikus Frankfurt am Main, Germany, 2003
Tufnell, Rob, Flaga (1972-2000), Franco Noero, Turin, Italy, 2002.
Mathew Jones / Simon Starling, Museum of Modern Art, Sydney, Australia, 2002.
Brown, Katrina, Djungel, Dundee Contemporary Arts, Dundee, Scotland, 2002.
Cattelan, Maurizio, Bettina Funcke, Massimiliano Gioni & Ali Subotnick, ed,
    Charley 02, Les Presses Du Réel, France, 2002.
Grosenick, Uta & Burkhard Riemschneider, ed. Art Now: 137 Artists at the Rise of
The New Millennium, Taschen, Cologne and Berlin, May 2002, p.480-483.
Cattelan, Maurizio, Bettina Funcke, Massimiliano Gioni & Ali Subotnick, ed., Charley,
    Les Presses Du Réel, France, 2002.
Zoo, Summer 2002.
Here + Now. Scottish Art 1990-2001, Dundee Contemporary Arts, Dundee, Scotland, 2001.
Poul Henningsen Simon Starling, Cooper Gallery, University of Dundee, Dundee, Scotland, 2001.
Simon Starling CMYK/ RGB. FRAC Languedoc Roussillon, Montpellier, France, 2001.
Inverted Retrograde Theme, Vienna Secession, Vienna, Austria, 2001,
Price, Elizabeth; small Gold Medal. London: Book Works 2001.
Witte de With, Rotterdam, Netherlands, 2001.
East Door (North). Harris Museum and Art Gallery, Preston, England, 2001.
Squatters, Serralves Foundation, Porto and Witte de With, Rotterdam, Netherlands, 2001.
Open Country: Contemporary Scottish Artists, Museo Cantonal des Beaux-Arts de Lausanne, Lausanne, France, 2001.
Circles, ZKM, Karlsruhe, Germany, 2001.
Simon Starling. Camden Arts Centre, London, England, 2000.
Manifesta 3, Moderna Galerija, Ljubljana, 2000.
The Work in this Space is a Response to the Existing Conditions and/or Work Previously Shown within the Space, Neuger Riemscheider, Berlin, Germany, 2000.
Micropolitique, Le Magasin, Grenoble, Switzerland, 2000.
Spacecraft, Bluecoat, Liverpool, England, 2000.
The British Art Show, various venues, 2000.
What If, Moderna Museet, Stockholm, Sweden, 2000.
Esche, Charles, Undomesticating Modernism, Galerie Fur ZeitgenOssische Kunst Leipzig, Leipzig.
Bradley, Will, Project for a Modern Museum, Moderna Museet, Stockholm, Sweden, 1998-99.
Museum of Modern Art at Heide, Melbourne, Australia, 1998.
Reconstructions, Smart project Space, Amsterdam, Holland, 1998.
Bad Faith, Three Month Gallery, Liverpool, England, 1998.
Blue Boat Black, Transmission Gallery, Glasgow, Scotland, 1997.
Nerve Arts pace, Sydney, Australia, 1997.
Glasgow. Kunsthalle Bern, Bern, Switzerland, 1997.
After you made me soft again, Galerie Barz, Hanover, Germany, 1996.
City Limits, Staffordshire University, Stoke on Trent, England, 1996.
An Eichbaum Pils beer can..., The Showroom, London, England, 1995.
Maikafer  Flieg, Bunker Koln-Ehrenfeld, KoIn, Germany, 1995.
Institute of Cultural Anxiety, ICA, London, England, 1994.
BT New Contemporaries, Travelling Exhibition, 1993.
Matter and Fact, Collection Gallery, London, England, 1993.
Invisible Cities, Fruitmarket Gallery, Edinburgh, Scotland, 1992.


SELECTED BIBLIOGRAPHY

Starling, Simon, “Simon Starling,” domus, July – August 2007, p. 132 – 137.
Godfrey, Mark, "Simon Starling," Vitamin PH: New Perspectives in Photography, London and New York: Phaidon Press Ltd., 2006.
Stern, Steven, “Ecotopia: The Second ICP Triennial,” Time Out New York, October 26–November 1, 2006, p. 72.
Smith, Roberta, "The Natural World, in Peril and in Its Full Glory," Photography Review, The New             York Times, Wednesday, September 13, 2006, p. E5.
Spiegler, Marc, “Five Theories on Why The Art Market Can’t Crash,” New York Magazine, April 3,             2006, p. 43.
Stange, Ramar, “The Dialectrician,” Spike Art Quaterly vol. 7, 2006, p. 50-58.
Killen, Michael, “New York Galleries: Baseball Bats, IPOD Videos, Swimming Sperm,”
    Bloomberg News, Available:     http://www.bloomberg.com/apps/news?pid=email_us&refer=culture&sid=aP07d8WeL4xU
Li, Pi, “Flash Art News: Prizes,” Flash Art, January-February 2006, p. 42.
Jones, Dafydd, “Turner Prize,” Art Review. February 2006, p. 112.
Sharp, Jasper, “Man vs. Nature,” ArtReview. December 2005, p. 120-124.
Jury, Louise, “Just an Old Nike? Or is it a Poetic Narrative? Either Way, Starling Flies to Turner Prize,”         The Independent, Tuesday, December 6, 2005, p. 3.
Higgins, Charlotte, “It’s a Shed, It’s Collapsible, It Floats, and (with the help from a bike), It’s the Winner,” The Guardian, Tuesday, December 6, 2005, p. 3
Van Gelder, Lawrence, “Arts Briefly: Simon Starling Wins Turner Prize,” The New York Times,     December 6, 2005, E2.
Gordon, Margery ,“Bulking Up”  Art + Auction, November 2005, p. 114-115.
“The Approval Matrix,” New York Magazine, October 31, 2005, p. 73.
Van Gelder, Lawrence, “Arts, Briefly: Turner Prize Finalists,” The New York Times, October 19,
    2005, p.E2.
Godfrey, Mark,  “Simon Starling: Kunstmuseum Basel Museum fur Gegenwaartskunst,                 Switzerland,” Frieze, October 2005, issue 94, p. 218.
Lubbock, Tom, “Turner Prize: The Good, The Dull, and The Bland,” The Independent,
        October 18, 2005.
Jeffrey, Moria, “A Shed-Load of Success,” The Herald, October 18, 2005, web issue 2378.
 “Tate Britain Unveils Tame Exhibit for Turner Prize,” BBC News, www.bbc.co.uk/1/hi/entertainment/arts/4348626, Monday, October 17, 2005.
Reust, Hans Rudolf, “Reviews: Simon Starling at Museum für Gegenwartskunst,” Artforum, October 2005, p. 285-286.
Scharrer, Eva, “Critics’ Pick: Simon Starling, Kunstmuseum Basel, Museum Fur Gegenwartskunst,”
http://www.artforum.com/picks/place=Basel#picks9198, July 19, 2005
Labille, Sandra, “Turner Prize Surprise: Painter is Favorite,” Guardian Unlimited, Friday, June 3, 2005.
Fenton, Ben,  “Bottom Painter Makes Turner Prize Shortlist,” The Daily Telegraph, Friday, June 3, 2005, p. 1 & 5.
Birnbaum, Daniel, “Simon Starling: Museum für Gegenwartskunst,” Artforum, May 2005, p. 138.
Kley, Elisabeth, “Goodbye Fourteenth Street: A Review,” ARTnews, May 2005, p. 146.
Manacorda, Francesco, “Entropology,” Flash Art, March-April 2005, p. 76-80.
Godfrey, Mark, “Image Structures: Photography and Sculpture,” Artforum, February 2005, p. 146-154.
Nicolin, Paola, “ Simon Starling,” ABITARE: Interiors Design Architecture Arts. June 2004, p. 74.
Kimmelman, Michael, “Art in Review: Simon Starling,” The New York Times, March 12, 2004.
Vogel, Carol, “Inside Art: Boss Prize Finalists,” The New York Times, February 6, 2004, p. E36.
Birnbaum, Daniel, “Transporting Visions: Daniel Birnbaum on the Art of Simon Starling,” Artforum,
    February 2004, XLII, No. 6, p. cover, 105-109.
Richardson, Craig, “Zenomap,” Contemporary, No. 51, 2003, p. 53-55.
Selvaratnam, Troy, “The Starling Variations,” Parkett, No. 67, p. 6-9, 2003.
Fox, Dan, “50th Venice Biennale,” Frieze, Issue No. 77, Sept. 2003, p. 100-101.
Haines, Bruce, “50th Venice Biennale,” Frieze, Issue No. 77, Sept. 2003, p. 109.
Manin, Samuele and Valentina Sansone, “Sculpture Forever,” Flash Art, Volume XXXVI,
No. 230, May-June 2003, p.122-129.
Vanderbilt, Tom, “A Thousand Words: Simon Starling, Artforum, May 2003, p. 140-141.
Madoff, Steven Henry, “One for All,” Artforum, May 2003, p.71-73.
Prince, Mark, “Southfork Ranch, Romania,” Art Monthly, March 2003.
Tufnell, Rob, “Made in Scotland,” Tema Celeste, January/February 2003, p. 48-53.
McLaren, Duncan, “Simon Starling,” ArtReview, International Edition, VIN06, 2003, p93.
“Free from stain and polish: A discussion between Simon Starling, Stefanie Sembill, and Jan Winkelmann,” www.jnwnklmnn.de, September 2002.
EM, "Simon Starling: Djungel," Modern Painters, Autumn 2002, p.144-5.
Mahoney, Elisabeth, "Into Dundee's Arty Jungle: Simon Starling," The Guardian, Thursday, July 11, 2002.
Stewart, Claire, Press and Journal, June 22, 2002.
Sutherland, Giles, "A New Leaf from an Old Book, Sunday Herald, June 30, 2002.
"Living in a material world," The Courier and Advertiser, June 28, 2002.
Jeffrey, Moira, "He's such a material guy," The Herald, June 28, 2002.
"Pick of the week: Art Djungel," Scotland on Sunday, June 23, 2002.
Mansfield, Susan, "A Wing and a Prayer," The Scotsman, June 22, 2002, p. 17.
Monaghan, Helen, "Labours of Love," The List, June 20-July 4, 2002, p.86.
Leffingwell, Edward, “Simon Starling at Casey Kaplan,” Art in America, July 2002, p. 90.
Gioni, Massimiliano, “New York Cut Up,” Flash Art, Vol. XXXIV, n.224, May-June 2002, p.77-80.
Meredith, Michael, “Art Reviews: Simon Strarling,” Artforum, May 2002.
Burton, Johanna, “Art Reviews: Simon Starling,” Time Out New York March 21-28, 2002, Issue 338.
Levin, Kim, “Voice Choices: Simon Starling,” The Village Voice, March 1 3, 2002.
“Art Reviews: Simon Starling,” The New Yorker, March 18, 2002.
Wilson, Michael, “Artforum Picks: Simon Starling,” www.artforum.com. March 2002.
Asthoff, Jens, “Simon Starling;” artist Kunstmagazin: Nr.4/2001, p.4-7.
Asthoff, Jens, “Simon Starling im Kunstverein,” Kunstbulletin, October 2001, p. 35.
Rosenberg, Angela, “Variations On A Theme,” U~LArL..July / September 2001, no. 219, p.100 - 102.
Weinrautner, Ina, “Werke mit doppeltem Boden;” Handelsblatt; May 3, 2001, No. 85, p.52.
Ebner, Jorn; “Briten landen in Berlin;” Frankfurter Allgemeine Zeitung May 5, 2001, No. 104, S.53
Stange, Raimar; “Public Relations;” Kunstbulletin: May, 2001, No.5, p.20-25
Mckee, Francis, “Chicken or Egg,” Frieze Magazine, January/February 2001,
Issue 56, p. 74-8.
Griese, Horst; “Umwege machen das Leben interessanter;” Weser Kurier: December 7, 2000, No. 286
Meyric Hughes, Henry; “Manifesta”; Tema Celeste-Contemporary Art Magazine, October
December 2000, p.102-103.
Paulli, Luca; “A Project for a Space;” Tema Celeste-Contemporary Art Magazine,
http:// www.temaceleste.com. March 2000.
Schultz, Deborah; “The Office of Misplaced Events (Temporary Annex);” Art Monthly,
January 2000, p. 31-32
Shepeard, Paul, “Edgeless, Modeless,” Afterall, Issue #1, London 1999, p.101-104. Tazaki, Anni L. “Ready-Made made-ready,” Flyer. No. 5, 1999.
“Blinky Palermo” Stipendium, Bild. December 1,1999.
“Leipziger Premiere fUrs Palermo-Stipendium,” Leipziger Volkszeitung. November 1, 1999.
Sommer, Tim, “Vieldeutiges Spiel um Erinnerungen,” Leipziger Volkszeitung, August 4, 1999.
Kowa, Gunter, “Der wundersame Fischzug mit der Museumsvitrine,” Mitteldeutsche Zeitung.
June 4,1999.
Sachs, Hinrich, “Double Narrative (after Robert Smithson),” for The Modern Institute, Glasgow, 1998.
Sinclair, Ross, “Blue Boat Black,” Frieze, Issue No. 38, 1997.
Loock, Ulrich, “Transference,” Glasgow/Kunsthalle. Bern Cat. 1997.
McKee, Francis, “Blue Boat Black,” for Transmission Gallery, 1997.
Feldman, Melissa,” Matters of Fact, New Conceptualism in Scotland,” Third Text, No. 37,
Winter 1996-97.
Jaio, Miren, “Simon Starling, The Showroom, London,” Lapiz, No. 115, 1995.
Hunt, Ian, “Simon Starling, The Showroom, London,” Frieze, Sept/Oct 1995.
Morgan, Stuart, “The future’s not what it used to be,” Erkz~. March/April 1995.
Palmer, Roger, “There is no museum in the exhibition at present,” Alba, July 1991.