Biography: Philip Guston

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Philip Guston — Biography

1913	Born in Montreal, Canada
1980	Died in Woodstock, NY
	Louis and Rachel Goldstein, with six children, emigrate from Odessa, Ukraine, Russia, settling in Montreal, Canada, c. 1905. 1913 Philip Goldstein, born June 27 in Montreal, the youngest of seven children. 1919 Family moves to Los Angeles. Youthful aptitude for drawing leads to enrollment in a correspondence course at The Cleveland School of Cartooning. 1927 Attends Manual Arts High School where he meets and becomes friends with Jackson Pollock, Manuel Tolegian and Reuben Kadish. 1930 Scholarship to Otis Art Institute, Los Angeles, where he meets Musa McKim, but leaves after three months. Studies painting at home, works as an occasional extra in several movies. Sees Modern European painting in the collection of Walter and Louise Arensberg and first encounters the work of de Chirico. 1931 First one man exhibition at the Stanley Rose Bookshop and Gallery, Hollywood, organized by the painter, Herman Cherry. 1932 Visits Pomona College, Claremont, California with Pollock, to see Jose Clemente Orozco at workon his mural Prometheus. 1933 Exhibits Mother and Child 1930, his first fully developed painting, at the 14th Annual Exhibition at the Los Angeles Municipal Museum. 1934 Travels to Mexico with Reuben Kadish and poet Jules Langsner. With Kadish, paints huge mural, ‘The Struggle Against War and Fascism’, still standing in the Museo de Michoacan, Morelia, Mexico. Completes commission with Kadish, for the Ciity of Hope, Tuberculosis Sanatorium of the ILGWA, Duarte, California. ( near Pasadena) 1936 Moves to New York City. Joins Works Progress Administration (WPA) Federal Art Project. Frequent contact with James Brooks, Burgoyne Diller, Arshile Gorky, Willem de Kooning, and Stuart Davis on the Project. Sees the A.E. Gallatin Collection in Washington Square, New York, where he admires Picasso’s Three Musicians and Leger’s The City. 1937 Marries Musa McKim, artist and poet. Completes Bombardment in response to Spanish Civil War. 1939 Paints Maintaining America’s Skills on the facade of the WPA building at the New York World’s Fair - awarded first prize. 1940 Sees Picasso exhibition at the Museum of Modern Art, New York. 1941-1945 Artist in Residence, State University of Iowa, Iowa City. Completes commission for Fortune Magazine, relating to the American war effort. 1945 First New York Exhibition at Midtown Gallery. Awarded First prize for painting, Carnegie Institute, Pittsburgh. Artist in Residence, Washington University, St. Louis, Missouri, until 1947. 1947 Awarded Guggenheim Fellowship. Returns to Woodstock. Close friendship with Bradley Walker Tomlin. Paints Tormentors: first abstract painting. 1948 Awarded Prix de Rome, American Academy in Rome. Travels in Italy, Spain and France for a year. 1950 Visiting Artist, University of Minnesota, Minneapolis. Moves permanently to West 10th Street, New York City. Close contact with Willem de Kooning, James Brooks, Robert Motherwell, Mark Rothko and Barnett Newman. Active member of the Eighth Street Club. Critical interest in philosophical questions raised through reading Sartre, Camus, Kafka and Kierkegaard. Attends lectures by Zen philosopher D.T. Suzuki in New York with John Cage, whom he met in Rome in 1948. Begins enduring friendship with composer Morton Feldman. 1950-1951 Period of abstract drawing leading to paintings, successfully shown at the Peridot Gallery in January 1952. 1952 Joins Charles Egan Gallery, with de Kooning, Franz Kline, Isamu Noguchi, George McNeil and Reuben Nakian. First one-man exhibit there in 1953. 1955 Joins the Sidney Janis Gallery. 1956 Included in the exhibition 12 Americans at the Museum of Modern Art, New York. 1958 Included in the exhibition The New American Painting, organized by the Museum of Modern Art and shown throughout Europe in 1958-1959. 1959 Awarded Ford Foundation grant. First Retrospective exhibition, V Bienal, Sao Paulo, Brazil, with David Smith. 1960 Major presentation of work in the XXX Biennale, Venice, shown later in Baltimore. Interview with David Sylvester, Broadcast on the BBC, London, in series "Painting as Self-Discovery". First meeting with Bill Berkson through Frank O’Hara. 1962 Full retrospective exhibition at the new Solomon R. Guggenheim Museum, New York, which travels to Amsterdam, Brussels, London and Los Angeles. 1964 Joins Marlborough - Gerson Gallery, New York. 1966 Large exhibition of Recent Paintings at the Jewish Museum, New York. Work received broad criticism. During the following two years he paints little, but draws continuously in ink and brush or in charcoal on paper. 1967 Leaves New York City, moves permanently to Woodstock. Winters in Sarasota, Florida, resulting in minimal abstract drawings and reduced drawingsof objects.. 1968 Second Guggenheim Fellowship. Begins painting small panels of everyday objects and hooded figures in response to the violence of the Democratic Party convention in Chicago. Friendship with the writer Philip Roth who had moved to Woodstock. 1969 Bill Berkson, Lewis Warshow and Anne Waldman visit Woodstock, establishing his rapport with young poets. 1970 Morton Feldman and Robert Hughes view new work at Hahn Bros. Warehouse, NYC. Friendship with Feldman ends and the two never meet again. Controversial figurative paintings shown at Marlborough-Gerson Gallery, New York. First meeting with Clark Coolidge, through Bill Berkson. Honorary doctorate, Boston University. 1970-1971 Artist in Residence at the American Academy, Rome. Completes extensive series of oils on paper, influenced by Italian surroundings. Travels throughout Italy and Sicily. Returns to Woodstock. Series of drawings on Richard Nixon – Poor Richard. 1972 Collaborative drawings with poet Clark Coolidge. Elected member of National Institute of Arts and Letters, New York. 1973 Exhibition, Philip Guston Drawings 1938-1972 at the Metropolitan Museum, New York, curated by Henry Geldzahler. 1973-1978 Appointed Professor of Art, Boston University, Massachusetts. 1974 Joins the David McKee Gallery, New York. Exhibition of late work at Boston University. Provocative panel discussion with Harold Rosenberg as moderator. 1975 Receives Distinguished Teaching of Art Award, The College Art Association. 1976 Friendship and correspondence with the writer Ross Feld. 1977 Musa Guston suffers stroke which leads to intense melancholic paintings of their relationship. She recovers. 1978 Fresh optimism, lively inventiveness enters work. San Francisco Museum of Modern Art acquires late triptych, Red Sea, The Swell, Blue Water. 1979 Travels with Musa to San Francisco for Exhibition and preliminary work on Retrospective at San Francisco Museum of modern Art. Serious heart attack - slow recovery. Returns to painting. First international showing of late paintings at the Hayward Gallery, London - New Work, New York, curated by Catherine Lampert. 1980 Awarded Creative Arts Award, Brandeis University, Waltham, Massachusetts. Talk of journeys to Egypt and Spain, never realized. Australian National Gallery acquires Pit and Bad Habits. Attends May 15 opening of major retrospective exhibition at the San Francisco Museum of Modern Art, which travels to Denver, Chicago, Washington D.C., & New York. Returns home to select late paintings on paper for exhibition at the Phillips Collection, Washington, D.C.. Dies from heart attack, June 7, in Woodstock, NY. MAJOR MUSEUM EXHIBITIONS 1944 Paintings and Drawings by Philip Guston, State University of Iowa, Iowa City 1947 Philip Guston, Munson-Williams-Proctor Institute, Utica, New York 1950 Philip Guston, The University Gallery, University of Minnesota, MN 1956 12 Americans, Museum of Modern Art, New York 1958 The New American Painting, organized by the International Council of the Museum of Modern Art; Museum of Modern Art, New York: traveled to Kunsthalle, Basel; Galleria Civica d’Arte Moderna, Milan; Museo Nacional de Arte Contemporaneo, Madrid; Hochschule fur Bildende Kunste, Berlin; Stedelijk Museum, Amsterdam; Palais des Beaux Arts, Brussels; Musee National d’Arte Moderne, Paris; Tate Gallery, London 1959 V Bienal Internacional de Sao Paulo, Brazil 1960 XXX Biennale Internazionale d'Arte, Venice 1962 Philip Guston, (retrospective exhibition 1941-1962) Solomon R. Guggenheim Museum, New York; Los Angeles County Museum of Art, Los Angeles, CA; Whitechapel Art Gallery, London; Palais des Beaux-Arts, Brussels, Belgium; Stedelijk Museum, Amsterdam 1966 Philip Guston: A Selective Retrospective Exhibition 1945-1965, Rose Art Museum,Brandeis University, Waltham, MA Philip Guston, Recent Paintings and Drawings, The Jewish Museum, New York 1967 Philip Guston, Santa Barbara Museum of Art, CA 1970 New Paintings, Philip Guston, School of Fine And Applied Arts Gallery, Boston University, Boston, MA 1971 Philip Guston, Recent Work, La Jolla Museum of Contemporary Art, CA 1973 Philip Guston Drawings 1938-1972, The Metropolitan Museum of Art, New York 1974 Philip Guston, New Painting, School of Fine & Applied Arts Gallery, Boston University, MA 1975 Drawings by Five Abstract Expressionist Painters, A. Gorky, W. de Kooning, J. Pollock,F. Kline, P. Guston, Hayden Gallery, Massachusetts Institute of Technology, Cambridge, MA 1978 Philip Guston: New Works in San Francisco, San Francisco Museum of Modern Art, CA 1979 New Painting - New York, Hayward Gallery, London 1980 Philip Guston, (retrospective exhibition 1930-1979) originating at the San Francisco Museum of Modern Art: traveled to Corcoran Gallery of Art, Washington, D.C.; Museum of Contemporary Art, Chicago; The Denver Art Museum, CO; Whitney Museum of American Art, New York Philip Guston, Akron Art Museum, OH 1981 A New Spirit in Painting, Royal Academy of Arts, London Philip Guston, Montgomery Museum of Fine Arts, Montgomery, AL 1981-1982 Philip Guston: The Last Works, organized by the Phillips Collection, Washington, D.C.: traveled to Cleveland Museum of Art, OH; Museum of Art, Carnegie Institute, Pittsburgh, PA; David McKee Gallery, New York XVI Bienal Internacional de Sao Paulo, Brazil: traveled as Philip Guston: Sus Ultimos Anos to Museo de Arte Moderno, Mexico City; Centro de Arte Moderno, Guadalajara, Mexico; Museo de Arte Moderno, Bogota, Colombia 1982 Philip Guston: Paintings 1969-1980, Whitechapel Art Gallery, London. Traveled to Stedelijk Museum, Amsterdam, Kunsthalle, Basel 1983 The First Show - Paintings and Sculpture from Eight Collections, Museum of Contemporary Art, Los Angeles, CA 1984 Philip Guston: The Late Works, National Gallery of Victoria, Melbourne; Art Gallery of Western Australia, Perth; Art Gallery of New South Wales, Sydney La Grande Parade: Highlights of Painting after 1940, Stedelijk Museum, Amsterdam Philip Guston: Last Works, Hayden Gallery, Massachusetts Institute of Technology, Cambridge 1986 Philip Guston, Greenville County Museum of Art, SC; North Carolina Museum of Art, Raleigh; The Atlanta College of Art, GA 1987 l'epoque, la mode, la morale, la passion, Centre Georges Pompidou, Paris Philip Guston: Early & Late Works, Skidmore College Museum of Art, NY 1988 The Drawings of Philip Guston, The Museum of Modern Art, New York: traveled to Museum Overholland, Amsterdam; La Fundacion La Caixa, Barcelona; Museum of Modern Art, Oxford, England; Douglas Hyde Gallery, Dublin; Galeria Nazionale D'Arte Moderna e Contemporanea, Rome. 1989 Philip Guston: Painting Retrospective, Centro de Arte Reina Sofia, Madrid; Palau de la Virreina, Barcelona; St. Louis Art Museum, MO, Dallas Museum of Art, TX Bilderstreit, Museum Ludwig, Cologne 1990 High & Low: Modern Art and Popular Culture, Museum of Modern Art, New York: traveled to the Art Institute of Chicago, the Museum of Contemporary Art, Los Angeles. 1992 Philip Guston, Works from the Collection, Museum of Modern Art, New York Philip Guston: Paintings in the Collection of the Tate, The Tate Gallery, London 1993 Philip Guston: La Raiz del Dibujo (The Root of Drawing), Sala Rekalde, Bilbao, Spain 1994 Philip Guston's Poem Pictures, Addison Gallery of American Art, Andover, MA: traveled to The Drawing Center, NY Philip Guston: 1975-1980 Private and Public Battles, Boston University Art Gallery, Boston, MA 1995 46. Esposizione Internazionale d’Arte, Venice Biennale "Identita E Alterita," Palazzo Grassi, curated by Jean Clair, Venice Philip Guston: Oeuvres Sur Papier 1975-1980, Musee de L’Abbaye Sainte-Croix, Les Sables d’Olonne, France 1996 Painting for Themselves: Late de Kooning, Guston, Miro, and Picasso, Neues Museum Weserberg Bremen, Bremen, Germany 1997 Philip Guston: Working Through the 1940’s, The University of Iowa Museum of Art, Iowa City Iowa: Traveled to the Greenville County Museum of Art, South Carolina, the Munson Williams Proctor Institute, Utica, NY. 1998 Linea y Poesia: Philip Guston and Musa McKim, La Fundacion Cesar Manrique, Lanzarote, Canary Islands, Spain 1999-2000 Philip Guston: Gemälde 1947 - 1979, Kunstmuseum, Bonn: traveled to Württembergischer Kunstverein Stuttgart; National Gallery of Canada, Ottawa; Centre national d’art et de culture Georges Pompidou, Paris, France 2000 Philip Guston: A New Alphabet, Yale University Art Gallery; traveled to Fogg Art Museum, Harvard University, Cambridge, MA 2001-2002 Philip Guston, One-Shot-Painting, IVAM, Valencian, Spain: traveling to the Bonnefanten Museum, Maastricht, The Netherlands (partial exhibition) 2001-2003 Poor Richard by Philip Guston, McKee Gallery, New York, Travels to: Mass MOCA, North Adams, MA, Fine Arts Museum of San Francisco, Legion of Honor, Lincoln Park, SF 2003-2004 Philip Guston Retrospective, Modern Art Musuem, Fort Worth, TX; Travels to San Francisco Museum of Modern Art, San Francisco, CA; Metropolitan Museum of Art, New York, NY; Royal Academy, London, UK Visions of Modern Art: Painting and Sculpture from The Museum of Modern Art, Museum of Fine Arts, Houston, TX; Travels to Neue Nationalgalerie, Berlin 2005 Surrealism USA, National Academy Museum, New York; travels to Phoenix Art Museum, AZ The Experience of Art, Italian Pavilion, LV Venice Biennale 2006 Enigma Variations: Guston and de Chirico, Santa Monica Museum, CA Plane/Figure, Kunstmuseum Winterthur, Switzerland Against the Grain: Contemporary Art from the Edward R. Broida Collection, The Museum of Modern Art, NY I not I – Beckett,Guston,Nauman (Samuel Beckett Centennary Exhibition), The Royal Hibernian Academy, Dublin SOLO EXHIBITIONS 1931 Stanley Rose Bookshop & Gallery, Los Angeles, CA 1945 Philip Guston, Midtown Galleries, New York 1947 Philip Guston, School of the Museum of Fine Arts, Boston, MA 1952 Paintings 1948-1951 by Philip Guston, Peridot Gallery, New York 1953 Philip Guston: Paintings and Drawings, Egan Gallery, New York 1956 Recent Paintings by Philip Guston, Sidney Janis Gallery, New York 1958 Philip Guston, Sidney Janis Gallery, New York 1959-1960 Recent Paintings by Philip Guston, Sidney Janis Gallery, New York 1961 New Paintings by Philip Guston, Sidney Janis Gallery, New York Philip Guston, Franz Kline, Dwan Gallery, Los Angeles 1969 Philip Guston, Paintings and Drawings, Gertrude Kasle Gallery, Detroit, MI 1970 Philip Guston, Recent Paintings, Marlborough Gallery, New York 1973 Philip Guston, Major Paintings of the Sixties, Gertrude Kasle Gallery, Detroit 1974 Philip Guston, Gertude Kasle Gallery, Detroit Philip Guston, David McKee Gallery, New York 1975 Philip Guston, Makler Gallery, Philadelphia Philip Guston: Drawings for Bill Berkson's "Enigma Variations," Galerie Paule Anglim, San Francisco 1976 Philip Guston: Paintings, 1975, David McKee Gallery, New York 1977 Philip Guston: Paintings, 1976, (Part I: March 18 - April 8; Part II: April 9 - 30 ) David McKee Gallery, New York A Selection of Recent Works by Philip Guston, Achim Moeller Gallery, London 1978 Philip Guston: Drawings, 1947 - 1977, David McKee Gallery, New York Philip Guston: Major Paintings, 1975 - 76, Alan Frumkin Gallery, Chicago 1979 Philip Guston: Paintings, 1978 - 1979, David McKee Gallery, New York 1980 A Tribute to Philip Guston: Paintings and Drawings from 1950 to 1980, David McKee Gallery, New York Philip Guston: Recent Paintings, John Berggruen Gallery, San Francisco 1981 Philip Guston: New Lithographs, Gemini G.E.L., Los Angeles Paintings by Philip Guston, Asher-Faure Gallery, Los Angeles Philip Guston: Lithographs, Yellowstone Art Center, Billings, Montana 1983 Philip Guston: Paintings, David McKee Gallery, New York Philip Guston, Riva Yares Gallery, Scottsdale, Arizona Philip Guston: Eight Lithographs, Gemini G.E.L., Los Angeles 1985 Philip Guston: Drawings, Reconnaissance Gallery, Fitzroy, Victoria, Australia: traveled to Art Gallery of New South Wales, Sydney Philip Guston: Small Works 1968-69, David McKee Gallery, New York 1986 Philip Guston: Works on Paper, Cava Gallery, Philadelphia 1987 Roma 1971, David McKee Gallery, New York 1988 Philip Guston: The Late Prints, Cava Gallery, Philadelphia 1990 Drawings from the Philip Guston and Clark Coolidge Exchange, The Berkshire Museum,MA: traveled to Galerie Lelong, New York Philip Guston: Paintings 1961-65, McKee Gallery, New York 1991 Philip Guston: Drawings 1968-71 Hoods, McKee Gallery, New York 1995 Philip Guston, Virginia Museum of Fine Arts, Richmond, VA Philip Guston: The Fifties, McKee Gallery, New York 1996 Philip Guston: Major Paintings from the Seventies, McKee Gallery, NY 1997 Philip Guston, Brave New World: 1943, The Woodstock Artists’ Association, Woodstock,NY: traveled to McKee Gallery, New York 1998 Philip Guston: Works on Paper, 1968-1980, John Berggruen Gallery, San Francisco Philip Guston: The Last Works, Lafayette College, Easton, PA Philip Guston: Selected Works on Paper and Canvas 1951-1978, Manny Silverman Gallery, Los Angeles 1999 Philip Guston: Works on Paper, Timothy Taylor Gallery, London 2000 Philip Guston: Small Paintings and Drawings 1968-1980, McKee Gallery, New York 2001-2002 Philip Guston: The Last Prints, Timothy Taylor Gallery, London Philip Guston, BQ Gallery, Köln, Germany 2002 Philip Guston Prints, Susan Sheehan Gallery, New York, NY 2003 Philip Guston: Mind and Matter, McKee Gallery, New York 2004 Philip Guston, Timothy Taylor Gallery, London 2005 Philip Guston Abstract + Figurative, McKee Gallery, New York 2006 Philip Guston: Objects, Timothy Taylor Gallery, London Philiip Guston Drawings, McKee Gallery, New York 2007 Philip Guston: Works on Paper, Kunstmuseum, Bonn: travels to Louisiana Museum, Denmark; The Albertina, Vienna; Staatliche Graphische Sammlung, Munich; Morgan Library, New York GROUP SHOWS 1933 14th Annual Exhibition of Painters and Sculptors, Los Angeles Museum, CA 1934 Progressive Painters of Southern California, Los Angeles Museum 1937 An Exhibition in Defense of World Democracy...Dedicated to the Peoples of Spain and China, American Artists Congress, New York 1938 Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York; also included in the years: 1940, 1942-43, 1943-44, 1944, 1945, 1946, 1947, 1948, 1950, 1953, 1956, 1957, 1958, 1961, and 1963 1939 3rd Annual Membership Exhibition: Art in a Skyscraper, American Artists Congress, New York American Art Today, New York World's Fair, New York 1941 Directions in American Painting, Carnegie Institute, Department of Fine Arts, Pittsburgh, PA 1942 Biennial Exhibition of Contemporary American Paintings, Virginia Museum of Fine Arts; also included in 1946 and 1948 1942 Annual Exhibition of American Paintings and Sculpture, Art Institute of Chicago, IL; also included in 1943, 1944, 1945, 1946, 1951, and 1959 1943 Biennial Exhibition of Contemporary American Oil Paintings, Corcoran Gallery of Art, Washington, D.C.; also included in 1945, 1949, and 1955 Painting in the United States, Carnegie Institute, Pittsburgh, PA; also included in the years: 1944, 1945, 1947, 1948, and 1949 1944 One Hundred Thirty-ninth Annual Exhibition of Painting and Sculpture, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 110 American Painters Today: The Second Annual Purchase Exhibition, Walker Art Center, Minneapolis, MN; also included in 1950 1945 Critics' Choice of Contemporary Arts and Antiques Show, 17th Armory, New York, NY 1946 Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings, Whitney Museum of American Art, New York; also included in 1950, 1951, 1952, 1953, 1955, and 1962 Twelve Americans, Institute of Modern Art, Boston, MA 1947 121st Annual Exhibition of Contemporary American Painting, Sculpture, and Watercolor and Graphic Art, National Academy of Design, New York, NY Forty-fifth Annual Philadelphia Watercolor and Print Exhibition, and the Forty-Sixth Annual Exhibition of Miniatures, Pennsylvania Academy of the Fine Arts, Philadelphia 1948 University of Illinois Competitive Exhibition of Contemporary American Painting, College of Fine and Applied Arts, University of Illinois, Champaign, IL; also included in 1949 1950 The Pittsburgh International Exhibition of Paintings, Carnegie Institute, Pittsburgh; also included in 1955, 1958, and 1964 1951 Abstract Painting and Sculpture in America, Museum of Modern Art, New York, NY Ninth Street Show, 60 East Ninth Street, New York, NY American Vanguard Art for Paris Exhibition, Sidney Janis Gallery, New York; as Regards sur la peinture americaine, Galerie de France, Paris 1952 Expressionism in American Painting, Albright Art Gallery, Buffalo, NY 1953 Abstract Expressionists, Baltimore Museum of Art, MD 1954 Younger American Painters, Solomon R. Guggenheim Museum, New York, NY 1955 50 Ans d'art aux Etats-Unis: Collections du Museum of Modern Art de New York, Musee National d'Art Moderne, Paris, coordinated by the International Program of the Museum of Modern Art, New York, selections from the exhibition were shown in Barcelona, London, and the Hague. 1956 Recent Paintings by 7 Americans, Sidney Janis Gallery, New York Benefit Exhibition for the Boston Arts Festival: The Lois Orswell Collection, Margaret Brown Gallery, Boston 1957 IV Bienal de Sao Paulo, Museu de Arte Moderna, Sao Paulo, Brazil 8 Americans, Sidney Janis Gallery, New York 1958 Primera Bienal interamericana de pinture y grabado, Instituto National de Bellas Artes, Mexico City Nature in Abstraction: The Relation of Abstract Painting and Sculpture to Nature in Twentieth Century American Art, Whitney Museum of American Art, New York; exhibition toured. 10th Anniversary Exhibition, Sidney Janis Gallery, New York 1959 Documenta II, Museum Fridericianum, Kassel, West Germany 8 American Painters, Sidney Janis Gallery, New York A V Bienal, Estados Unidos, Museu de Arte Moderna, Sao Paulo The New American Painting, Palais des Beaux-Arts, Bruxelles 1960 The Image Lost and Found, Institute of Contemporary Art, Boston, MA 9 American Painters, Sidney Janis Gallery, New York 1961 American Abstract Expressionists and Imagists, Solomon R. Guggenheim Museum, New York Disegni Americani Moderni (Modern American Drawings), organized by the International Council of the Museum of Modern Art, New York, as the U.S. representative at the IV Festival of Two Worlds, Spoleto, traveled to Europe and Israel 1962 Art Since 1950: American and International, Seattle World's Fair, exhibition toured Continuity and Change: 45 American Abstract Painters and Sculptors, The Wadsworth Athenaeum, Hartford, CT 10 American Painters, Sidney Janis Gallery, NY 1963 20th Century Master Drawings, Solomon R. Guggenheim Museum, New York; exhibition toured. 11 Abstract Expressionist Painters, Sidney Janis Gallery, New York 1964 Painting and Sculpture of a Decade: 1954-1964, The Tate Gallery, London Two Generations, Sidney Janis Gallery, New York A Selection of 20th Century Art of 3 Generations, Sidney Janis Gallery, New York 1965 Twelfth Exhibition of Contemporary American Painting and Sculpture, Krannert Art Museum, University of Illinois, Champaign, IL; also included in 1967 New York School: The First Generation, Paintings of the 1940s and 1950s, Los Angeles County Museum of Art, CA 1966 Abstract Expressionism – A Continuing Tradition, Philip Guston, Conrad Marca-Relli, Adlolph Gottlieb, Robert Motherwell, The J.L. Hudson Gallery, Detroit 1967 Two Decades of American Painting, The Museum of Modern Art, New York; exhibition toured. Three Artists of Today: Philip Guston, Conrad Marca-Relli, James Rosati, Colby College Art Museum, Waterville, ME American Painting: The 1940s, University of Georgia, Athens; co-sponsored by the American Federation of the Arts, New York, exhibition toured Six Painters: Mondrian, Guston, Kline, de Kooning, Pollock, Rothko, University of St. Thomas Art Department, Houston, Texas 1969 New York Painting and Sculpture: 1940-1970, Metropolitan Museum of Art, New York 1970 Color and Field, 1890 - 1970, Albright-Knox Art Gallery, Buffalo, NY; exhibition toured D.C. 1976 A Selection of American Art: The Skowhegan School, 1946-1976, Institute of Contemporary Art, Boston, Ma; exhibition toured. 1978 Art for the People - New Deal Murals on Long Island, Emily Lowe Gallery, Hofstra University, Hempstead, Long Island, NY American Painting of the 70's, Albright-Knox Art Gallery, NY; exhibition traveled throughout the United States 1979 Works on Paper U.S.A., Rockland Center for the Arts, West Nyack, NY H.H.K. Foundation for Contemporary Art, Milwaukee, WI David McKee Presents Works on Paper by Franz Kline and Philip Guston, Asher Faure, Los Angeles, CA Poets & Painters, Denver Art Museum (traveling exhibition) 1980 Pictures for an Exhibition, The Whitechapel Art Gallery, London Alexander Brook, Philip Guston, Clyfford Still Memorial Exhibition, American Academy of the Arts, Institution of Arts and Letters, NY Aspects of the 70's: Mavericks, Rose Art Museum, Waltham, MA 1983 The Painterly Figure, Parrish Art Museum, Southampton, NY Minimalism to Expressionism: Since 1965 From the Permanent Collection, Whitney Museum of American Art, New York 1984 American Still Life 1945-1983, Contemporary Arts Museum, Houston, TX; Albright-Knox Art Gallery, Buffalo, NY; Columbus Museum of Art, OH; Neuberger Museum, Purchase, NY; Portland Art Museum, OR The Modern Drawing, The Museum of Modern Art, New York At the Artist's Studio in American Painting: 1840-1983, Allentown Art Museum, PA Painters' Painters, Milton Aveny, Philip Guston, Giorgio Morandi. University of Fine Art, Ohio State University, Columbus Social Concern and Urban Realism: American Painting of the 1930's, The American Federation of Arts, exhibition originated in Boston and toured the United States Twentieth Century American Drawing: The Figure in Context, International Exhibitions Foundation, Washington, D.C. Automobile and Culture, The Museum of Contemporary Art, Los Angeles, CA; Detroit Institute of Arts, MI Content: A Contemporary Focus 1974-1984, Hirshhorn Museum, Washington, D.C. 1985 Gemini G.E.L.: Art and Collaboration, National Gallery of Art, Washington, D.C.: traveled to Nelson-Atkins Museum, Kansas City; Seattle Art Museum, WA;Fogg Art Museum, Cambridge, MA; Los Angeles County Museum of Art, CA Dorothy C. Miller: With an Eye to American Art, Smith College Museum of Art, Northampton, MA American Drawing: 1930-1980, Ecole Nationale Superieure des Beaux Arts, Paris Stadtische Galerie, Frankfurt am Main, Germany American Art Today: Still Life, The Art Museum at Florida International University, Miami Fifty Artists, Fifty Printers, University of New Mexico Art Museum, Albuquerque, NM (brochure) 1986 Curator's Choice 1985, Parrish Art Museum, Southampton, NY (curated by Klaus Kertess) A Joan Miro, Foundacio Joan Miro, Barcelona, Spain An American Renaissance: Painting and Sculpture Since 1940, Museum of Art, Fort Lauderdale, FL The Neo-Figure: An International Survey, Yares Gallery, Scottsdale, Arizona Figure as Subject, The Last Decade, Whitney Museum of American Art, at Equitable, New York Maelstrom: Contemporary Images of Violence, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1987 Seven Artists in Depth, (Joseph Albers, Fletcher Benton, Bruce Conner, Joseph Cornell, Philip Guston, Clyfford Still, William Wiley) San Francisco Museum of Modern Art, CA Still Life: Painting, Sculpture, Drawing, Rahr-West Art Museum, Manitowoc Wisconsin. American Art Today: The Portrait, Art Museum at Florida International University, Miami, FL Styles of Painting of the New York School, Selections from the CIBA-GEIGY Collection, Summit Art Center, Summit NJ. Comic Iconoclasm, Institute of Contemporary Art, London: traveled to Douglas Hyde Gallery, Dublin; Cornerhouse Gallery, Manchester; Circulo de Bellas Artes, Madrid 1988 Drawn-Out, Kansas City Art Institute, Kansas City, MO Return to the Figure: Three Studies, Philip Guston, Jean Helion, Irene Rice Pereira, Bronx Museum of the Arts, Bronx, NY This Was Pratt: Former Faculty Centennial Exhibition, Pratt Institute, Brooklyn, NY Art of Our Time, The Royal Scottish Academy, Edinburgh 1989 Stationen der Moderne, Berlinische Galerie, Martin-Gropius-Ban, Berlin Master Drawings: 1859-1989, Janie C. Lee Master Drawings, New York Oberlin Alumni Collect: Modern and Contemporary Art, Allen Memorial Art Museum, Oberlin College, OH 1990 The 1980’s: Prints from the Collection of Joshua P. Smith, National Gallery of Art, Washington, D.C. Abstract Expressionism: Other Dimensions, The Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey 1990 Home, Asher-Faure Gallery, Los Angeles, CA Contemporary American Artists, Residence of Ambassador and Mrs. John Negroponte, Mexico City, Mexico (1990 - 1993) 1991 Dream and Perspective: The American Scene is Southern California, 1930-1945, Laguna Art Museum, CA, 1991 1992 La Compagnie Des Objets, Centre d'Art contemporain de Quimper, Quimper, France Bridges and Boundaries: African - Americans and American Jews, The Jewish Museum at the New York Historical Society; traveling exhibition follows. Paths to Discovery - The New York School (Works on paper from the 1950's and 1960's), Sidney Mishkin Gallery, Baruch College 1993 "Not for Sale," Loans from the Private Collections of New York Art Dealers, Tel Aviv Museum of Art, Israel Tutte La Strade Portano A Roma?, Palazzo delle Esposizioni, Rome Collective Pursuits: Mount. Holyoke Investigates Modernism, (from the collection of David and Renee McKee), Mount. Holyoke Art Museum, South Hadley, MA 1994 American Art in the 20th Century: Painting and Sculpture, Martin Gropius Bau, Berlin; traveling to the Royal Academy of Art, London Masters of Satire, William King Regional Arts Center, Abingdon,VA. Reversals: Philip Guston and Tony Tuckson, Ivan Dougherty Gallery, University of New South Wales, Paddington, Australia. (traveled to Museum of Modern Art at Heide, Bulleen, Australia) 1995 Sum of the Parts, University of Hawaii Art Gallery, Honolulu, HI American Art Today: Night Paintings, The Art Museum at Florida International University, Miami, FL. Drawing the Line, Organized by the South Bank Centre, London; travels to Southampton City Art Gallery; Manchester City Art Gallery; Ferens Art Gallery, Hull; Whitechapel Art Gallery, London Pacific Dreams: Currents in Surrealism in Early California Art: traveled to The Oakland Museum, Oakland, CA; UCLA - Armand Hammer Museum, Los Angeles, CA 1996 Rebels - Painters and Poets of the 1950’s, The National Portrait Gallery, Washington, D.C. American Art Today: Images From Abroad, The Art Museum at Florida International University, Miami, FL Views from Abroad: European Perspectives on American Art 2, Whitney Museum of American Art, New York: traveled to Museum fur Moderne Kunst, Frankfurt am Main Germany Abstract Expressionism, Sezon Museum of Art, Tokyo, Japan Pintura Estadounidense Expresianismo Abstracto, Centro Cultural Arte Contemporaneo, Mexico City, Mexico Face a l’Histoire: 1933-1996, Centre Georges Pompidou, Paris Private Worlds: 200 Years of American Still Life Painting, Aspen Art Museum, CO Founders and Heirs of the New York School, Museum of Contemporary Art, Tokyo, Japan. Travels to The Miyagi Museum of Art and The Museum of Modern Art, Ibaraki. Objects of Desire: The Modern Still Life, The Museum of Modern Art, New York Traylor, Guston, Basquiat, Komarin, John McEnroe Gallery, New York, New York 1997 Homage to George Herriman, Campbell-Thiebaud Gallery, San Francisco, CA 1998 The Edward R. Broida Collection, Orlando Museum of Art, Orlando, FL Art and the American Experience, Kalamazoo Institute of Arts, MI 1998-1999 Shifting Visions: O’Keeffe, Guston, Richter, Des Moines Art Center, IA 1999 Coming to Life: The Figure in American Art, Henry Art Gallery, University of Washington, WA Made in USA: 1940-1970 Abstract Expressionism to Pop, Centro Cultural de la Fundacio "la Caixa," Barcelona Spain: traveled to Schirn Kunsthalle, Frankfurt, Germany Examining Pictures: Exhibiting Paintings, Whitechapel Art Gallery, London, England Philip Guston, R. Crumb, Barry McGee, John Berggruen Gallery, San Francisco, CA. The American Century, Art & Culture 1900-2000, Part II 1950-2000, Whitney Museum of American Art, New York 1999-2000 Modern Art at Harvard, The Bunkamura Museum of Art, Japan: traveled to Takamatsu City Museum of Art, Matsuzakaya Art Museum, Oita art Museum, The Museum of Modern Art, Ibaraki, Japan I’m Not Here: Constructing Identity at the Turn of the Century, The Susquehanna Art Museum, Harrisburg, PA Creacion y Figura: Figuracion en el siglo XX, Fundacion Bancaja, Valencia, Spain 2000 Modern Art Despite Modernism, Museum of Modern Art, New York Bizarro World! The Parallel Universes of Comics & Fine Art, Cornell Fine Arts Museum, Rollins College, Winter Park, FL Painting as Memory - the Memory as Painting, Aargauer Kunsthaus, Aarau, Switzerland Carnivalesque, Brighton Museum and Art Gallery, England: traveled to Fabrica, Brighton; University Gallery, Brighton; castle Museum and Art Gallery, Nottingham; Djanogly Art Gallery, Nottingham; City art Centre, Edinburgh League Masters Then, The Art Students League of New York, New York 2000-2001 Celebrating Modern Art: The Anderson Collection, San Francisco Museum of Modern Art, CA Let Temps, Vite, Centre Georges Pompidou, Paris: traveled to Palazzo delle Esposizioni, Rome, Centre de Cultura Contemporania de Barcelona, Spain The Figure: Another Side of Modernism, Snug Harbor Cultural Center, Newhouse Center for Contemporary Art, Staten Island, NY Painting the Century, 101 Portrait masterpieces 1900-2000, National Portrait Gallery, London 2001 Centenary Exhibition, Whitechapel Art Gallery, London, England A Private Reading: The Book As Image & Object, Senior & Shopmaker Gallery, New York Œuvres sur papier (acquisitions 1996-2001), Musée National d'art Moderne, Centre Georges Pompidou, Galerie d'Art graphique, Paris 2001-2002 La Natura della Natura Morta, Galleria d’Arte Moderna, Bologna, Spain Museum of Our Wishes, Museum Ludwig, Cologne 2002 To be Looked At: Painting and Sculpture from the Museum of Modern Art, Museum of Modern Art, New York, NY, 2002 Los excesos de la mente (The excesses of the mind), Centro Andaluz de Arte Contemporáneo, Sevilla, Spain The Stamp of Impulse: Abstract Expressionist Prints, The Parrish Art Museum,Southampton, NY 2002-2003 Painting in Boston: 1950-2000, DeCordova Museum and Sculpture Park, Lincoln, MA Lois Orswell, David Smith, and Modern Art, Fogg Art Museum, Cambridge, MA 110 Years: The Permanent Collection of the Modern Art Museum of Fort Worth, Modern Art Museum of Fort Worth, Texas 2003 Modern Art in Florida, A Climate for Contemporary Tampa Bay, 1948-1970, Tampa Museum of Art, FL A Bend in the Road, Maier Museum of Art, Randolph-Macon Woman's College, Lynchburg, VA, exhibition brochure Lois Orswell, David Smith, and Friends, Knoedler & Company, New York 2003-2004 Embracing the Present: The UBS PaineWebber Art Collection, Austin Museum of Art, TX; Traveled to Phoenix Museum of Art, AZ 2004 La Grande Parade, Portrait de'l'artiste en clown, Galeries nationales du Grand Palais, Paris; traveled to: Musée des Beaux-Arts du Canada, Ottawa At War, Barcelona Center of Contemporary Culture CCCB, Spain Art and Utopia, Action Restricted, Museu d’art Contemporani de Barcelona, Barcelona Summer Group Exhibition, Brooke Alexander Editions, New York Power, Corruption and Lies, Roth Horowitz, New York, NY Living Dust, Norwich Gallery, Norwich School of Art and Design, Norfolk, UK 2004-2005 The Undiscovered Country, Hammer Museum, Los Angeles, CA Faces in the Crowd, Picturing Modern Life from Manet to Today, Whitechapel, London 2005 Contemporary Voices, works from the UBS Art Collection, Museum of Modern Art, NY 2006 Selections from the Collection of Edward R. Broida, National Gallery of Art, Washington D.C. Magritte and Contemporary Art: The Treachery of Image, Los Angeles County Museum of Art, CA 2007 1936-1939: Facing Fascism: New York and the Spanish Civil War, The Museum of the City of New York, NY Guggenheim Collection: 1940s to Now, National Gallery of Victoria, Melbourne, Australia MONOGRAPHS AND MAJOR CATALOGUES PHILIP GUSTON by Dore Ashton, Grove Press, New York, 1960 (35 plates). PHILIP GUSTON by H.H. Arnason, Solomon R. Guggenheim Museum, New York, 1962 (64 plates, 22 in color). PHILIP GUSTON: RECENT PAINTINGS AND DRAWINGS, Jewish Museum, New York, 1966. Introduction by Sam Hunter, taped dialogue with Harold Rosenberg (32 plates). PHILIP GUSTON, Marlborough Gallery, New York, 1970 (30 plates, 9 in color). Leo Steinberg, Other Criteria, Confrontations with Twentieth-Century Art, Oxford University Press, 1972. PHILIP GUSTON: NEW PAINTINGS, Boston University, Boston, MA, 1974. Introduction by Dore Ashton (16 plates, 2 in color). YES, BUT...A CRITICAL STUDY OF PHILIP GUSTON, Viking Press, New York, 1976 (93 plates, 4 in color), by Dore Ashton second printing, retitled A CRITICAL STUDY OF PHILIP GUSTON, University of California Press, Berkeley and Los Angeles, 1990; University of California Press, Ltd., Oxford, England, 1990. PHILIP GUSTON: DRAWINGS 1947-1977, David McKee Gallery, New York, 1978 (55 plates). PHILIP GUSTON, San Francisco Museum of Modern Art, George Braziller, Inc., New York, 1980. Essay by Ross Feld (50 color plates). PHILIP GUSTON: THE LAST WORKS, The Phillips Collection, Washington, D.C., 1980. Essay by Morton Feldman (31 plates, 6 in color). PHILIP GUSTON: PAINTINGS 1969-1980, edited by Nicholas Serota, Whitechapel Art Gallery, London,1982 Essay by Norbert Lynton (90 plates, 32 in color). PHILIP GUSTON: THE LATE WORKS, Art Gallery of New South Wales, Sydney, 1984. Essays by Edward Fry & Joseph Ablow (52 plates, 24 in color). PHILIP GUSTON, Greenville County Museum of Art, SC, 1986, Essay by Tom Styron (9 color plates). PHILIP GUSTON, Robert Storr, Abbeville Press, New York,1986 (116 plates,47 in color). THE DRAWINGS OF PHILIP GUSTON, Essay by Magdalena Dabrowski, The Museum of Modern Art, New York, 1988 (153 plates,29 in color). Second Edition publishd in Spanish by Fundacio Caixa De Pensions, 1989 NIGHT STUDIO/A MEMOIR OF PHILIP GUSTON BY HIS DAUGHTER, Alfred A. Knopf, Inc., New York, 1988, Random House of Canada Ltd., Toronto, 1988, (106 photographs, paintings, and drawings) Second edition in paperback, published by Da Capo Press, New York, U.S.A., 1997. PHILIP GUSTON, Ministerio de Cultura, Madrid, Spain, 1989. Essays by Mark Rosenthal, Robert Storr, Carrie Rickey, Francisco Calvo Serraller, and Dore Ashton (71 plates in color, b/w illustrations). GUSTON 1961-1965, Essay The Dark Pictures by Bill Berkson, McKee Gallery, New York, 1990 (19 color plates). PHILIP GUSTON, Opere Su Carta 1933-1980, Galleria Nazionale d’Arte Moderna Roma, Electa, Milano 1989. BAFFLING MEANS: Writings/Drawings by Clark Coolidge and Philip Guston, edited by Clark Coolidge, O-blek Editions, Stockbridge, Mass., 1991 (40 plates). PHILIP GUSTON in the Collection of the Museum of Modern Art, organized by Kirk Varnedoe, Essay by Robert Storr, New York, 1992. PHILIP GUSTON: LA RAIZ DEL DIBUJO, Kosme de Baranano, Sala de Exposiciones Rekalde, Bilbao, 1993; with additional texts by Kenneth Baker, Morton Feldman, Dore Ashton, and Bill Berkson. SCROLLS OF TESTIMONY, Abba Kovner, Edited by Shalom Loria, Bialik Institute, Jerusalem, Israel,1993. PHILIP GUSTON’S 1975-1980 PRIVATE and PUBLIC BATTLES, Essays by Kim Sichel and Mary Drach McInnes, Boston University Art Gallery, 1994. PHILIP GUSTON'S LATE WORKS: A MEMOIR, William Corbett, Zoland Books, Boston,1994. PHILIP GUSTON’S POEM - PICTURES, by Debra Bricker Balken with contributions by Bill Berkson, Clark Coolidge, William Corbett, Stanley Kunitz, Addison Gallery, Phillips Academy, Andover, MA. 1994. PHILIP GUSTON (1913 - 1980) OEUVRES SUR PAPIER1975-1980 by Didier Ottinger, Musee de l’Abbaye Sainte-Croix des Sables d’Olonne, France, 1995 (33 plates in color, 15 b/w). PHILIP GUSTON: WORKING THROUGH THE FORTIES, Essay by Michael Shapiro, The University of Iowa Museum of Art, 1996. LINEA Y POESIA: PHILIP GUSTON, MUSA MCKIM, Essay by Sally Radic, Fundacion Cesar Manrique, 1998 MASTER PAINTINGS in the Art Institute of Chicago, Selected by James N. Wood, Director, Chicago, 1999. PHILIP GUSTON: GEMÄLDE 1947-1979, Essay by Christoph Schreier, Michael Auping and Martin Hentschel, Kunst Museum Bonn, 1999. PHILIP GUSTON: PEINTURES 1947-1979, Essay by Didier Ottinger and Philip Roth, Centre Georges Pompidou, Paris, 2000. PHILIP GUSTON: A NEW ALPHABET, THE LATE TRANSITION, Essays by Joanna Weber, Harry Cooper and Laura Greengold, Yale University Art Gallery, New Haven, Connecticut, 2000. PHILIP GUSTON’S POOR RICHARD, Debra Bricker Balken, The University of Chiccago Press, Chicago Illinois, 106 pages, 72 black and white illustrations, 2001. PHILIP GUSTON, by Albrecht Kastein, BQ Gallery, Partnerdruck GmbH, Köln, Germany, 2001. (60 pages, black and white illustrations). PHILIP GUSTON, ONE-SHOT-PAINTINGS, Essays by Kosme de Barañano, Mª Jesús Folch, Fernando Gómez Aguilera and Manuel Padorno, Ediciones Aldeasa, IVAM, Valencià, Spain, December 2001. Gifts in Honor of the 125th Anniversary of the Philadelphia Museum of Art, Philadelphia Museum of Art, PA, organized by Alice Beamesderfer, produced by Department of Publishing, Philadelphia Museum of Art, Philadelphia, PA, 2002. Michael Auping, Modern Art Museum of Fort Worth 110, III Third Millennium Publishing Limited, London, 2002. Pages 74-79, 242. Ross Feld, Guston in Time: Remembering Philip Guston, Counterpoint, New York, 2003. VISIONS OF MODERN ART: PAINTING AND SCULPTURE FROM THE MUSEUM OF MODERN ART, Edited b y John Elderfield, The Museum of Modern Art, New York, 2003. MEISTERWERKE AUS DEM MUSEUM OF MODERN ART, NEW YORK, Edited by John E lderfield, The Museum of Modern Art, New York, 2003. AGAINST THE GRAIN: CONTEMPORARY ART FROM THE EDWARD R. BROIDA COLLECTION, The Museum of Modern Art, New York, 2006. Jack S. Blanton Museum of Art, University of Texas at Austin, 20th and 21st Century American Art Dublin City Gallery The Hugh Lane, Edited by Margarita Cappock, Merrell Publishers Limited, London, 2006. Illustrated in color, page 77. WORK IN PUBLIC COLLECTIONS Albright Knox Art Gallery, Buffalo, NY Arkansas Art Center, Little Rock, AK Art Institute of Chicago, IL Australian National Gallery, Canberra Baltimore Museum of Art, MD University Art Museum, Berkeley, CA Bezalel National Museum, Jerusalem Birmingham Museum of Art, AL Binghampton Art Gallery, State University of NY Brooklyn Museum, Brooklyn, NY Brooks Museum of Art, Memphis, TN Carnegie Museum of Art, Pittsburgh, PA Centre National d’art et de Culture Georges Pompidou, Paris Centro de Arte Reina Sofia, Madrid Ciba-Geigy Collection, Ardsley, NY Cincinnati Art Museum, OH Cleveland Museum of Art, OH Colby College Museum of Art, Waterville, ME University of Connecticut, William Benton Museum of Art, Storrs, CT Corcoran Gallery of Art, Washington, D.C. Dallas Museum of Art, TX Dayton Art Institute, OH Denver Art Museum, CO Denver Institute of Fine Arts, CO Detroit Institute of Fine Arts, MI Everson Museum, Syracuse, NY Ft. Lauderdale, Museum of Art, FL Fogg Art Museum, Cambridge, MA Friends of Art and Preservation in Embassies, Washington, D.C. Georgia Museum of Art, University of Georgia, Athens, GA Greenville County Museum of Art, South Carolina Solomon R. Guggenheim Museum, New York High Art Museum, Atlanta, GA Hirshhorn Museum and Sculpture Garden, Washington, D.C. Honolulu Academy of Art, HI Hood Art Gallery, Dartmouth College, Hanover, NH Illinois Wesleyan University, Bloomington Museum of Art, University of Iowa, Cedar Falls Israel Museum, Jerusalem J.B. Speed Art Museum, Louisville, KY Herbert F. Johnson Museum of Art, Ithaca, NY S.C. Johnson Collection, Smithsonian Institute, Washington, D.C. Joslyn Art Museum, Omaha, NE University of Kansas, Helen Foresman Spencer Museum, Lawrence Kent State University Museum, Kent, OH Krannert Art Museum, University of Illinois, Urbana Kunstmuseum Winterthur, Switzerland Los Angeles County Museum of Art, CA Madison Art Center, Madison, WI The Metropolitan Museum of Art, New York The Michener Collection, University of Texas Art Museum, Austin Milwaukee Art Museum, WI Minneapolis Institute of Art, MN Modern Art Museum of Fort Worth, TX Montclair Art Museum, Montclair, NJ Montgomery Museum of Fine Arts, AL Mount. Holyoke College Art Museum, South Hadley, MA Munson-Williams-Proctor Institute, Utica, NY Musee de l’Abbaye Saint-Croix, Les Sables d’Olonne Museo Regional Michoacano de Morelia, Michoacán, México Museum of Fine Arts, Boston, MA Museum of Fine Arts, Houston, TX Museum of Modern Art, New York National Gallery of Art, Ottawa, Canada National Gallery of Art, Washington, D.C. National Gallery of Victoria, Melbourne, Australia National Museum of American Art, Washington, D.C. University of Nebraska,Sheldon Memorial Art Gallery, Lincoln Nelson Atkins Museum of Art, Kansas City, MO Newark Museum of Art, NJ Newport Harbor Art Museum, Newport Beach, CA The Roy Neuberger Museum, Purchase, NY Oberlin College, Allen Memorial Art Museum, Oberlin, OH Parrish Art Museum, Southampton, NY The Phillips Collection, Washington, D.C. Art Museum, Princeton University, NJ Portland Art Museum, OR Rhode Island School of Design, Providence, RI Mable and John Ringling Museum of Art, Sarasota, FL Rose Art Museum, Brandeis University, Waltham, MA Museum of Contemporary Art, San Diego, CA San Francisco Museum of Art, CA San Jose State College, CA Seattle Art Museum, WA Smith College Museum of Art, Northampton, MA South Mall, Albany, NY Stanford University Museum of Art, Stanford, CA State College of Iowa, Cedar Falls Stedelijk Museum, Amsterdam St. Louis Art Museum, MO City Art Museum of St. Louis, MO Tang Teaching Museum, Skidmore College,Saratoga Springs, NY Tate Gallery, London U.S. State Department Collection, Hagerstown, MD Vassar College, Poughkeepsie, NY Virginia Museum of Fine Arts, VA University of Virginia Art Museum, Charlottesville, VA Walker Art Center, Minneapolis, MN Washington University, St. Louis, MO Whitney Museum of American Art, New York Williams College Museum of Art, Williamstown, MA Wight Art Gallery, University of California, Los Angeles Worcester Art Museum, MA Yale University Art Gallery, New Haven, CT SELECTED ARTICLES AND PUBLICATIONS "On a Mexican Wall," Time Magazine, April 1, 1935. Frank O’Hara, "New Directions in Music 2/ Morton Feldman," ML 5403, Columbia,album cover, 1960. Lawrence Alloway, “Notes on Guston”, The Art Journal, Fall 1962 Hilton Kramer, "A Mandarin Pretending To Be A Stumblebum," The New York Times, October 25, 1970. Harold Rosenberg, "Liberation from Detachment," The Art World, The New Yorker, November 1970. Charles Moritz, “CurrentBiography” February 1971 Thomas B. Hess, "Dumb is Beautiful," New York Magazine, March 29, 1976. Ross Feld, "Philip Guston," Arts Magazine, May 1976. Nobert Lynton, "Yes, but...a Critical Study of Philip Guston by Dore Ashton," The Times Literary Supplement, January 7, 1977. Jerry Talmer, "Creation is for Beauty Parlors," New York Post, April 9, 1977. Kenneth Baker, "Philip Guston's Drawing: Delirious Figuration," Arts Magazine, June 1977. Grace Glueck, "The 20th-Century Artists Most Admired By Other Artists," ARTnews, November 1977. Roberta Smith, "The New Gustons," Art in America, January - February 1978. Ross Feld, "Philip Guston's Wharf," Arts Magazine, April 1978. Alan G. Artner, "Carefully Watched, An Escape Artist Finds New Freedom," Chicago Tribune, October 15, 1978. Franz Schulze, "3 Artists Defy Trend," Chicago Sun-Times, October 15, 1978. "Philip Guston - review," Soho Weekly News, October 1978. "Philip Guston - review," ARTnews, December 1978. Rene Richard, "Philip Guston - review," Art in America, November - December 1978. Mary Stofflet-Santiago, "Philip Guston - A Thorough Preview," ArtWeek, January 13, 1979. Edgar Buonagurio, "Philip Guston - review," Arts Magazine, February 1979. William Zimmer, "Art for the Me Decade," Soho Weekly News, February 1979. David Shirey, "An Artistic Celebration," The New York Times, May 6, 1979. William Feaver, "Loads of Sprockets," London Observer, May 6, 1979. Wade Saunders, "Art Inc.: The Whitney's 1979 Biennial," Art in America, May - June 1979. Merle Schipper, "Kline and Guston: Phases of Drawing," ArtWeek, August 11, 1979. Carrie Rickey, "What Becomes a Legend Most," The Village Voice, October 22, 1979. Dore Ashton, "A Response to Philip Guston's New Paintings," Arts Magazine, December 1979. Edward Lucie-Smith, Art in the Seventies, Phaidon Press, Oxford, 1980 Mark Stevens, "A Talk with Philip Guston," The New Republic, March 15, 1980. Oakland Post, April 24, 1980 Thomas Albright, "A Survey of a Man's Life," San Francisco Chronicle, May 15, 1980. Charles Shere, “”Looking Beyond Guston’s Paintings”, Oakland Tribune, May 18, 1980. Los Angeles