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EDUCATION:
2000 Yale University School of Art, Master of Fine Arts
1995 University of California, Los Angeles, CA., Bachelor of Fine Arts
AWARDS:
2004 Central Insurance Prize, Cologne, Germany
SOLO EXHIBITIONS:
(* indicates catalogue / • indicates performance)
2008 Centre d’édition Contemporain, Bâtiment d’art Contemporain, Geneva, Switzerland
Institute of Contemporary Art Philadelphia, Philadelphia, PA
Renaissance Society, University of Chicago, Chicago, IL
2008/07 Modern Art Oxford, Oxford, United Kingdom; The Douglas Hyde Museum, Dublin, Ireland
2007 Casey Kaplan, New York, NY•
2006 Air de Paris, Paris, France
2005 Art Unlimited Public Project, Art 36 Basel, Basel, Switzerland
Art Pace, San Antonio, TX
"Trisha Donnelly, CENTRAL Art Prize," Kölnischer Kunstverein, Köln, Germany
Kunsthalle Zürich, Zürich, Switzerland
2004 Casey Kaplan, New York, NY•
The Wrong Gallery, New York, NY
2002 Casey Kaplan 10-6, New York, NY•
Air de Paris, Paris, France•
GROUP EXHIBITIONS:
2007/08 “Jubilee Exhibition” Galerie Eva Presenhuber, Engiadina Bassa, Switzerland
“The World as a Stage,” The TATE Modern, London, United Kingdom; traveling to the Institute of Contemporary Art, Boston, MA
2007 “Every Revolution is The Roll of The Dice,” Ballroom Marfa, Marfa, TX
“The Third Mind,” Palais de Tokyo, Paris, France
“Insubstantial Pageant Faded Work On Themes of Decay, Time's Passage,
Presence and Absence, and Mortality,” Western Bridge, Seattle, Washington,
“Depth of Field: Modern Photography at the Metropolitan,” The Metropolitan Museum of Art, New York, NY
Frederico García Lorca House-Museum at Huerta de San Vicente,
curated by Hans Ulrich Obrist, Granada, Spain
“Il Tempo del Postino,” co-curated by Hans Ulrich Obrist & Philipe Parreno, Manchester International Festival, The Manchester Opera House, Manchester, United Kingdom; Théâtre du Châtelet, Paris, France
“What we do is Secret,” curated by Amy O’Neill, Blancpain Art Contemporain, Genéve, Switzerland
“THE HISTORY OF A DECADE THAT HAS NOT yet BEEN NAMED,” curated by Stéphanie Moisdon and Hans Ulrich Obrist, the Lyon Biennial of Contemporary Art, Lyon, France
“Silence, Listen to the Show,” Fondazione Sandretto Re Rebaudengo, Turin, Italy
2007/05 “Uncertain States of America,” Astrup Fearnley Museum of Modern Art, Oslo, Norway; The Serpentine Gallery, London, United Kingdom; Reykjavik Art Museum, Reykjavik, Iceland; The Herning Art Museum, Henrning, Denmark, the Moscow Biennial, Sérignan, Beijing, (Songzhuang Art Center), and Warsaw.*
2007/06 "Empathetic," curated by Elizabeth Thomas, Tyler School of Art, Temple University, Philadelphia, PA
2006 "COMPILER*02 - From Here to the Ocean," a curated DVD magazine and platform film, compiled by Daniel Baumann and Champion Zero, Basel, Switzerland
"25 x 25," crated by Matthew Higgs and Amie Scally, White Columns,
New York
"Pose & Sculpture," curated by Daniel Baumann, Casey Kaplan, New York
“The Secret Theory of Drawing: Dislocation and Indirection in Contemporary
Drawing,” The Drawing Room, London*
“Strange Powers,” Creative Time, New York, NY*
“The Missing Evidence,” Centre d’édition Contemporaine, Geneva, Switzerland
“An Ongoing Low Grade Mystery,” Paula Cooper Gallery, NY
“Day for Night,” The 2006 Whitney Biennial, The Whitney Museum of American Art, NY*
“Of Mice + Men: 4th Berlin Biennial for Contemporary Art,” curated by Maurizio Cattelan, Massimiliano Gioni, and Ali Subotnick, Berlin, Germany
2006/05 “T1- The Pantagruel Syndrome,” Torino Triennale Tremusei, Turin, Italy
“A Brief History of Invisible Art,” CCA Wallis Institute for Contemporary Arts,
San Franscisco, CA*
2005 “Tbilisi 2. Wednesday Calls the Future,” National Art Center, Tbilisi, Georgia
“Brave New Art,” P.S. 1 Contemporary Art Center, Long Island City, NY
“The Plain of Heaven,” Creative Time, New York, NY*
“Marginal Revolutions,” Kunst Werk Institute for Contempoary
Art, Berlin, Germany
“I Still Believe in Miracles,” Musée d’Art Moderne de la ville Paris, Paris, France
Museum Moderner Kunst Stiftung Ludwig, Wien, Vienna
“19 Rainstorms: Neil Goldberg,” Western Bridge, Seattle, WA
“Goodbye Fourteeth Street,” Casey Kaplan, New York, NY
“1 Moscow Biennale of Contemporary Art,” former Lenin Museum,
Moscow, Russia
2005/04 “Fee of Angels,” Man in the Holocene, London, England
2004 “54th Carnegie International,” Carnegie Museum of Art, Pittsburgh,
PA•*
“Tuesday is Gone,” Arts Interdisciplinary Research Laboratory, Tbilisi, Georgia
“International Exposition of the Dak’Art Biennial of Contemporary Africa Art,” curated by Hans Ulrich Obrist, Senegal, Africa
“Collection (or How I Spent a Year), curated by Bob Nickas, PS1 Contemporary Art Center, Long Island City, NY
“Ishtar,” Midway Contemporary Art, St. Paul, MN
“The Weather,” Saidye Bronfman Canter for the Arts, Montreal; traveling
to the Charles H. Scott Gallery, Vancouver, Canada
“Le Corps en Mouvement (The Body in Motion),” The Louis-Jeantet Foundation of Medecine, Geneva, Switzerland
2004/03 "Atto Primo," Galeria Massimo de Carlo, Milan, Italy
“Baja to Vancouver: The West Coast in Contemporary Art,” traveling exhibition: Seattle Art Museum, Seattle, WA; Museum of Contemporary Art, San Diego, CA; Vancouver Art Gallery, Canada; California College of Arts and Crafts, San Francisco, CA*
“Gray Area: Uncertain Images: Bay Area Photography 1970s to Now,” CCAC Wattis Institute for Contemporary Arts, San Francisco, CA
“Comment Rester Zen,” Centre Cultural Suisse, Paris, France; Museum am Ostwall, Dortmund, Germany
2003 “Spectacular: The Art of Action,” curated by Jens Hoffmann, Museum Kunst Palast, Düsseldorf, Germany
“Utopia Station,” Curated by Molly Nesbit, Hans Ulrich Obrist and Rirkrit Tiravanija, 50th International Exhibition of Art, Venice Bienniale, Venice, Italy•
“The Happy face of Globalization,” Attese Ceramics Biennial, curated by Hans Ulrich Obrist, Tiziana Casapietra and Roberto Constantino, Albisola, Italy•
“Young Scene,” curated by Daniel Baumann, Vienna Seccession, Vienna, Austria•*
“Peripheries become the center,” curated by Jens Hoffmann
Prague biennial, Prague
“It happened tomorrow,” Biennale de Lyon, Lyon, France*
“Ishtar,” curated by Bruce Hainley, Midway Contemporary Art, Saint Paul, MN*
"Georges / Abstraction Surface air,” Program Video by BDV, ARTVIEW, Paris, France
“Breathing the Water,” Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland
“The Rebirth of Wonder,” Los Angeles Contemporary Art Exhibitions,
Los Angeles, CA
“The Lengths,” Center for Curatorial Studies, Bard College, New York
2002 “Hello, My Name Is...,” organized by Laura Hoptman, Carnegie Museum of Art, Pittsburgh, PA
"How Extraordinary that the World Exists," curated by Ralph Rugoff, CCAC Wattis Institute for Contemporary Arts, Oakland, CA *
"Altoids Curiously Strong Collection," New Museum of Contemporary Art, New York
"Gallery Luhman," Nils Staerk Contemporary Art, Copenhagen, Denmark
"Moving Pictures," Solomon R. Guggenheim Museum, NY, traveling to Guggenheim Bilbao, Spain 2003-2004 *
"Summer Cinema," Casey Kaplan 10-6, New York
"The Show That Will Show That a Show Is Not Only a Show," curated by Jens Hoffmann, The Project, Los Angeles, CA
2001 "Do It," curated by Hans Ulrich Obrist, www.e-flux.com
"I Love Dijon," curated by Eric Troncy, Le Consortium, Dijon, France
"The Dedalic Convention," curated by Liam Gillick, MAK Museum, Vienna, Austria
"The Wedding Show," Casey Kaplan 10-6, New York
"Mink Jazz," curated by Bruce Hainley, Mark Foxx, Los Angeles, CA
"Angel Heart," Air de Paris, Paris, France •
2000 "Trisha Donnelly, Gabriel Kuri, Nathan Carter, Florence Paradeis," Casey Kaplan 10-6, New York
"Echo," curated by Anne Gardiner, Artist's Space, New York •
1999 "Minty," curated by Bruce Hainley, Richard Telles Gallery, Los Angeles, CA
“Rythms, Trances, and Dances” (The Body in Motion), curated by Eveline Notter, Foundation Louis-Jeantet de Médecine, Geneva, Switerland
PERFORMANCES/LECTURES:
2006 “Subjective Histories of Sculpture,” Sculpture Center Lecture at The New School, New York, NY
2004 “Where is Adventure? What is Culture?” chair Matthew Higgs, Frieze Art Fair, London, UK
Casey Kaplan, New York, NY
“54th Carnegie International,” Carnegie Museum of Art, Pittsburgh, PA
2003 “50th International Exhibition of Art,” Venice Bienniale, Venice, Italy
Midway Contemporary Art, curated by Bruce Hainley, St. Paul, Minnesota
“Young Scene,” curated by Daniel Baumann, Vienna Seccession, Vienna,
Austria
“The Happy face of Globalization,” Attese Ceramics Biennial, curated by Hans Ulrich Obrist, Tiziana Casapietra and Roberto Constantino, Albisola, Italy
2002 Casey Kaplan 10-6, New York, NY
"Low," Air de Paris, Paris France
Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland
2001 "A Little Bit of History Repeated," curated by Jens Hoffman, Kunst-Werke, Berlin, Germany *
"Angel Heart," Air de Paris, Paris, France
2000 "Trisha Donnelly, Gabriel Kuri, Nathan Carter, Florence Paradeis," Casey Kaplan 10-6, New York, NY
"Echo," curated by Anne Gardiner, Artist's Space, New York, NY
PERMANENT COLLECTION:
Artpace San Antonio, San Antonio, TX
Astrup Fearnley Museum, Oslo, Norway
Carnegie Museum, Pittsburgh, PA
The Metropolitan Museum of Art, New York, NY
Museum of Contemporary Art, Los Angeles, CA
Solomon R. Guggenheim Museum, New York, NY
Tate Modern, London, UK
Walker Art Center, Minneapolis, MN
Western Bridge Foundation, Seattle, WA
The Whitney Museum of American Art, New York, NY
PUBLICATIONS:
Kate Mcfarlane, (ed.), The Secret Theory of Drawing, London: The Drawing Room, 2007.
Pedrosa, Adriano, (ed.), Desenhos [Drawings]: A-Z, Ilha da Madeira: Coleccão Madeira Corporate Services, 2006.
Bice Curiger, Jacqueline Burchkardt, and Cay-Sophie Rabinowitz (eds.), Parkett, No. 77, September 2006, Zürich: Parkett, 2006.
Laura Hoptman and Peter Eleey (writers and curators), Strange Powers, New York: Creative Time, 2006.
“Private Apartment,” Of Mice and Men: 4th Berlin Biennial for Contemporary Art, organized by KW Institute for Contemporary Art, curated by Maurizio Cattelan, Massimiliano Gioni, and Ali Subotnick, Berlin: Hatje Cantz, 2006, p. 104-105.
Kayser, Anne, "Private Apartment," Of Mice and Men: 4th Berlin Biennial for Contemporary Art, organized by KW Institute for Contemporary Art, curated by Maurizio Cattelan, Massimiliano Gioni, and Ali Subotnick, Berlin: Hatje Cantz, 2006, p. 41-43.
Chrissie Iles & Philippe Vergne, (eds.), Day for Night: Whitney Biennial 2006, New York: Whitney Museum of American Art & Harry N. Abrams Inc., 2006.
Rugoff, Ralph (ed.), A Brief History of Invisible Art. San Franscisco: California College of the Arts, 2005.
Thomas Trummer, Edelbert Kob (eds.), Evn Sammlung: 95-05. Cologne: Verlag de Buchhandlung & Walter König, 2005.
Eleey, Peter (ed.), The Plain of Heaven, New York: Creative Time, 2005.
Daniel Birnbaum, Gunnar B. Kvaran, and Hans Ulrich Obrist (eds.), Uncertain States of America: American Art in the Bad Millennium, Oslo: Astrup Fearnley Museum of Modern Art, 2005.
Kröner, Magdalena, “Trisha Donnelly’s Demonstration,” Monopol: Magazin für Kunst und Leben, June 2005, p. 144-145.
Baumann, Daniel, “Trisha Donnelly,” Spike: Art Quarterly, April 2005, p. 36-44.
Hoptman, Laura, et al., 54th Carnegie International 2004-5, Pittsburgh, PA: Carnegie Museum of Art & Carnegie Institute, 2004.
Lisa Dennison, Nancy Spector and Joan Young, Moving Pictures, Bilbao: Guggenheim Museum Bilbao, 2003-2004.
Douroux, Xavier, et al., 7th Biennale D’Art Contemporain de Lyon, Lyon, France, 2003.
Rugoff, Ralph, ed. Baja to Vancouver: The West Coast in Contemporary Art, Uwe Kraus, Italy: International Book Production, 2003.
John Waters and Bruce Hainley, Art - A Sex Book, London: Thames & Hudson, 2003.
Spectacular - The Art of Action, curated by Jens Hoffman, Düsseldorf: Museum Kunst Palast, April - November 2003.
Ishtar, curated by Bruce Hainley, Saint Paul: Midway Contemporary Art, 2003.
Cream3, London: Phaidon Press, 2003.
Maurizio Cattelan, Bettina Funcke, Massimiliano Gioni and Ali Subotnick (eds.), Charley,
Italy, 2002.
A Little Bit of History Repeated, Berlin, Berlin: Kunst-Werke, November 2001.
Echo, New York: Artist’s Space, 2000.
BIBLIOGRAPHY:
Rosenberg, Karen, “Moderne Photography in a Brand New Space,” The New York Times, Friday, September 28, 2007, p.E36
Coburn, Tyler, “Trisha Donnelly, Back From Surrender,” Tomorrow Unlimited, June 15, 2007 http://www.tomorrowunlimited.com/notes/2007/jun/15/trisha-donnelly-back-from-surrender/
Schwendener, Martha, “Trisha Donnelly,” The New York Times, Friday, June 1, 2007,
p. E29.
Armetta, Amoreen, “Trisha Donnelly,” Time Out New York, June 7 – 13, 2007, Issue 610,
p. 70.
O’Neill-Butler, Lauren, “Trisha Donnelly,” Artforum, Critic’s Picks, May, 2007
Available: http://artforum.com/picks/section=nyc#picks15426
Falconer, Morgan, “Morgan Falconer on Trisha Donnelly,” Saatchi Online Gallery, May, 2007, Available: http://www.saatchi-gallery.co.uk/blogon/2007/05/morgan_falconer_on_trisha_donn_1.php
Morton, Tom, "Secret Theory of Drawing," Frieze, January - February 17, 2007,
Issue 100, p. 165
Charlesworth, J.J, "The Secret Theory of Drawing," Artreview, December Issue, p. 143.
Porter, Jenelle, "Ten Contemporary Artists, All Inexplicable, Inspiring and Female," Believer magazine, Fortieth Issue, December - January 2007, p. 28-37.
Fallon, Robert, "Feel the Pain, Tears and tribulations at Temple Gallery," Philadelphia Weekly, November 15-21, 2006.
Hoptman, Laura, "Electricity," Parkett, No. 77, September 2006, p. 67-70.
Hainley, Bruce, "Over and out," Parkett, No. 77, September 2006, p. 76-80.
Ruf, Beatrix, "Schwa," Parkett, No. 77, September 2006, p. 92-99.
Spaid, Sue, "Whitney Biennial 2006," artUS, Issue 14, July-September 2006, p. 22-23.
Smith, Roberta, "Chelsea Battlefield for Galleries," The New York Times, Friday, July 28, 2006, p. E27 & E33.
Hainley, Bruce, “Her Artillery,” from In Search of The Miraculous, Metropolis M, April/May 2006, p. 56- 60.
Jian-Xing Too, “Reviews: Trisha Donnelly,” Art Review, April 2006, p. 126.
Obrist, Hans Ulrich, “Trisha Donnelly: She Said,” Flash Art, March-April 2006, p. 58-61.
Saltz, Jerry, “Biennial in Babylon,” The Village Voice, March 1, 2006.
Rosenberg, Karen, “Ready to Watch,” New York Magazine, February 27, 2006, p. 46-49.
“Future Greats 2005,” ArtReview. December 2005, p. 95.
Eames, April Elizabeth, “Uncertainty Principle”, Artforum, November 30, 2005, Available: www.artforum.com/diary
Donnelly, Trisha, “Books: Best of 2005,” Artforum. December 2005, p. 96.
Birnbaum, Daniel, “Best of 2005: Eleven Critics and Curators Look at The Year in Art,” Artforum, December 2005, p. 260
Smith, Roberta, “Other Voices, Other Rooms,” The New York Times, Friday, November 11, 2005, E. 33
Myers, Julian, “If it Need Be Termed Surrended, Then Let it Be So, Or: Trisha Donnelly in Parallax,” Afterall, November 2005 p. 91-101.
Hainley, Bruce, “Her Artillery,” Afterall, November 2005, p. 101-107.
Solis, Brian, “Artforum, Critics’ Picks: “The Plain of Heaven,” Artforum, Available: http://www.artforum.com/picks/, November 10, 2005.
Gordon, Margery, “Bulking Up,” Art + Auction, November 2005, p. 114.
Trainor, James, “2004 Carnegie International,” Frieze, August 2005, Available: http://www.frieze.co.uk/review_single.asp?bavk=1&r=2091.
Verwoert, Jan, “The Other Side,” Frieze, September 2005, p. 116-120.
Obrist, Hans-Ulrich, “The Crank Call,” i-D: The Feminine Issue, March 2005, p. 216-220.
Kerr, Merrily, “54th Carnegie International,” Flash Art, January-February 2005, p. 51.
Johnson, Ken, “Social Satire and Metaphor in a Multimedia Exhibition,” The New YorkTimes, Friday, December 17, 2004.
Johnson, Ken, “Pittsburg Rounds Up A Globe Full of Work Made in Novel Ways,” The New York Times, Thursday, November 4, 2004, p. E1 & E6.
Saltz, Jerry, “Thinking Outside The Box,” The Village Voice, November 3-9, 2004, p.83.
Rosenberg, Karen, “ Pittsburgh Stealers,” New York Magazine, October 11, 2004, p.128.
“Electoral College: A Portfolio,” Artforum, September 2004, XLIII, No. 1, p. 230.
Graves, Jen, “The Arts: Playful Conceptual Artist Mixes Mysticism, Pranks,” The News Tribune, Tacoma, WA, August 29, 2004.
Demetre, Jim, “The Art of the McGuffin: Trisha Donnelly visits the Henry,” Available:
http://artdish.com/the-dish.asp?ID=59, August 2004.
Hainley, Bruce, “The Consensus Thief,” The New York Times Style Magazine,
August 29,2004, p.276-277.
Maurizio Cattelan, Massimiliano Gioni, and Ali Subotnick, “El Topo,” Domus, March 2004, p.145-7.
Donnelly, Trisha, “Top Ten,” Artforum, March 2004, p.84.
Chaw, Kurt, “ Saying Hello,” Pittsburgh Tribune Review, July 5, 2002.
Hoffmans, Jens, "Trisha Donnelly," Flash Art, March-April 2002, p.97.
Samuele Menin and Valentina Sansone, “Focus Video and Film,” Flash Art, Vol. XXXVI, No. 229, March-April 2003, p.92-99.
Miller, John, "Openings: Trisha Donnelly," Artforum, Summer 2002, p.164-165.
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