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Nathan Carter — Biography
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Born |
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EDUCATION:
1999 Yale University School of Art, Master of Fine Art
1995 School of the Museum of Fine Art Boston B.F.A.
1996 Awarded Traveling Scholarship, SMFA
AWARDS
2006 Shortlist for the III International Painting Prize of the of the Castellón County Council, Castellón, Spain
SOLO EXHIBITIONS:
2008/07 ArtPace, San Antonio, Texas
2007 “Nathan Carter,” Domus Artium 2002, Salamanca, Spain
"1 2 3 4 5 6 7 8 9 10 ELEVEN TWELVE," Pilar Parra, Madrid, Spain
2006 "ALL CITY," Casey Kaplan, New York, NY
Galerie Esther Schipper, Berlin, Germany
2004 "Shropshire to Speedbird Outbound: What’s Your Actual?”
Casey Kaplan, New York, NY
2003 Schipper und Krome, Berlin, Germany
“Delta Echo Triple One Upper,” Locust Projects, Miami, Florida
2002 Art Statements, Art/33/Basel, Basel, Switzerland*
2001 "The Best Pirate Boat Race Ever…,” Casey Kaplan 10-6, New York
2000 “Project Space 2: Nathan Carter”, Artists Space, New York
1997 Exhibition Space at Arts Media, Boston
GROUP EXHIBITIONS:
(*catalogue/publication)
2007 "MAM Collectors Council Acquisitions," Miami Art Museum, Miami, FL
"Mood Swings," curated by Joe Scanlan, Galerie Micheline Szwajcer, Antwerpen, Belgium
"III International Painting Prize of the of the Castellón County Council,"
Museo de Bellas Artes de Castellón, Castellón, Spain
2006 "Level 5: The View from Here: Acquisitions since 2000," Tate Modern, London, United Kingdom
2006/05 “Neo Baroque,” DA2 Centre of Contemporary Art in Salamanca,
Salamanca, Spain
2005 “Greater New York 2005,” PS1, Long Island City, NY
“Goodbye Fourteenth Street,” Casey Kaplan, New York, NY
“Sky Shout,” Auditorio de Galicia, Santiago de Compostela, Spain
2003 “GNS (Global Navigation System),” Palais de Tokyo, Paris, France
“Nation,” Kunstverein Frankfurt, Germany
“Lap Dissolve,” Nathan Carter, Jason Dodge, Ceal Floyer, Liam Gillick,
Carsten Höller & Simon Starling, Casey Kaplan, New York
2002 "Urgent Painting," curated by Hans-Ulrich Obrist, Musée d'Art Moderne
de la Ville de Paris, France *
"Gallery Luhman," Nils Staerk Contemporary Art, Copenhagen, Denmark
"Dark Spring," curated by Liam Gillick and Nicolaus Schafhausen, The Ursula Blickle Stiftung, Karlsruhe, Germany *
"New Attitudes in Sculpture," curated by Kenneth L. Freed, The Gallery at Green Street, Boston, Massachusetts
"Summer Cinema," Casey Kaplan 10-6, New York
"Building Structures," curated by Klaus Biesenbach, PS1, New York
2001 “The Wedding Show,” Casey Kaplan 10-6, New York
"The Daedalic Convention," curated by Liam Gillick, MAK Museum, Vienna, Austria
2000 “Trisha Donnelly, Gabriel Kuri, Nathan Carter, Florence Paradeis,” Casey Kaplan 10-6, New York
1998 “All Terrain,” Friedrich Petzel Gallery, New York
1996 “Traveling Scholars Award Recipient Exhibition,” Museum of Fine Art, Boston, MA
PERMANENT COLLECTION:
Guggenheim Museum of Art, New York, NY
Miami Art Museum, Miami, FL
Tate Modern, London, England
ORGANIZED EXHIBITIONS/PROJECTS:
2007
“1 2 3 4 5 6 7 8 9 10 ELEVEN TWELVE,” Pilar Parra, Madrid, Spain
2005 "Fearless Vampire Killers," Casey Kaplan, New York, NY
PERFORMANCES:
2007 “In Hong Kong Restaurant,” The Final Run Ins, Taxter & Spengenmann,
New York, NY
“Hella Mega,” The Final Run Ins, Paris, San Antonio, and TBA
PUBLICATIONS:
Paul Elliman & Cay Sophie Rabinowitz, eds., Nathan Carter: The Gale Force Precision
Dirigible Flying Faction In Action. Berlin: Esther Schipper, 2006
Bourriaud, Nicolas, GNS (Global Navigation System), Palais de Tokyo, Editions Cercle D’art,
Paris, France, 2003.
Art 33 Basel. Art 33 Basel Catalogue. Edited by Holger Steinman and Ursula Diehr, 546–47. Ostfildern-Ruit, Germany: Hatje Cantz, 2002.
Bossé, Laurence, Hans-Ulrich Obrist, and Julia Garimorth. Urgent Painting. Edited by Vivian Rehberg. Paris: Musée d’Art Moderne de la Ville de Paris, 2002.
Schafhausen, Nicolaus. Dark Spring, 22–23. Karlsruhe, Germany: Ursula Blickle Stiftung, 2002.
BIBLIOGRAPHY:
Hontoria, Javier, “Nathan Carter: 1 2 3 4 5 6 7 8 9 10 ELEVEN TWELVE,” El Cultural, Available: http://www.elcultural.es/HTML/20070222/ARTE/ARTE19824.asp
Michael Wilson, "Nathan Carter: Casey Kaplan Gallery," Artforum, February 2007, XLV,
No. 6, p. 291
Johnstone, William R., "Not Safe Enough, Fixing Transportation Security," Issues in Science and Technology, Winter 2007, p. 51-60.
Peha, Jon M., "Improving Public Safety Communications," Issues in Science and Technology, Winter 2007, p. 61-68.
Schwendener, Martha, "Nathan Carter," The New York Times, Art in Review, Friday, December 8, 2006, p. E34.
Sherwin, Skye, "Radio Ga Ga: Nathan Carter," Art Review, Issue 05, November 2006, p. 43.
Holland, Cotter, “Fearless Vampire Killers,” The New York Times, April 8, 2005, E. 34.
Wilson, Michael, [Online, Internet], “Beers for Peers,” Artforum, March 16, 2005,
Available: www.artforum.com/diary/id=8573
Wilson, Michael, “Nathan Carter,” Frieze, Issue 82, April 2004, p.83-4.
Johnson, Ken, “Art Listings: Nathan Carter,” The New York Times, February 6, 2004, p. E40.
Levin, Kim, “Art Galleries: Nathan Carter,” The Village Voice, February 4-10, 2004, Vol. XLIX No. 5, p.86.
“New & Noteworthy: Art,” New York, February 2, 2004.
Edwards, Natasha, “News: Paris,” Contemporary, no 55, 2003, p. 22-23.
Corbetta, Caroline, “Mostre,” Vogue, Italian, July/August 2003, p. 34.
Osswald, Anja, “Schiffsmeldungen,” Kunst & Markt, Berlin, July 12, 2003.
Manin, Samuele and Valentina Sansone, “Sculpture Forever,” Flash Art, Volume XXXVI, No. 230, May-June 2003, p.122-129.
Bhatnagar, Priya et al., “Focus Painting Part II.” Flash Art, November/December 2002, p. 82.
Biesenbach, Klaus. “Building Structures.” Fall 2002 P.S.1, p. 1.
Charlesworth, J.J. “Sign and Substance in Recent Sculpture,” art & text, Fall 2002, p. 36–43.
Comita, Jenny. “Art and Commerce.” Vogue, December 2002, p. 180.
Dagen, Philippe. “L’Urgent Painting avec precipitation.” Le Monde, January 25, 2002.
Humphrey, David. “New York e-mail.” Art issues, Summer 2001.
Leydier, Richard. “Urgent Painting.” Art Press, March 2002.
Smith, Roberta. “Art in Review: Nathan Carter.” The New York Times, March 16, 2001.
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