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English conceptual artist. He studied at Hertfordshire College of Art (1983–4) and Goldsmiths' College, London (1984–7). Gillick characterized his early work as ‘displacement activity', a method of working that was parallel to certain professional methods but that opened their processes to question. His first exhibition (London, Karsten Schubert Gal., 1989) demonstrated this device in relation to architecture: using a computer programme, Gillick produced a series of drawings for buildings that were deliberately faulty or unworkable as architecture. In the early 1990s he launched a similar project with photographer Henry Bond (&born; 1966) in which they operated as a news team in order to examine the procedures behind news-gathering; the result became the series Documents (1991). Following these works, Gillick began to produce art in the form of scripts and text-based proposals, sometimes in book form, though related works also emerged from them: Erasmus is Late (1995), McNamara (1992–5), The What If? Scenarios (initiated in 1996) and Big Conference Centre (1998–9). In these Gillick considered the utopian possibilities of the near future, the benefits of hindsight and notions of being at the centre of power and action. Many of these works were developed into a series of exhibited objects. He is probably best known for his multi-coloured, translucent screens and platforms, which appear to operate as metaphors for places of discussion and negotiation. Big Conference Centre Limitation Screen (1998) is typical in its contruction from an aluminum grid subdivided into coloured plexiglass panels. Gillick sees his work as related to a conceptualist tradition which presents art as an activity for communication and exchange.
AWARDS
1998 Paul Cassirer Kunstpreis, Berlin.
2002 Turner Prize Nomination, London.
2008 Vincent Award Nomination, Stedelijk Museum, Amsterdam
ONE-PERSON EXHIBITIONS
12/89 84 Diagrams, Karsten Schubert Ltd, London.
1/1991 Documents (with Henry Bond), Karsten Schubert Ltd, London.
3/1991 Documents (with Henry Bond), A.P.A.C., Nevers.
12/1991 Documents (with Henry Bond), Gio’ Marconi, Milan.
8/1992 McNamara, Hog Bikes and GRSSPR, Air de Paris, Nice.
6/1993 Documents (with Henry Bond), CCA, Glasgow.
11/1993 An Old Song and a New Drink (with Angela Bulloch), Air de Paris, Paris.
6/1994 McNamara, Schipper & Krome, Köln.
9/1994 Documents (with Henry Bond), Ars Futura, Zurich.
11/1994 Liam Gillick, Interim Art, London.
5/1995 Ibuka! (Part 1), Air de Paris, Paris.
6/1995 Ibuka! (Part 2), Kunstlerhaus, Stuttgart.
9/1995 Ibuka!, Galerie Emi Fontana, Milan.
11/1995 Part Three, Basilico Fine Arts, New York.
12/1995 Documents (with Henry Bond), Kunstverein ElsterPark, Leipzig.
3/1996 Erasmus is Late ‘versus’ The What If? Scenario, Schipper & Krome, Berlin.
4/1996 Liam Gillick, Raum Aktuelle Kunst, Vienna.
4/1996 The What If? Scenario, Robert Prime, London.
6/1996 Documents (with Henry Bond), Schipper & Krome, Köln.
1/1997 Discussion Island, Basilico Fine Arts, New York.
2/1997 Discussion Island - A What if? Scenario Report, Kunstverein, Ludwigsburg.
3/1997 A House in Long Island, Forde Espace d’art contemporain, L’Usine, Geneva.
5/1997 Another Shop in Tottenham Court Road, Transmission Gallery, Glasgow.
7/1997 McNamara Papers, Erasmus and Ibuka Realisations, The What If? Scenarios, Le Consortium, Dijon.
10/1997 Reclutamento!, Emi Fontana, Milan.
2/1998 Liam Gillick, Kunstverein in Hamburg.
4/1998 Up on the twenty-second floor, Air de Paris, Paris.
4/1998 When Purity Was Paramount, British Council, Prague.
5/1998 Big Conference Center, Orchard Gallery, Derry.
6/1998 Liam Gillick, Robert Prime, London.
7/1998 Révision: Liam Gillick, Villa Arson, Nice.
9/1998 When do we need more tractors?, Schipper & Krome, Berlin.
11/1998 The Trial of Pol Pot, (with Philippe Parreno), Le Magasin, Grenoble.
11/1998 Liam Gillick, c/o Atle Gerhardsen Oslo.
6/1999 Liam Gillick, Kunsthaus Glarus, Glarus.•
7/1999 Liam Gillick, Rudiger Schottle, Munich.
9/1999 “David”, Frankfurter Kunstverein, Frankfurt.•
1/2000 Applied Complex Screen, Hayward Gallery, London.
2/2000 Liam Gillick, Galleri Charlotte Lund, Stockholm.
3/2000 Liamm Gilllick, Schipper und Krome, Berlin.
3/2000 Consultation Filter, Westfälischer Kunstverein, Münster.
4/2000 Schmerz in Einem Gebäude, Fig 1, London
5/2000 Woody, CCA Kitakyshu.
9/2000 Literally No Place, Air de Paris, Paris.
10/2000 Renovation Filter, Recent Past and Near Future, Arnolfini, Bristol.
11/2000 Liam Gillick, Casey Kaplan, New York.
1/2001 Firststepcousinbarprize Hauser & Wirth & Presenhuber, Zurich.
2/2001 Liam Gillick, Javier Lopez, Madrid.
4/2001 Liam Gillick, Corvi-Mora, London.
9/2001 Annlee You Proposes, Tate Britain, London.
10/2001 Dedalic Convention, Salzburg Kunstverein.
4/2002 The Wood Way, The Whitechapel Gallery, London.
6/2002 Light Technique, Galerie Meyer Kainer, Vienna.
7/2002 Liam Gillick, Rüdiger Schöttle, Munich.
1/2003 Hills and Trays and…, Schipper & Krome, Berlin.
1/2003 …Punctuated Everydays, Max Hetzler, Berlin.
4/2003 Por Favor Gracias de Nada (with Gabriel Kuri), Kurimanzutto, México City.
5/2003 Exterior Days, Casey Kaplan, New York.
9/2003 Communes, Bars and Greenrooms, The Powerplant, Toronto.
9/2003 Projects 79: Literally, Museum of Modern Art, New York.
11/2003 A Film, A Clip and a Documentary, (with Sean Dack), Corvi-Mora, London.
2/2004 Construccion de Uno, Javier Lopez, Madrid.
4/2004 A Group of People, Air de Paris, Paris.
6/2004 Liam Gillick, Aspen Art Museum, Aspen.
9/2004 Övningskörning (Driving Practice), Milwaukee Art Museum.
9/2004 Underground (Fragments of Future Histories), Galerie Micheline Szwajcer, Antwerp.
1/2005 222nd Floor, Eva Presenhuber, Zurich.
1/2005 A short essay on the possibility of an economy of equivalence, Palais de Tokyo, Paris.
2/2005 Another 2004 Again, Baltimore Museum of Art.
5/2005 Presentism, Corvi-Mora, London.
9/2005 Factories in the snow, Meyer Kainer, Vienna.
9/2005 McNamara Motel, CAC Malaga, Spain.
10/2005 A short essay on the possibility of an economy of equivalence, Casa Encendida, Madrid.
11/2005 As you approach the edge of town the lights are no softer than they were in the centre, Casey Kaplan, New York.
1/2006 We are Medi(evil), Angela Bulloch and Liam Gillick, Cubitt, London.
1/2006 Briannnnnn & Ferryyyyyy, Liam Gillick and Philippe Parreno, Kunsthalle Zurich.
11/2006 Literally based on H.Z., The Kerlin Gallery, Dublin
11/2006 The State Itself Becomes a Super Commune, Esther Schipper, Berlin
2/2007 Weekend in So Show, The Lab, Belmar.
3/2007 The commune itself becomes a super state, Corvi-Mora, London.
4/2007 The state/commune itself becomes a super state/commune, Micheline Szwajcer, Antwerp.
2/2007 Weekend in So Show, The Lab at Belmar, Denver
3/2007 The Commune Itself Becomes a Super State, Corvi-Mora, London, United Kingdom
4/2007 The State / Commune Itself as a Super State / Commune, Micheline Szwajcer, Antwerp, Germany
1/2008/09 “Liam Gillick,” Witte de With, Center for Contemporary Art, Rotterdam, The Netherlands; Kunsthalle Zürich,
Zürich, Switzerland; Museum of Contemporary Art, Chicago, IL
COLLABORATIVE PROJECTS
9/1992 The Speaker Project, ICA, London.
12/1992 Instructions, Gio’ Marconi, Milan.
5/1995 Faction, Royal Danish Academy of Arts, Copenhagen.
6/1995 Stoppage, CCC, Tours.
7/1995 Stoppage, Villa Arson, Nice.
1/1999 Oldnewtown, Casey Kaplan, New York.
7/2000 itsapoorsortofmemorythatonlynunsbackwards, Goldsmiths College, Creative Curating, London.
9/2001 Dedalic Convention (with Annette Kosak), MAK, Vienna.
10/2001 Dedalic Convention/Du und Ich (with Annette Kosak and Gary Webb), Salzburger Kunstverein, Salzburg.
3/2002 Dark Spring (with Nicolaus Schafhausen and Markus Weisbeck), Stiftung Ursula Blickle,
Kraichtal-Uö.
9/2003 Telling Histories, Kunstverein München.
11/2004 Rider: Law and Creativity Briannnnnn & Ferryyyyyy (with Philippe Parreno), Konsthall, Lund.
9/2005 Briannnnnn & Ferryyyyyy (with Philippe Parreno), Vamiali’s, Athens.
12/2005 Edgar Schmitz, ICA, London.
6/2007 Il Tempo Postino, Manchester Festival.
PUBLIC PROJECTS
1999 BIC Technologiezentrum, Leipzig.
2001 Telenor, Oslo.
2002 Dekabank, Frankfurt.
2002 Alcobendas, Madrid.
2002 Kirchdorf School.
2002 Mercat, Alicante.
2002 Olnick Corporation, New Jersey.
2003 Ft. Lauderdale/Hollywood International Airport.
2003 Regents Place - British Land, London.
2003 Headache, phone card, soda, donuts, stereo, London Underground/Frieze Art Fair, London.
2003-5 The Home Office, London.
2004 Museum in Progress, Rolling Boards, Vienna.
2004 Swiss Re, London.
2005 Dior Homme, Shanghai (with Sean Dack).
2005 BSI, Lugano, Switzerland.
2006 Maharam, Chicago.
2006 Farmont Pacific Rim, Vancouver.
2007 Anyang Public Art Project, Anyang, Korea
RECORDED WORKS
1995 Stoppage, CCC Tours/Villa Arson, Nice.
2001 Liam Gillick Meets Scott Olson in Japan, Whatness, Frankfurt.
2002 Wood (part of Void), CCA, Kitakyushu.
2002 Capital, Bottrop Boy. (CD)
2002 Ekkehard Ehlers & Joseph Suchy/Liam Gillick, En/Off, Frankfurt.
2003 Liam Gillick/Rob Mazurek, En/Off, Kleve.
2005 Los Angeles, Semishigure, Kleve.
LIVE EVENTS
2006 Construcción de Uno, Tate, London.
BOOKS
1991 Technique Anglaise (with Andrew Renton), London, One-Off Press/Thames & Hudson
1995 Erasmus is Late, London, Book Works.
1995 Ibuka!, Stuttgart, Kunstlerhaus.
1997 Discussion Island/Big Conference Centre, Derry/Ludwigsburg, Orchard Gallery, Kunstverein.
1998 Ein Rückblick aus dem Jahre 2000 auf 1997 (with Matthew Brannon), Leipzig, Galerie für Zetigennössische Kunst.
1999 Five or Six, New York, Lukas & Sternberg.
2002 Literally No Place, London, Book Works.
2004 Underground (Fragments of Future Histories), Brussels/Dijon, Les maitre des forme contemporain,
Les Presses du Réel
2004 Anna Sanders Films Identity Spot, Liam Gillick and Sean Dack, Onestar Press, Paris.
2006 Malaga – An album of Covers, Liam Gillick and M/M, Paris, Brussels, Two Star Books.
2006 Le Montrachet, Liam Gillick and Heather McGowan, Los Angeles, Rocky Point Press.
2006 Proxemics Selected Writings (1988 - 2006), Zurich, JRP | Ringier & Les Presses Du Réel
2007 Liam Gillick: Factories in the Snow, Zurich, JRP | Ringier & Les Presses Du Réel
2007 The Air is Blue, Liam Gillick, Rem Koolhaas, Pedro Reyes, and Hans-Ulrich Obrist, Trilce Ediciones
SELECTED GROUP EXHIBITIONS
10/2007/08 Galerie Eva Presenhuber, Switzerland
10/2007 Readymade Resistance; Josiah McElheny, Art Form, New York,
10/2007/08 Pawnshop E-Flux, New York, NY
12/1990 The Multiple Projects Room, Air de Paris, Nice.
7/1991 No Man’s Time, CNAC, Villa Arson, Nice.
9/1991 Air de Paris à Paris, Air de Paris, Paris.
12/1991 The Multiple Projects Room, Air de Paris, Nice.
4/1992 Tatoo, Air de Paris/Urbi et Orbi, Paris/Daniel Büchholz, Köln/Andrea Rosen, New York.
5/1992 Molteplici Culture, (selected by Giorgio Verzotti), Folklore Museum, Rome.
5/1992 Lying on top of a building the clouds look no nearer than they had when I was lying in the street,
Monika Sprüth, Köln/Esther Schipper, Köln/Le Case d’Arte, Milan.
6/1992 Manifesto, (curated by Benjamin Weil), Daniel Büchholz, Köln/Castello di Rivara, Turin/
Wacoal Arts Centre, Tokyo/Urbi et Orbi, Paris.
6/1992 Etats Spécifique, Musée d’art moderne, Le Havre.
10/1992 12 British Artists, Barbara Gladstone/SteinGladstone, New York.
11/1992 Group Show, Esther Schipper, Köln.
12/1992 ON, Interim Art, London.
1/1993 Territorio Italiano, (curated by Giacinto di Pietrantonio), Milan.
1/1993 Claire Barclay, Henry Bond, Roderick Buchanan, Liam Gillick, Ross Sinclair,
Gesellschaft fur Aktuelle Kunst, (curated by Tom Eccles) Bremen.
2/1993 Travelogue, (curated by Jackie McAllister), Hochschule fur Angewandte Kunst, Vienna.
2/1993 Los Angeles International, Esther Schipper at Christopher Grimes, Los Angeles.
7/1993 Wonderful Life, Lisson Gallery, London.
7/1993 Group Show, Esther Schipper, Köln.
7/1993 The London Photo Race, Friesenwall 120, Köln.
7/1993 Futura Book, Air de Paris, Nice.
7/1993 Points de Vue, Galerie Pierre Nouvion, Monaco.
9/1993 Manifesto, (curated by Benjamin Weil), Hohenthal und Bergen, München.
9/1993 Backstage, (curated by Stephan Schmidt-Wulffen & Barbara Steiner), Kunstverein in Hamburg.
10/1993 Two out of four dimensions, Centre 181, London.
11/1993 Dokumentation uber, arbeiten von, Esther Schipper, Köln.
11/1993 Unplugged, (curated by Nicolas Bourriaud), Köln.
1/1994 Don’t Look Now, (curated by Joshua Decter), Thread Waxing Space, New York.
2/1994 Backstage, Kunstmuseum Luzern.
2/1994 Surface de Réparations, (curated by Eric Troncy), FRAC Bourgogne, Dijon.
2/1994 Cocktail I, Kunstverein in Hamburg.
3/1994 Public Domain, (curated by Jorge Ribalta), Centro’ Santa Monica, Barcelona.
5/1994 Grand Prix, (curated by Axel Huber), Monaco.
5/1994 Rue des Marins, Air de Paris, Nice.
5/1994 Mechanical Reproduction, (curated by Jack Jaeger), Galerie van Gelder, Amsterdam.
6/1994 WM/Karaoke, (curated by Georg Herold), Portikus, Frankfurt.
6/1994 Other Men’s Flowers, (curated by Joshua Compston), Hoxton Square, London.
9/1994 Prototype, Carelton University Gallery, Ottawa.
9/1994 Miniatures, The Agency, London.
10/1994 Das Archiv, Forum Stadtpark, Graz.
10/1994 Lost Paradise, (curated by Barbara Steiner), Kunstraum, Vienna.
10/1994 Surface de Réparations 2, FRAC Borgougne, Dijon.
12/1994 The Institute of Cultural Anxiety, (curated by Jeremy Millar), ICA, London.
1/1995 Möbius Strip, Basilico Fine Arts, New York.
1/1995 Bad Times, (curated by Jonathan Monk), CCA, Glasgow.
2/1995 In Search of the Miraculous, Starkmann Library Services, London.
6/1995 The Moral Maze, Le Consortium, Dijon.
6/1995 Collection fin XXéme, FRAC Poitou Charentes, Angouleme.
7/1995 Summer Fling, Basilico Fine Arts, New York.
7/1995 Karaoke, (curated by Georg Herold), South London Art Gallery.
7/1995 Ideal Standard Summertime, Lisson Gallery, London.
9/1995 Reserve-Lager-Storage, Oh!, Bruxelles.
9/1995 Filmcuts, Neugerriemschneider, Berlin.
10/1995 New British Art, Museum Sztuki, Lodz.
10/1995 Brilliant, (curated by Richard Flood), Walker Art Centre, Minneapolis.
11/1995 Trailer, (curated by Barbara Steiner), Mediapark, Köln.
1/1996 Co-operators, Southampton City Art Gallery, Southampton.
1/1996 Traffic, (curated by Nicolas Bourriaud), CAPC, Bordeaux.
2/1996 Kiss This, (curated by Jeremy Deller), Focalpoint Gallery, Southend.
3/1996 March à l’ombre, Air de Paris, Paris.
4/1996 Departure Lounge, The Clocktower, New York.
4/1996 Everyday Holiday, Le Magasin, Grenoble.
4/1996 Der Umbau Raum, Kunstlerhaus, Stuttgart.
5/1996 Dinner, (organised by Giorgio Sadotti), Cubitt Gallery, London.
6/1996 Some Drawings From London, Princelet Street, London.
6/1996 Nach Weimar, (curated by Nicolaus Schafhausen and Klaus Biesenbach), Landesmuseum, Weimar.
7/1996 How Will We Behave?, Robert Prime, London.
8/1996 Escape Attempts, Globe, Copenhagen.
10/1996 Life/Live, Musée d’Art Moderne de la Ville de Paris, Paris.
10/1996 Such is Life, Serpentine London/Palais des Beaux Arts, Brussels/Herzliya Museum of Art.
11/1996 Itinerant Texts, Camden Arts Centre, London.
11/1996 Lost For Words, Coins Coffee Store, London.
11/1996 All in One, Schipper & Krome, Köln.
11/1996 A Scattering Matrix, (curated by Jane Hart), Richard Heller Gallery, Los Angeles.
11/1996 Found Footage, Tanja Grunert & Klemens Gasser, Köln
11/1996 Glass Shelf Show, ICA, London.
12/1996 Supastore de Luxe, Up & Co., New York.
12/1996 Limited Edition Artist’s Books Since 1990, Brooke Alexander, New York.
1/1997 Life/Live, Centro Cultural de Belém, Lisbon.
3/1997 Temps de Pose, Temps de Parole, Musée de l”Echevinage, Saintes
3/1997 Des Livres d’Artistes, L’ecole d’art de Grenoble, Grenoble.
4/1997 Ajar, Galleri F15, Jeløy.
4/1997 Enter: audience, artist, institution, (curated by Barbara Steiner), Kunstmuseum Luzern, Luzern.
5/1997 Space Oddities, Canary Wharf Window Gallery, London.
5/1997 Moment Ginza, (co-ordinated by Dominique Gonzalez-Foerster), Le Magasin, Grenoble.
5/1997 I Met A Man Who Wasn’t There, Basilico Fine Arts, New York.
6/1997 504, (curated by John Armleder), Kunsthalle Braunschweig.
6/1997 documenta X, Kassel.
7/1997 Enterprise, ICA, Boston.
9/1997 Group Show, Robert Prime, London.
9/1997 Ireland and Europe, Sculptors Society of Ireland, Dublin.
9/1997 Group Show, Vaknin Schwartz, Atlanta.
10/1997 Heaven - a Private VIew, PS1, Long Island.
11/1997 Hospital, Galerie Max Hetzler, Berlin.
11/1997 Kunst. . . Arbeit, SudWest LB, Stuttgart.
12/1997 Other Men’s Flowers, The British School at Rome, Rome.
12/1997 Maxwell’s Demon, Margo Leavin, Los Angeles.
12/1997 Work in Progress and or Finished, Ubermain, Los Angeles
12/1997 Group Show, Air de Paris, Paris.
12/1997 Group Show, Schipper & Krome, Berlin.
2/1998 Liam Gillick, John Miller, Joe Scanlan, RAK, Vienna
2/1998 Fast Forward, Kunstverein in Hamburg.
2/1998 Artist/Author: Contemporary Artists’ Books, American Federation of Arts touring show
Weatherspoon Art Gallery, Greensboro/The Emerson Gallery, Clinton/ The Museum of
Contemporary Art, Chicago/Lowe Art Museum, Coral Gables/Western Gallery, Bellingham/University
Art Gallery, Amherst.•
3/1998 Interactive, An Exhibition of Contemporary British Sculpture, Amerada Hess, London.
4/1998 A to Z, (curated by Matthew Higgs), The Approach, London.
5/1998 Construction Drawings, (curated by Klaus Biesenback), PS1, New York.
5/1998 Arena - Sport und Kunst Austellung, Galerie im Rathaus, Munich.
6/1998 Inglenook, (curated by Evette Brachman), Feigen Contemporary, New York.
6/1998 In-significants, Stockholm, Sweden.
6/1998 Kamikaze, Galerie im Marstall, Berlin.
6/1998 London Calling, The British School at Rome & Galleria Nazionale d"Arte Moderna, Rome.
6/1998 Fuori Uso ‘98, Mercati Ortofrutticoli, Pescara.
7/1998 Videostore, (organised by Nicolas Tremblay and Stephanie Moisdon), Brick and Kicks, Vienna.
7/1998 UK - Maximum Diversity, Galerie Krinzinger, Bregenz/Vienna.
7/1998 The Erotic Sublime, Thaddeaus Ropac, Salzburg.
8/1998 Entropy, (curated by Wilhelm Schurmann), Ludwigforum, Aachen.
9/1998 Places to Stay 4 P(rinted) M(atter), Buro Friedrich, Berlin.
9/1998 Weather Everything, (curated by Eric Troncy), Galerie für Zietgenössische Kunst, Leipzig.
9/1998 Odradek, (curated by Thomas Mulcaire), Bard College, New York.
9/1998 Mise en Scène, Grazer Kunstverein, Graz.
10/1998 Minimal-Maximal, Neues Museum Weserburg, Bremen; Kunsthalle, Baden-Baden;
CGAC, Santiago de Compostela.
10/1998 Ghosts, Le Consortium, Dijon.
11/1998 Dijon/Le Consortium.coll, Centre Georges Pompidou, Paris.
11/1998 Cluster Bomb, Morrison/Judd, London
12/1998 The Project of the 2nd December, Salon 3, London.
12/1998 Projections, de Appel, Amsterdam.
12/1998 1+3 = 4 x 1, Galerie für Zietgenössische Kunst, Leipzig.•
1/1999 Konstructionszeichnungen, Kunst-Werke, Berlin.
1/1999 Pl@ytimes, Ecole supérieure d’art de Grenoble, Grenoble.
1/1999 Xn, Maison de la culture, Chalon
1/1999 Continued Investigation of the Relevance of Abstraction, Andrea Rosen Gallery, New York
3/1999 Nur Wasser, Neumühlen, Hamburg.
3/1999 12 Artists, 12 Rooms, Galerie Thaddeaus Ropac, Salzburg.
4/1999 Air de Paris: works by AND/OR informations about, Grazer Kunstverein.•
5/1999 Tang, Turner and Runyon, Dallas.
5/1999 Plug-ins, Salon 3, London.
5/1999 Etcetera, Spacex Gallery, Exeter.
5/1999 Out of Sight - A cross-reference exhibition, Büro Friedrich, Berlin.
7/1999 Essential Things, (curated by Guy Mannes Abbott), Robert Prime, London.
7/1999 Laboratorium, Antwerpen Open, Antwerp.
7/1999 In The Midst of Things, University of Central England, Bourneville.
7/1999 Le Capitale, (curated by Nicolas Bourriaud), Centre régionale d’art contemporain, Sete.
8/1999 The Space is Everywhere, Villa Merkel, Esslingen.
9/1999 Objecthood OO, Athens.
9/1999 Tent, Rotterdam.
9/1999 dConstructivism: Life into Art, Brisbane.
9/1999 Shopping, FAT, London.
9/1999 Fantasy Heckler, (curated by Padraig Timoney), Tracey, Liverpool Bienial.
9/1999 Art Lovers, (curated by Marcia Fortes), Tracey, Liverpool Bienial.
9/1999 Transmute, (curated by Joshua Decter), MCA Chicago.
10/1999 New York/London, Taché-Levy, Brussels.
10/1999 Get Together/Art As Teamwork, Kunsthalle, Vienna.
10/1999 1999 East Wing Collection, Courtald Institute of Art, London.
10/1999 Jonathan Monk, Casey Kaplan, New York.
10/1999 705 Wings of Freedom, (curated by Uwe Wiesner), Berlin.
10/1999 Officina Europa, Bologna.
10/1999 Une histoire parmi d’autres, collection Michel Poltevin, FRAC Nord-Pas de Calais.
11/1999 Space, Schipper und Krome, Berlin.
1/2000 29th International Film Festival, Rotterdam.
1/2000 Continuum 001, (curated by Rebecca Gordon Nesbitt) CCA, Glasgow.
1/2000 Stortorget i Kalmar, Statens Konstråds Galleri, Kalmar.
2/2000 Media City 2000, Seoul.
3/2000 Group Show, Casey Kaplan, New York.
3/2000 Wider Bild Gegen Wart. Positions to a political discourse, RAK Vienna
3/2000 14 + 1, Feitchtner & Mizrahi, Vienna.
3/2000 Decompressing History, (curated by Lars Bang Larson), Galeri Enkehuset, Stockholm.
4/2000 Viva Maria III, Galerie Admiralitätstraße, Hamburg.
4/2000 British Art Show 5, Touring Exhibition, Edinburgh, Southampton, Cardiff, Birmingham.
5/2000 Dire Aids, Art in the Age of Aids, Promotrice delle Belle Arti, Torino.
5/2000 Working Title, Stanley PIcker Gallery, Kingston University.
5/2000 Prefiguration of the Museum of Contemporary Art, Tucson (AZ). Collection JRP,
Kunsthalle Fribourg
5/2000 What If/Tänk Om, Moderna Museet, Stockholm.
6/2000 Interplay, selected works from the Museum and private collections, The National Museum of
Contemporary Art, Oslo
6/2000 Group Show, Paula Cooper Gallery, New York.
7/2000 Intelligence, Tate Britain, London.
7/2000 Future Perfect, Centre for Visual Arts, Cardiff.
7/2000 Haut de Forme et Bas Fonds, FRAC Poitou-Charentes, Angoulême.
7/2000 Vicinato 2, Fig. 1, London.
7/2000 Vicinato 2, Neuggerreimschneider, Berlin.
7/2000 Werkleitz, Tornitz.
9/2000 Wilder Bild Gegenwart, Positions to a Political Discourse, Nieuw Internationaal
Kultureel Centrum, Antwerp.
9/2000 Perfidy, La Tourette, Eveaux.
9/2000 Protest and Survive, Whitechapel Gallery, London.
10/2000 e-mona, The Museum of New Art, Detroit.
10/2000 Aussendienst, Kunstverein in Hamburg.
10/2000 Indiscipline, Roomade, Brussels.
11/2000 Que saurions-nous construire d’autre? (What else could we build?), La Villa Noailles.
11/2000 Casa Ideal, Museo Alejandro Otero, Caracas.
11/2000 More Shows About Buildings and Food, Lisbon.
11/2000 Perfidy, Kettles Yard, Cambridge.
11/2000 How do you change an apartment that has been painted brown? Certainly not by painting it white,
Institute of Visual Culture, Cambridge.
11/2000 Ausstellung der Jahresgaben, Westfälischer Kunstverein, Münster.
11/2000 Group Show, Corvi-Mora, London.
12/2000 Future Perfect, Cornerhouse, Manchester.
1/2001 Century City, Tate Modern, London.
2/2001 Demonstration Room: Ideal House, Apex Art, New York.
3/2001 Histoire de coeur, collection Michel Poitevin, Fondation Guerlain, Les Mesnuls.
3/2001 There’s gonna be some trouble, a whole house will need rebuilding, Rooseum, Malmö.
3/2001 Stop and Go, FRAC, Nord-Pas de Calais, Dunkerque.
3/2001 Future Perfect, Orchard Gallery, Derry.
4/2001 Minimal-Maximal, City Museum of Art, Chiba; National Museum of Art, Kyoto;
City Museum of Art, Fukuoka.
4/2001 Nothing, Northern Gallery for Contemporary Art, Sunderland/Contemporary Art Centre,
Vilnius/Rooseum, Malmo.
4/2001 Contemporary Utopia, Museum of Modern Art, Riga.
4/2001 Berlin Biennale, Kunst Werk, Berlin.
4/2001 Collaborations with Parkett: 1984 to now, Museum of Modern Art, New York.
5/2001 International Language, Grassy Knoll Productions, various sites, Belfast.
5/2001 A New Domestic Landscape, Javier Lopez, Madrid.
6/2001 The Wedding Show, Casey Kaplan, New York.
7/2001 Geometry and Gesture, Thaddeaus Ropac, Salzburg.
7/2001 Biennale de Lyon, Musée d’art contemporain, Lyon.
7/2001 A Timely Place, Or, Getting Back to Somewhere, London Print Studio.
7/2001 Strategies against Architecture, Fondazione Teseco, Pisa.
7/2001 Stéphane Dafflon/Liam Gillick/Xavier Veilhan, Le Spot, Le Havre.
7/2001 The Communications Department, Anthony Wilkinson Gallery.
7/2001 Ambiance Magasin, Meymac Centre d’art Contemporain.
7/2001 Beautiful Productions: Parkett, Whitechapel Gallery, London.
9/2001 Demonstration Room: Ideal House, NICC, Antwerp.
9/2001 Yokohama 2001, Yokohama Triennale, Yokohama.
9/2001 Everything Can Be Different, Jean Paul Slusser Gallery, University of Michigan School of Art,
Ann Arbor.
10/2001 Rumor City, Raffinerie, Brussels.
10/2001 Animations, PS1, Long Island City.
10/2001 Parallel Structures, South Bank Corporation, Brisbane.
11/2001 9e Biennale de l’image en Mouvement, Centre pour l’image contemporaine, Saint-Gervais, Genève.
11/2001 Rumour City, TN Probe, Japan.
11/2001 En/Of, Schneiderei, Köln.
11/2001 Ingenting, Rooseum, Malmö.
11/2001 I love Dijon, Le Consortium, Dijon.
11/2001 ....if a double-decker bus crashes into us to die by your side such a heavenly way to die and if a ten
ton truck kills the both of us to die by your side the pleasure and the privilege is mine..., Air de Paris, Paris.
1/2002 Urgent Painting, ARC, Musée d’art moderne de la ville de Paris, Paris.
1/2002 Reflexions, Sprüth Magers, Munich.
1/2002 Passenger: The Viewer as Participant, Astrup Fearnley Museum, Oslo.
1/2002 Nothing, Mead Gallery, Warwick.
1/2002 Minimal Maximal, National Museum of Contemporary Art, Seoul.
2/2002 Do It, Museo de Arte Carrillo Gil, San Angel.
2/2002 J’en ai pris des coups mais j’en ai donnés aussi, Galerie hez Valentin, Paris.
2/2002 Art & Economy, Deichtorhallen, Hamburg.
3/2002 Everything Can Be Different, University of Memphis, Tennesee.
3/2002 Void, Rice Gallery, Tokyo/CCA Kitakyushu.
3/2002 Annlee You Proposes, Mamco, Geneve.
4/2002 Startkapital, K21, Dusseldorf.
4/2002 Parallel Structures, Gertrude Contemporary Art Spaces, Fitzroy, Victoria.
4/2002 Private Views, Printed Space, London.
5/2002 The Ink Jetty, Neon Gallery, London.
5/2002 Inframince, Cabinet Gallery, London.
5/2002 Happy Outsiders from Scotland and London, Zachetal, Warsaw/Katowice City Gallery.
6/2002 The Object Sculpture, The Henry Moore Institute, Leeds.
6/2002 Without Consent, CAN, Neuchatel.
6/2002 The Movement Began with a Scandal, Lenbachhaus, Munich.
6/2002 JRP Editions, RAK, Vienna.
6/2002 Collected Contemporaries, Moderna Museet, Stockholm.
6/2002 Summer Cinema, Casey Kaplan, New York.
7/2002 Multiples X, London Print Studio.
8/2002 No Ghost Just a Shell, Kunsthalle, Zurich.
9/2002 Société Perpendiculaire: La Tapisserie, FRAC Provence-Alpes-Côte d’Azur.
9/2002 Collections, ZKM, Karlsruhe.
9/2002 Strike, Wolverhampton Art Gallery.
9/2002 The Unique Phenomena of a Distance, Magnani, London.
10/2002 The Galleries Show: Contemporary Art in London, Royal Academy of Arts, London.
10/2002 Turner Prize, Tate, London.
10/2002 Relational Aesthetics from the 1990s, San Francisco Art Institute, San Francisco.
10/2002 This Play 31, La Coleccion Jumex, Mexico.
10/2002 L’image habitable - versions B,C,D,E, Mamco, Geneva.
11/2002 Lap Dissolve, Casey Kaplan, New York.
11/2002 It’s Unfair, Museum de Paviljoens, Almere.
12/2002 Gleitsicht, Krypta 182, Berg. Gladbach.
12/2002 No Ghost Just A Shell, Institute of Visual Culture, Cambridge.
12/2002 No Ghost Just a Shell, San Francisco Museum of Modern Art.
1/2003 Perfect Timeless Repetition, C/O Atle Gerhardsen, Berlin.
1/2003 No Ghost Just a Shell, Van Abbemuseum, Eindhoven.
1/2003 Ill Communication, DCA, Dundee.
1/2003 Re-Produktion 2, Georg Kargl, Vienna.
1/2003 JRP Editions, Galerie Edward Mitterand, Geneva.
2/2003 Animations, Kunstwerk, Berlin.
2/2003 Breathing the Water, Galerie Hauser & Wirth & Presenhuber, Zurich.
3/2003 This Was Tomorrow, New Art Centre Sculpture Park, Salisbury.
3/2003 The Air is Blue, Barragan House, Mexico City.
4/2003 JRP Editions, Galería Javier López, Madrid.
4/2003 The Moderns/I moderni, Castello di Rivoli, Torino.
4/2003 Glamour, British Council, Prague.
4/2003 Imperfect Marriages, Galerie Emi Fontana, Milan.
4/2003 20 th Anniversary Show, Sprüth Magers, Köln.
5/2003 Typofgravy, Cell, London.
5/2003 Cool Luster, Collection Lambert, Avignon.
5/2003 Form Specific, Moderna Galerija, Ljubljana.
5/2003 Tirana Biennale 2, Tirana.
6/2003 3D, Friedrich Petzel, New York.
6/2003 Social Facades and Others, Lenbachhaus, Munich.
6/2003 25th International Biennial of Graphic Arts, Ljubljana.
6/2003 Utopia Station, Venice Biennale, Venice.
7/2003 Honey I rearranged the collection, Greengrassi/Corvi-Mora, London.
8/2003 Abstraction Now, Künstlerhaus Wien, Vienna.
9/2003 How to learn to love the bomb and stop worrying about it, National Chamber of Art Industries, Mexico City.
10/2003 Wittgenstein: Family Likenesses, Institute of Visual Culture, Cambridge.
10/2003 Adorno 100, Frankfurter Kunstverein.
11/2003 A Nova Geometria, Galeria Fortes Vilaça, Sao Paulo.
11/2003 Everything Can Be Different, Maryland Institute College of Art, Baltimore.
11/2003 Bad Behaviour: Works from the Arts Council Collection, Yorkshire Sculpture Park.
3/2004 Singular Forms (Sometimes Repeated), Art from 1951 to the Present, Guggenheim Museum, New York.
3/2004 Establishing Shot, Artist’s Space, New York.
3/2004 100 Artists See God (curated by John Baldessari & Meg Cranston), The Contemporary Jewish Museum, San Francisco.
3/2004 The Drawing Project, Vamiali’s, Athens.
3/2004 Before the End, (curated by Stéfanie Moisdon and Olivier Mosset), Le Consortium, Dijon.
4/2004 How to learn to love the bomb and stop worrying about it, Central de Arte en WTC, Guadalajara.
4/2004 Tonight, (curated by Paul O’Neill), Cabaret Voltaire, London.
4/2004 Russian Doll, MOT, London.
5/2004 Across the Border, MDD – Museum Dhondt-Dhaenens, Deurle.
5/2004 9 Mütter XX04, Mütter Museum, Philadelphia.
5/2004 Drunken Masters, Fortes Vilaca, Sao Paulo.
5/2004 Sadie Hawkins Dance, Southfirst, Brooklyn.
6/2004 Artists’ Favourites, ICA, London.
6/2004 Emotion Eins, Ursula Blickle Stiftung/Frankfurter Kunstverein.
6/2004 Em Jogo, CAV, Coimbra.
6/2004 Czech Made, Display, Prague.
6/2004 Off the Record/Sound Art, ARC Musée d’art moderne de la ville de Paris.
6/2004 Open, Arcadia University Art Gallery, Glenside, PA
7/2004 Marks in Space, Usher Gallery, Lincoln.
7/2004 Black Friday: Exercises in Hermetics, Galerie Kamm, Berlin.
7/2004 Strike, Basekamp, Philadelphia.
8/2004 The Trailer Special Project, Curzon Cinemas, London.
8/2004 100 Artists See God (curated by John Baldessari & Meg Cranston), Laguna Art Museum, Laguna Beach.
9/2004 Trailer, Man in the Holocene, London.
9/2004 Nothing Compared to This: Ambient, Incidental and New Minimal Tendencies in Current Art, CAC, Cincinnati.
10/2004 Utopia Station, Haus der Kunst, Munich.
11/2004 100 Artists See God (curated by John Baldessari & Meg Cranston), ICA, London.
11/2004 Dicen que finko o miento. La ficción revisada, Central de arte, Guadalajara.
12/2004 Poul Kjaerholm, Sean Kelly, New York.
1/2005 Exit – Aussteig aus dem bild, ZKM, Karlsruhe.
1/2005 The Furniture of Poul Kjaerholm and selected artwork, Sean Kelly and R 20th Century, New York.
1/2005 New Cohabitats, Galerie Ghislane Hussenot, Paris
1/2005 Goodbye 14th Street, Casey Kaplan, New York.
3/2005 Good Titles for Bad Books, Kevin Bruk, Miami.
3/2005 The Strange, Familiar and Unforgotten, Galerie Erna Hecey, Brussels.
4/2005 Group Exhibition, Air de Paris, Paris.
4/2005 Anna Sanders Films, Cinema Svetozor, Prague.
4/2005 Supernova, Bunkier Sztuki, Kraków.
5/2005 Icestorm, Kunstverein München.
5/2005 La La Land, The Project, Dublin.
5/2005 Post Notes, Midway Contemporary Art, Minneapolis.
5/2005 Bidibidobidiboo, Works from Collezione Sandretto Re Rebaudengo, Turin.
6/2005 100 Artists See God (curated by John Baldessari & Meg Cranston), Contemporary Art Center of Virginia, Virginia Beach.
7/2005 I Really Should*, Lisson Gallery, London.
7/2005 Go Between, Kunstverein Bregenz.
7/2005 Nach Rokytnik, MUMOK, Vienna.
7/2005 Extreme Abstraction, Albright Knox Art Gallery, Buffalo.
9/2005 100 Artists See God (curated by John Baldessari & Meg Cranston), Albright College Freedman Art Gallery, Reading, PA.
9/2005 General Ideas: Rethinking conceptual art 1987-2005, CCA Wattis, San Francisco.
9/2005 Etc., Le Consortium, Dijon.
9/2005 Passion beyond reason, Wallstreet 1, Berlin.
9/2005 En Route: Via another route, Trans-Siberian Railway.
9/2005 Snow Black, Yvon Lambert, New York.
9/2005 Reception, Büro Friedrich, Berlin.
10/2005 Rundledererwelten, Martin Gropius Bau, Berlin.
10/2005 Ambiance, K21, Dusseldorf.
10/2005 Strictement Confidentiel, CIAP, Ile de Vassiviere.
11/2005 Thankyou for the Music, Sprüth Magers, Munich.
11/2005 Im Bild Sein, Galerie der HGB-Leipzig.
12/2005 The Party, Casey Kaplan, New York.
12/2005 Minimalism and after, Daimler Chrysler Collection, Berlin.
1/2006 A person alone in a room with coca-cola coloured walls, Grazer Kunstverein, Austria
1/2006 Cinéma(s), Le Magasin, Grenoble.
1/2006 Fondos da Colección CGAC: Entre o proceso e a forma, CGAC, Santiago de Compostela.
1/2006 Slow Burn, Galerie Edward Mitterand, Geneva.
2/2006 Broken Surface, Galerie Sabine Knust, Munich.
2/2006 L'Exposition qui N'existe Pas, MAMCO, Geneva
2/2006 100 Artists See God (curated by John Baldessari & Meg Cranston), Cheekwood Museum of Art, Nashville.
3/2006 Tate Triennial, Tate Britain, London
3/2006 Minimalism and After IV, Daimler Chrysler Contemporary, Stuggart
4/2006 Ordnung und Verführung, Haus Konstructiv, Zurich.
4/2006 Bühne des Lebens – Rhetorik des Gefühls, Kunstbau München.
4/2006 A short history of performance Part 4, Whitechapel Art Gallery, London.
4/2006 Back and Forth, Stiftung Wilhelm Lehmbruck Museum, Duisburg.
4/2006 DaimlerChrysler Contemporary: Classically Modern Masterpieces in the Exhibition,
Daimler Chrysler Contemporary, Berlin
5/2006 Grey Flags, Sculpture Center, New York.
6/2006 Thank you for the Music (London Beat), Sprüth Magers Lee, London
7/2006 Undisciplined: Attese Biennale of Ceramic Arts, Attese.
7/2006 Crytallizations, Andreas Murkurdis Temporary, Munich.
7/2006 Summer Academy, Shedhalle, Zurich.
7/2006 Turtle, Chelsea Space, London.
7/2006 Dirty Words, Galeria Pedro Cera, Lisbon.
7/2006 Abstraction Now, Wilhelm-Hack-Museum, Ludwigshafen.
9/2006 Modus, Neue Kunsthalle, St. Gallen.
9/2006 Academy, Van Abbemuseum, Eindhoven.
9/2006 Projektion, Kunstmuseum, Luzern.
9/2006 How to improve the World, The Arts Council Collection, Hayward Gallery, London.
9/2006 Untouchable (The Transparency Ideal), Villa Arson, Nice, France
9/2006 Faster! Bigger! Better!: Signetwerke aus de Samlungen, ZKM, Karlsruhe
10/2006 Eye on Europe: Prints, Books and Multiples 1960 to now, MoMA, New York.
10/2006 Light, Art, Space, Artcentre Z33, Hasselt, Belgium
11/2006 If I can’t dance, I don’t want to be part of your revolution, de Appel, Amsterdam.
11/2006 Saigon: Open City, Saigon.
12/2006 Grey Flags, CAPC, Bordeaux.
1/2007 Fourier, Centre d’art mobile, Besançon.
1/2007 Lapdogs of the Bourgeoisie, Platform Garanti, Istambul.
2/2007 Collateral: When Art Looks at Cinema, Hangar Bicocca, Milan.
3/2007 Los Vinilos, El Basilico, Buenos Aires.
3/2007 Models for Tommorow: Cologne, EU Kunsthalle, Köln.
3/2007 PURE, Sean Kelly Gallery, New York, NY
4/2007 Airs de Paris, Centre Pompidou, Paris.
4/2007 The Redistribution of the Sensible, Galerie Mugnus Muller, Berlin
5/2007 The Shapes of Space, The Guggenheim, New York, NY
5/2007 Memorial to the Iraq War, ICA, London
5/2007 If Everybody Had an Ocean, Tate, St. Ives
5/2007 Trajectory 4: AKA Institute of Contemporary Art, Old Harbour, Riga
5/2007 How to improve the world, Birmingham Museum and Art Gallery.
6/2007 Perspektive 07, Lenbachhaus, Munich.
6/2006 Intocable (El ideal de la transparencia), The Museum of Contemporary Art, Valladolid.
6/2007 It starts from here, De La Warr Pavillion.
6/2007 Edition Schellmann Door Cycle, Friedrich Petzel Gallery, New York.
6/2007 All You Desire, PPOW, New York.
7/2007 Franchise, Assen.
8/2007 I can’t live without, The Showroom, London.
8/2007 L’ottava Tavola: An Etymology of Contemporary Codes, Cortona.
8/2007 The Showroom Talks, The Showroom, London.
9/2007 Fourier, Centre d’art mobile, Besançon.
7/2007 Il Tempo Del Postino, curated by Hans Ulrich Obrist & Philipe Parreno, The Manchester Film Festival,
The Manchester Opera House, Manchester
9/2007 If Everybody Had an Ocean, CAPC, Bordeaux
9/2007 Floating Territories, Various Locations (Venice, Istanbul…)
9/2007 Projektion, Lentos Kunstmuseum Linz.
10/2007 Tomorrow is Another Day, Artsonje, Seoul.
10/2007 Eva Presenhuber/Jubilee Exhibition, Vnà.
PUBLICATIONS
3/1991 Documents, London and Nevers, One-Off Press and A.P.A.C.
3/1991 Technique Anglaise, (ed. Liam Gillick & Andrew Renton), London, Thames & Hudson.
3/1991 No Man’s Time, Nice, Villa Arson.
12/1991 Gazette, Köln, Galerie Esther Schipper.
5/1992 Molteplici Culture, (ed. Christov-Bakargiev), Rome.
6/1992 Etats Specifiques, Musée d’art moderne, Le Havre.
9/1992 12 British Artists, Barbara Gladstone/Stein Gladstone, New York.
11/1992 240 Minutens, (ed. Georg Graw & Lothar Hempel), Köln.
12/1992 Instructions, (ed. Liam Gillick), Gio’ Marconi, Milan.
12/1992 ON, London, Interim Art.
1/1993 Documentario 2, (ed. Di Pietrantonio), Milan.
1/1993 Clare Barclay, Henry Bond, Roderick Buchanan, Liam Gillick, Ross Sinclair,
Gesellschaft fur Aktuelle Kunst, Bremen.
1/1993 Travelogue, Vienna, Hochschule fur Angewandte Kunst, Vienna.
6/1993 Fotofeis, Glasgow, International Photography Festival.
7/1993 Love is no Four Letter Word, Lothar Hempel, Esther Schipper, Köln.
9/1993 Backstage, Kunstverein, Hamburg.
9/1993 Ideal Place, Nevers, (ed. Eric Troncy).
1/1994 Don’t Look Now, Threadwaxing Space, New York.
2/1994 Backstage, Kunstmuseum Luzern, Luzern.
3/1994 Public Domain, Centro’ Santa Monica, Barcelona.
5/1994 Mechanical Reproduction, Galerie Van Gelder, Amsterdam.
6/1994 Other Men’s Flowers, FN/Booth-Clibborn, London.
10/1994 McNamara, project for Nummer, Köln, Germany.
10/1994 McNamara, project for New Observations, New York.
10/1994 Liam Gets a Serial Killer Annoyed, project for Art & Text, Sydney, Australia.
10/1994 Sunshine, Jahresring, Köln, Germany.
11/1994 Like Sure, Or Not, project for Palleten, Stockholm, Sweden.
12/1994 The Institute of Cultural Anxiety, ICA, London.
1/1995 Möbius Strip, Basilico Fine Arts, New York.
5/1995 Faction, Royal Danish Academy of Arts, Copenhagen, Denmark.
6/1995 Lost Paradise, (ed. Barbara Steiner), Vienna/Stuttgart, Oktagen.
6/1995 Stoppage (CD), CCC/Villa Arson, Nice, Tours and London.
6/1995 Erasmus is Late, Book Works, London.
6/1995 Ibuka!, Kunstlerhaus, Stuttgart.
7/1995 Grim, (project with Douglas Gordon), Parkett, Summer.
7/1995 Collection fin XX, FRAC Poitou Charentes, Angouleme.
7/1995 We Are Medi(eval), (with Angela Bulloch), Portikus, Frankfurt.
9/1995 Camera Austria, Forum Stadtpark, Graz, Austria.
10/1995 New Art From Britain, Museum Stzuki, Lodz.
10/1995 Surface de Réparations, FRAC Bourgogne, Dijon, France.
10/1995 Brilliant, Walker Art Centre, Minneapolis.
10/1995 Prime Time #1, Dijon, Le Consortium.
1/1996 Co-operators, Southampton City Art Gallery.
1/1996 Traffic, CAPC, Bordeaux.
2/1996 Do It, Kjarvalsstadir, Reykyavik.
3/1996 Everyday Holiday, Grenoble, Le Magasin.
6/1996 Nach Weimar, Cantz, Weimar.
7/1996 Herausgeber, Kunstraum Wien, Wien.
8/1996 Escape Attempts, Globe, Copenhagen.
10/1996 Life/Live, Paris, Musée d’Art Moderne de la Ville de Paris.
11/1996 Book Works - A partial history and source book, London, Book Works.
11/1996 Lost For Words, London, Toby Mott.
11/1996 Found Footage, Köln, Tanja Grunert & Klemens Gasser
11/1996 A Scattering Matrix, Los Angeles, Richard Heller Gallery
12/1996 Echoes - contemporary Art at the age of endless conclusions, New York, The Monacelli Press
3/1997 Des Livres d’Artistes, L’ecole d’art de Grenoble, Grenoble.
4/1997 Ajar, Jeloy, Galleri F15.
5/1997 Blimey!, London, 21.
6/1997 Unbuilt Worlds: Unrealised Artists Projects, Munster, Cantz
6/1997 Politics and Poetics, Kassel - documenta, Cantz.
6/1997 Short Guide, Kassel - documenta, Cantz.
6/1997 Schipper und Krome, Berlin, Schipper und Krome
7/1997 McNamara Papers, Erasmus and Ibuka Realisations, The What if? Scenarios, Dijon, Le Consortium,
Hamburg, Kunstverein.
7/1997 Erasme est en Retard, Dijon, Les Presses du Réel.
7/1997 Enterprise, Boston, ICA.
9/1997 Ireland and Europe, Dublin, Sculptors Society of Ireland
10/1997 Andreas Schulze, Kunstverein Ludwigsburg, Cantz.
10/1997 Armleder, Milan, Fondazione Antonio Ratti.
11/1997 Moving Targets, Louisa Buck, London, Tate Gallery.
11/1997 Hospital, Berlin, Galerie Max Hetzler.
11/1997 Kunst. . . Arbeit, Suttgart, SudWest LB/Cantz.
11/1997 Big Conference Centre/Das Grosse Konferenzzentrum, Ludwigsburg/Derry,
Kunstverein Ludwigsburg, Orchard Gallery.
1/1998 Artist/Author: Contemporary Artist’s Boook (ed. Cornelia Lauf/Clive Phillpot), New York,
American Federation of Arts.
3/1998 Interactive, An Exhibition of Contemporary British Sculpture, London, Amerada Hess
3/1998 Art from Britain, Hamburg, Sammlung Goetz.
7/1998 L’île de discussion/le grand centre de conférence, Nice/Dijon, Villa Arson/Les presses du réel.
9/1998 Mise en Scène, Graz, Grazer Kunstverein.
10/1998 Minimal-Maximal, Bremen, Neues Museum Weserburg.
10/1998 X Mal Documenta X, Kassel, Kunsthochschule der Universitat Gesamthochschule.
10/1998 Dominique Gonzalez Foerster, Pierre Huyghe, Philippe Parreno, Paris, ARC,
Musee d’art moderne de la ville de Paris.
10/1998 Cream, London, Phaidon Press.
10/1998 Le colonel moutarde dans la bibliotèque avec le chandelier, Eric Troncy, Dijon, Les presses du réel.
10/1998 Absurd, Self Service, Paris.
11/1998 Dijon/Le Consortium.coll, Dijon/Paris, Les presses du réel/Centre Georges Pompidou.
12/1998 Ein Rückblick aus dem Jahre 2000 auf 1887, Edward Bellamy, Leipzig,
Galerie für Zeitgenössische Kunst.
12/1998 Zing Magazine, Volume 2, Fall.
12/1998 Øjeblikket, The Meaning of Site, Copenhagen.
12/1998 Innerscapes, (edited by Maurizio Pellegrin), Trieste, Contemporanea.
1/1999 UK Maximum Diversity, Vienna, Galerie Krinzinger.
1/1999 Pl@ytimes, Grenoble, Ecole du Magasin.
3/1999 Weather Everything, Leipzig, Cantz/Galerie für Zeitgenössische Kunst.
3/1999 Independent Spaces, Geneva, JRP éditions.
3/1999 Servicio Publico, Barcelona, Ediciones Universidad de Salamanca.
5/1999 Seven Wonders of the World, London, Book Works.
5/1999 Designs for a four storey building, New York, Open City.
5/1999 Art at the turn of the millenium, Koln, Taschen.
5/1999 Esthétique Relationelle, Nicolas Bourriaud, Dijon, Les presses du réel.
7/1999 Calender, Glarus, Kunsthaus.
7/1999 Le Capitale, Sete, Centre regionale d’art contemporain.
7/1999 La Mémoire, The French Academy in Rome.
8/1999 The Space is Everywhere, Esslingen, Villa Merkel.
8/1999 Habitat Art Club, London, Habitat.
10/1999 5 or 6, New York, Lukas and Sternberg.
11/1999 Rewriting Conceptual Art, (ed. Michael Newman & Jon Bird), London, Reaktion Books.
1/2000 29th International Film Festival Rotterdam
3/2000 Liam Gillick, Köln, Oktagon, Lukas & Sternberg, New York.
4/2000 British Art Show 5, Touring Exhibition, Edinburgh, Southampton, Cardiff, Birmingham.
4/2000 Aussendienst, Hamburg, Kunstverein in Hamburg.
5/2000 Dire Aids, Art in the Age of Aids, Promotrice delle Belle Arti, Torino.
5/2000 What If? Moderna Museet, Stockholm.
6/2000 The Book of the 3rd of June, Kitakyushu, CCA.
7/2000 Intelligence, London, Tate.
7/2000 Moving Targets 2, Louisa Buck, London, Tate.
9/2000 Protest and Survive, Whitechapel Gallery, London.
9/2000 Media City, Seoul.
10/2000 Renovation Filter, Recent Past and Near Future, Bristol, Arnolfini.
11/2000 Fresh Cream , London, Phaidon.
12/2000 Den Stora Skalan, Kalmar, Statens Konstråd.
1/2001 Century City, London, Tate Modern.
2/2001 Museen ohne Zukunft, Vienna, MAK.
2/2001 Mutations, Bordeux, Arc en rêve, Centre d’architecture.
3/2001 More Works About Buildings and Food, Oeiras, Hangar K7
3/2001 Histoire de coeur, collection Michel Poitevin, Fondation Guerlain, Les Mesnuls.
3/2001 Nothing, London, August Publisher
3/2001 Parkett: Collaborations & Editions Since 1984, New York, Museum of Modern Art.
4/2001 After Work, 4 Biennale Tornitz Werkleitz Bildende Kunst.
4/2001 Berlin Biennale, Berlin.
5/2001 Parkett 61, Zurich, Parkett Publishers.
5/2001 Metronome 7, London, Metronome.
9/2001 Annlee You Proposes, London, Tate Britain.
9/2001 What Do You Expect from an Art Insitution in the 21st Century, Paris, Palais de Tokyo.
9/2001 Everything Can Be Different, New Yo
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