PAST EXHIBITION
The Shallow Curator
July 11, 2008—August 15, 2008
Press Release
Winkleman Gallery is very pleased to present The
Shallow Curator, a summer group exhibition with neither urgency nor depth.
The exhibition skims the surface of art-making, buoyed by such concerns as an
artist’s sense of style. It features projects by Gisel Florez, George McCracken,
the Spirit, and Kevin Zucker. To counter the inevitable meaning that any
juxtaposition of works engenders, The Shallow Curator accumulates weak
links, none of which dominate and that, collectively, remain isolated
intellectual cul-de-sacs.
Kevin Zucker produced The Shallow
Painting, 2008, specifically for The Shallow Curator. Elaborating a
previous series of paintings of standard metal shelving units, Zucker asked
other participants in The Shallow Curator to contribute objects to place
on the shelves. In this sense, the shelving units rhyme with the
exhibition’s premise, and with the gallery in general: the three are vessels
into which disparate objects are inserted, and hence given provisional
unity.
George McCracken, a painter turned designer,
presents his Fall 2008 menswear collection, shortly available at Bergdorf
Goodman, and his Spring 2009 samples. As The Shallow Curator coincides
with the fashion industry’s market week, McCracken is meeting buyers at the
gallery behind a Corbusier table accessorized with Eames aluminum chairs, all
from Design Within Reach. The George McCracken Collection features
natural materials, superior construction, and discreet
colors.
Photographer Gisel Florez’s Exquisite Taste (Olive)
and Exquisite Taste (Bruno), both 2007, depict dogs chewing up handbags
and clothing. In a moment of savagery, the otherwise domestic pets critique
their own recent devolution into accessories as well as heighten the products’
desirability by destroying them and rendering them inaccessible.
These works, of Florez’s own, form the basis on which firms and magazines hire
her as a product photographer.
Channeling John
McCracken, the Spirit created a slightly smaller, less
expensive “Art Within Reach” version of a slab piece. Made to rest
against a vertical surface, John McCracken, 2008, is available is various colors
and finishes, and can be reconfigured for any collector’s living
room. The Spirit, a Nevada resident, is also known as Jackie
Cohen.
The Shallow Curator culls from fine art, design, and
fashion as well as (albeit lightly) from the spiritual realm. If there is an
argument at all, it is to reconsider the disinterested—or “shallow”—eye of
modernism through the prism of elite consumerism, not in order to critique it
but to expand it. This prism uniquely joins the quality that only lots of money
can buy, and the levity and ludic possibility that befits, and perhaps reflects
upon, the summer gallery season.
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