Red Dot and Art Now: Bang for Your BuckBy Robert Ayers
Published: December 7, 2007
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Courtesy The Cynthia Corbett Gallery
At Cynthia Corbett Gallery at Art Now: Tom Leighton, "Untitled (Berlin Aerial)" (2007)
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Courtesy Turner Carroll Gallery
At Turner Carroll Gallery at Art Now: Sibylle Bergemann's "Engine Room I, with Girls"
On-the-ground reports from Art Basel Miami Beach and the satellite fairs.
Still Growing Strong
ABMB 2007 will be bigger than ever. A report on everyone's favorite winter playground from Art+Auction.
When in Miami…
Culture+Travel recommends where to stay, what to see, where to play, what to eat. Across the road at Red Dot, New York’s Nancy Hoffman has a particularly striking room. I have written about a number of her artists before, but not Hung Liu, whose work stood out today. She’s a Chinese artist who suffered the very worst of her country’s Cultural Revolution, working as a forced laborer on a corn plantation. This history gives pieces like Captives (at $20,000) a particular urgency. Also from New York, Littlejohn has a number of William Smith’s exquisite little oil paintings on antique book pages, such as Of the Division of Time 363 (at $2,800). These really are gems: Constable-like landscape studies that enter into a delightful alchemy with the philosophical and scientific texts over which they are painted. And at San Francisco’s Shooting Gallery, another rarity: a working artist on hand with paints and easel and making precisely the sort of art that is on the walls for you to buy. He is heavily tattooed Shawn Barber, who specializes in portraits of other tattooed artists. Given the artist and sitters you wouldn’t expect anything polite, and that’s just as well. I particularly liked Portrait of the Artist Genevive in her bathtub full of blood, but somebody had already bought it for $10,000. Shooting Gallery is obviously getting something right: By midday today they’d sold ten pieces at a total price of $78,000, including several pieces by Barber and some by Ron English, whose latest work apes the manners of eighteenth- and nineteenth-century academic painting, except that its characters are made up like the members of Kiss. |
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