
Courtesy Phillips de Pury & Company
Erik Bulatov’s “Glory to the CPSU” (1975) fetched £1,084,500 (Est. £500–700,000).

Courtesy Phillips de Pury & Company
Ilya Kabakov’s “Zhuk (Beetle)” (1982) sold for a record £2,932,500 (Est. £1.5–2.5 million).
“It was sort of like ‘even-steven,’” said Phillips partner and contemporary head
Michael McGinnis, describing the guaranteed lots. “We lost some and we won some, but that’s just the nature of the beast.”
The Hirst last sold at auction at Sotheby’s London in 2005 for £523,000.
Other million-pound lots included Jeff Koons’s X-rated glass confection from his debauched Cicolina period, Violet Ice (Kama Sutra) (1991), which sold to a telephone bidder for £1,252,500 (est. £800,000–1.2 million), and Andy Warhol’s portrait of the late, great New York art dealer Sidney Janis from 1967, which went to New York trader Alberto Mugrabi for £1,028,500 (est.£1–1.5 million).
Mugrabi had a busy evening, bottom-fishing for relative bargains, among them two works by Jean-Michel Basquiat. He snagged the Xerox-and-paper collage on canvas Joy (1984) for £972,500 (£1–1.5 million) and the late acrylic on canvas Orange, from 1988 (the year of the artist’s death), for £216,500 (est. £200–300,000).
“We’re very pleased with the results,” continued McGinnis moments after the marathon, “it’s about what we anticipated.”
Given the evening’s hefty percentage of underwhelming material and envelope-pushing estimates, Phillips showed the much-hyped middle market is alive and well but hardly booming.