Jeff KoonsBy Robert Ayers
Published: April 25, 2008
Well, I think that works have to be chameleon to a certain degree. If a work isn’t chameleon, eventually someone is going to be in front of it and not find any meaning. Things change and works have to be adaptable to be able to absorb meanings that people place on them or find in them. Is Sacred Heart a religious work? I’m not involved in any standardized religion. If somebody finds significance or meaning in something, that’s absolutely wonderful. And whatever that meaning or significance is, if it helps to push against somebody’s parameters, then that’s fantastic. I believe in things being socially benefiting. I believe in absolute freedom of gesture and anarchy and all of these things, as long as it doesn’t endanger others. I believe that art should have all the freedom in the world. But there is a moral responsibility that comes along with that. So you should embrace all that power but then accept the moral responsibility as well. You were just talking about your dialog with Warhol. He said that he wanted to be a “business artist.” Is that what you are? I am not a business artist. And I would like to think that Andy wasn’t either. My work’s not about business, but I was brought up to be very self-reliant, so whatever I do in life I believe I should be able to take care of myself and my family. There are certain demands, but that’s the same with any kind of success. Is this huge operation that you run, with these dozens of artists producing your art, just the necessary means of making the work? That’s right. I’m not involved in business art, that’s not my interest. My interest has always been in art. I remember when I was 16 and I turned on the radio and heard Led Zeppelin. That was when I came into contact with how powerful art can be. It was a very moving experience, and I thought, “I want part of this.” |
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