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Contemporary Market Bruised but Resilient After London Sales

By Judd Tully

Published: July 2, 2008
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Courtesy Sotheby's
Marlene Dumas’s "The Visitor" (1995) sold for £3,177,250 ($6,336,072; est. £800,000–1.2 million), making it the most expensive work by a living woman artist to sell at auction.


Courtesy Christie's
Jeff Koons’s 9 1/2-ton "Balloon Flower (Magenta)" (1995–2000) set a record, selling for £12,921,250,00 ($25,752,051; est. on request, in the region of £12 million).

Whyte got lucky later in the long evening, winning Gerhard Richter’s powerful and color-charged abstraction Ypsilon from 1984 for ₤2,729,250 (est. ₤2.5–3.5 million).

A chunk of Sotheby’s success came from a trove of guaranteed property from the Helga and Walther Lauffs’ collection, which earned ₤18,983,000, double its high estimate of ₤8.9 million.

Of those 12 standout lots, Yves Klein’s sensational abstraction ANT 131 from 1961 led the pack, selling to a telephone bidder for ₤4,185,250 (est. ₤700–900,000).

"Many bidders exceeded their own limitations," said an exhausted Tobias Meyer after the sale. "This is a market driven by art lovers."

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