Testing the Waters at Art HamptonsBy Robert Ayers
Published: July 14, 2008
Uncertainty and all, Koman reported “some sales, and some follow-ups.” He said they’d sold “less than we had hoped for,” but “it’s a new show and now we have a better idea of what people want.” He added that “dealers in general feel that there is a lot of potential.” Meanwhile, Spanierman Modern, which eventually sold several paintings in addition to the Lassaw sculpture, reported “wonderful success in every respect,” and Nicole Marzigliano of Vincent Vallarino Fine Art said that they had done “really well,” selling eight paintings and buying a number of pieces from other dealers. Luis Accorsi sold a small Victor Vasarely and had a larger one reserved; he also sold a collage and a small drawing by Rivers. Wally Findlay Galleries sold three paintings for a total of $250,000 and reported a lot of interest across the entire range of the work that they offered. And Waterhouse and Dodd sold out all six of the paintings they’d brought by the young British painter Sarah Jeffries (for between $5,000 and $10,000) as well as two more by the artist that were back in London. They also sold a Louis Valtat (for $45,000) and a Paul Leduc (for $55,000) and had a Tom Wesselman and a large Marc Quinn watercolor of Kate Moss, Blue Sphynx, reserved, at $58,000 and $90,000 respectively. “For a first-year fair, it was pretty good,” Waterhouse said. Art+Auction, a sister publication to ARTINFO, was a media sponsor of Art Hamptons. Louise Blouin Media, ARTINFO’s parent company, hosted the fair’s VIP lounge. |
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