Beijing-Bound Artwork Seized by Chinese CustomsBy Robert Ayers
Published: July 23, 2008
This, it turned out, was the piece that caused the trouble. Bird’s Nest, in the Style of Cubism (2008) is typical of Zhang’s work in its ironic melding of Western and Chinese imagery and styles. As the title suggests, it represents the Beijing Olympic stadium — popularly called the “Bird’s Nest” — in a convincing mock-Cubist style. This treatment occurred to the artist, he said, “because, as a building without an exterior, it looks deconstructed anyway.” The canvas also features Cubist-like lettering in both English and Chinese. The Chinese phrases refer to the Olympic torch and the slogan “one world, one dream”; the English words are “Tibet” and “Human Right[s].” There are also repeated figure 8s, a number that is said to be lucky in Chinese numerology. (Zhang pointed out that the 2008 games are scheduled to begin at 8 p.m. on August 8 [8/8/08].) The official reasons for seizing the picture, according to the artist, were that it contains “unacceptable” wording, that the depiction of the stadium “isn’t good enough,” and that the color scheme of the picture “is inappropriate: too dark and dull.” In his repeated attempts to get the work released, either to China, Taiwan, or back to New York, Zhang has met with numerous frustrations, including the fact that Chinese authorities had reported the customs officer who seized Bird’s Nest to the police for possession of an "objectionable" picture. Zhang and his dealers Lin & Keng continue in their efforts.
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