
Courtesy Toronto International Art Fair
A view of the booths at the Toronto International Art Fair, recently renamed Art Toronto

Courtesy Toronto International Art Fair
Fair director Linel Rebenchuk
October 2008 Movers+Shakers
Visitors to Canada’s biggest
modern and contemporary art
fair—running from October 2
through 6 at the Metro Toronto
Convention Centre—are sure to
notice something different
about the eight-year-old event:
It has a snappy new name,
Art
Toronto; its former one, the
Toronto International Art
Fair, now serves as a subtitle.
That’s one result of what fair
director
Linel Rebenchuk
calls “a great partnership.”
Rebenchuk is referring
to the fair’s purchase last
January by Merchandise
Mart Properties (MMPI), the
trade-show company that now
owns six such events, including
New York’s Armory Show;
Volta, in Basel and New York;
and Art Chicago and its new
emerging-art fair, NEXT. The
title change is one indication
of how MMPI will boost Art
Toronto’s image. Mark
Falanga, the company’s senior
vice president and head of
the art division, says he wants
to increase “participation, and
get more cultural institutions
involved.” Rebenchuk seems
quite happy with the arrangements,
saying that “we had
offers in the past, but from
people who didn’t understand
what we are doing.”
While the new owner has
played only a minor role in
the fair’s 2008 edition, there
will be more changes next year.
Paul Morris, a founder of New
York’s Armory Show, who was
recently named vice president
of art shows and events at
MMPI, says he finds Art Toronto,
more than half of whose 100
exhibitors hail from Canada, to
be “a little like Art Cologne” in
its regional strength, with “a
specific audience buying work
from specific dealers.” He
wants to “give it more of an
international profile” by bringing
collectors up from the U.S.,
affording participants”
a chance to cross-pollinate.”
He would also like to make it
edgier by beefing up the 15-gallery Young Avant-Garde
section. Still, he doesn’t want
to push too far, too fast. Art
Toronto has “a great director
who is doing a great fair,” he
says. “You don’t want to fix
something that’s not broken.”