Professional Feel, but Mixed Market, at ShContemporaryBy Sarah Douglas
Published: September 22, 2008
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Courtesy the artist and Lehmann Maupin
At Lehmann Maupin's booth: Jennifer Steinkamp, "It’s a Nice Day for a White Wedding" (2008)
New York dealer Max Protetch has been working with Chinese artists since the mid-1990s. “Now I’m discovering a new generation,” he said. “Chinese art is like an onion you never get done peeling.” He praised the fair for being “more professional” this year. Last year, he reported, he had run-ins with runners, people who claim to be buying artworks for themselves but actually plan to swiftly resell them. “This year,” he said, “no runners. And serious interest from China and elsewhere.” He made a number of sales — in one day parting with an artwork for $20,000 and another for $95,000. “We brought mix of Chinese and Western art. That was a good choice, as it turns out.” Protetch, who has degrees in economics and political science, reflected on the importance of this market. “One thing that is saving us is the East, not the U.S. economy.” Although the results from this fair were uneven, that statement may well turn out to be true. Art fairs are popping up around Asia, and in the coming years dealers will be making choices about which ones are most successful. Director Lorenzo Rudolf remains upbeat about Shcontemporary's potential. “You have to make people curious about Asia,” he said. “It goes step by step. Rome wasn't built in a day.” Sarah Douglas is Staff Writer at Art+Auction. She blogs at "The Appraisal." |
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