
Courtesy Musee d'Art Moderne de la Ville, Paris
Dufy's "La fee electricite," 1937-38

Private Collection
Raoul Dufy's "Les pechuers a l'ombrelle rouge devant Saint-Adresse," depicting a subject he treated often
Phenomenally successfulin the United States yet longconsidered a “lightweight” by Frenchart critics, the Normandy-born
RaoulDufy is at last being celebrated inParis with a major retrospective. Atthe
Musée d’Art Moderne de la Villede Paris (
MAM) from October 17through January 11, 2009, “RaoulDufy, le Plaisir”—whose title echoesthe American writer
Gertrude Stein?s1946 exclamation “
Raoul Dufy ispleasure!”—brings together 265works, including 120 paintings pluscouture fabrics and ceramics, as wellas the newly restored
La fée électricité,a monumental mural Dufypainted in 1937–38 for the
ExpositionInternationale des Arts et desTechniques in Paris. Also on view arerarely exhibited privately held canvases,such as his Fauvist scene of aseaside French village
Les pêcheursde la plage Sainte-Adresse, 1907,which has been in the possession ofa Hamburg family since 1917.And Dufy’s virtuosity with color is ondelightful display in the dazzlingpinks of
La Martiniquaise, 1931, froma private London collection.
"Overdue Ode" originally appeared in the October 2008 issue of Art+Auction. For a complete list of articles from this issue available on ARTINFO, see Art+Auction's October 2008 Table of Contents.