By Heather Smith MacIsaac
Published: September 1, 2008
Each crocheted element is rooted in a geometry most mathematicians thought impossible to reproduce in physical form— though nature has no problem achieving the feat. When, in 1997, Daina Taimina, a Cornell University mathematician and lifelong practitioner of the needle arts, found a way to make models of hyperbolic space using wool and a hook, it was also the genesis of the faux reef. The Wertheim sisters quickly recognized Taimina’s crocheted forms as those of their treasured reef and set about creating a woolen tribute. Before long, crocheters from all over the world were fashioning different kinds of reef forms and sending their works to the Wertheims with a note of wonder or concern attached. “We’ve been reinvigorated in our own creative ideas by our contributors,” says Margaret. “The totality of the piece is wonderful because it contains the labor and imagination of many.” While members of the art world have responded with rapture to the kelps and anemones and elaborate corals that form the several “sub-reefs” (red, blue, and bleached reefs; the “Ladies’ Silurian Atoll”; and a toxic reef, crocheted largely from trash), scientists have yet to take note. “The future of the coral reefs, let alone this project, depends on funding,” says Margaret, who happens to be a science writer by trade. May we suggest she sends the scientists some wool? "When Science and Handicraft Met on the Reef" originally appeared in the Fall 2008 issue of Culture+Travel. For a complete list of articles from this issue available on ARTINFO, see Culture+Travel's Fall 2008 Table of Contents.
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