By Cliff Kuang
Published: November 1, 2008
The sale featured a number of design’s current blue-chip names: Maarten Baas, Tom Dixon, Zaha Hadid and Newson. A 2006 piece by Hadid—a set of four stools with toothlike forms covered in high-gloss metallic paint, shown—fetched $86,500 (est. $60–80,000), becoming one of five lots to sell above their estimates. Among the others was Israeli designer Harush Shlomo’s Chairless, 2006, (est. $6,000–8,000) made of crumpled pieces of aluminum riveted together, which earned $16,250. But the auction’s best-represented designer was Ron Arad, known for his stark lines and cutting-edge technique. All five Arad offerings sold, for a total of $534,500. Two were editions of the monolithic Blo-Void 2 lounge chair—designed in 2006 and constructed of polished aluminum with a mesh sitting surface—which made $68,500 each, just shy of their high estimate of $70,000. D, a couch in the form of a sinuous steel wave, was the most expensive lot of the auction, going for $206,500 (est. $200–300,000). Also showcased was work by Shiro Kuramata, a Japanese designer who died in 1991 and was known for lighthearted, slightly surreal pieces. All three of his lots were purchased, for a total of $229,500, including Feather Stool, 1990—a solid block of clear acrylic embedded with a smattering of seemingly floating feathers (est. $80– 100,000)—which achieved $86,500. A similar chair sold for $120,300 last year at a Christie’s London sale. Carina Villinger, the Christie’s head of sale, says the market for this category is solid but evolving: “Design and art have grown closer over the past few years. Our clients have embraced design as a new aesthetic.” "A Design First" originally appeared in the November 2008 issue of Art+Auction. For a complete list of articles from this issue available on ARTINFO, see Art+Auction's November 2008 Table of Contents.
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