Skip to main content
  • Editions
    • International
    • China
    • France
    • India
    • Australia
    • United Kingdom
    • Hong Kong
    • Canada
    • Brazil
    • Germany
    • Russia
  • Magazines
    • Art+Auction

      Modern Painters

  • Blogs
  • Videos
  • Photo Galleries
  • Blouin Art Sales Index
  • Gallery Guide
  • Art Sites
  • Boutique
  • Log in

    Not a member?

    Sign up

    Log in

    |Forgot your password?
    OR
    Sign up
  • Sign up
Home
  • Visual Arts
    • Visual Arts Home
    • Contemporary Art
    • Old Masters/Renaissance
    • Impressionism & Modern Art
    • Ancient Arts & Antiques
    • Traditional Arts
    • Museums
    • Reviews
    • Columnists
    • Features
  • Performing Arts
    • Performing Arts Home
    • Film
    • Music
    • Theater & Dance
  • Architecture & Design
    • Architecture & Design Home
    • Design
    • Architecture
  • Artists
  • ART PRICES
  • Market News
    • Market News Home
    • Art Fairs
    • Auctions
    • Collecting
    • Galleries
    • Databank
    • Art & Crime
    • ART PRICES
    • Columnists
  • Style & Society
    • Style Home
    • ART Parties/Scene
    • Fashion
    • Food & Wine
    • Jewelry & Watches
    • Autos & Boats
  • Events
  • Travel
  • Blogs
  • Videos
  • Slideshows
  • Newsletter Sign Up
  • Homepage RSS
  • facebook
  • twitter
  • foursquare
  • tumblr

Search form

International Edition
May 23, 2012 Last Updated: 3:36:AM EDT

Archaeologist to Criticize the Met, Applaud the Getty for Antiquities Policies

Undefined

Archaeologist to Criticize the Met, Applaud the Getty for Antiquities Policies

  • Email
  • Print
  • Save
  • Tweet
  • Pin It
Enlarge This Image
Published: January 5, 2009

British archaeologist Colin Renfrew is planning a speech for next week in Philadelphia that criticizes the Metropolitan Museum of Art in New York for its antiquities policy, the Los Angeles Times blog Culture Monster reports. Renfrew's lecture, which is sponsored by the New York–based group SAFE/Saving Antiquities for Everyone, pits the Getty Museum in L.A. versus the Met, praising the former and chastising the latter.

The speech is conspicuously titled "Combating the Illicit Antiquities Trade: The 1970 Rule as a Turning Point (or How the Metropolitan Museum Lags Behind the Getty)." Cindy Ho, president of SAFE, said of the title that "in this particular circle it makes certain people uncomfortable to directly mention the Met."

Two years ago, the Getty announced that it would no long collect antiquities if there was doubt about whether they had left their countries of origin before November 17, 1970 — the date when UNESCO first adopted rules to fight the illegal antiquities trade. The Association of Art Museum Directors (AAMD) adopted 1970 as its cutoff date last June, and shortly thereafter, the Met announced that it had agreed to follow suit.

Renfrew will deliver his lecture on January 10 at a reception honoring him with SAFE's 2009 Beacon Award for life-long service to archaeology and efforts to raise public awareness about the illegal antiquities trade.

Like what you see?

Sign up for our DAILY NEWSLETTER and get our best stories delivered to your inbox.

Go to top ↑
Features, People
Share:
  • Tweet
  • Email to a Friend

Comments

0 Comments
+ Add Yours
Log in or register to post comments
Oldest first Newest first

RELATED ARTICLES

Punks Out of the Past: Mike Kelley, Jim Shaw, and Destroy All Monsters
Pedal to the Metal: How a Visit to John Chamberlain's Studio Showed a Great Artist "Racing Against Time"
Tough Questions for Dad: In Praise of Karl Haendel's Quietly Poignant New Video
Take a Virtual Tour of the Prospect 2 Biennial in New Orleans
Anish Kapoor to Meld Music and Art Into a "Dual Sensory Singularity" With New Japanese Concert Hall

Most Popular

Reagan's Blood, Bieber's Hair, Ally McBeal's PJs: 10 Freakish Items From PFCAuctions's Current Online Sale
The ARTINFO Bookshelf: 40 Books That Every Artist Should Own, Part II
The ARTINFO Bookshelf: 40 Books That Every Artist Should Own, Part I
Are We in an Anish Kapoor Bubble? Two Barbara Gladstone Shows Point to the Affirmative
Brutalizing Brutalism: Why John M. Johansen's Crumbling Concrete Theaters Should be Saved
Yves Saint Laurent Bans Press from Seeing Hedi Slimane's Debut Lines for the Fashion House
Massive eBay Tomb-Raiding Ring Busted, Philly Markets Itself to Art Buffs, and More Must-Read Art News

Popular on Social Media

  • Bonhams Australia Present Six Auctions of Amazing Art and Antiques from May 27 to 29
  • Reagan's Blood, Bieber's Hair, Ally McBeal's PJs: 10 Freakish Items From PFCAuctions's Current Online Sale
  • Ferrari and Lamborghini Report Normal Operations After Quake
  • Hublot Creates Watch For Usain Bolt
  • Paul Schrader Attempts Pas De Deux With Romanov-Loving Ballerina
  • Yves Saint Laurent Bans Press from Seeing Hedi Slimane's Debut Lines for the Fashion House
  • From the Ashes of Tunisia's Revolution, A Contemporary Art Scene Grows: A Q&A With Curator Khadija Hamdi
  • Brutalizing Brutalism: Why John M. Johansen's Crumbling Concrete Theaters Should be Saved
  • The Birth of a Biennial? Carthage Contemporary's Inaugural Exhibition in Tunis Puts the Spotlight on Contemporary Art Post-Revolution
  • Are We in an Anish Kapoor Bubble? Two Barbara Gladstone Shows Point to the Affirmative

GO TO:

Visual Arts Home Visual Arts Archive

Editorial

  • Visual Arts
  • Performing Arts
  • Architecture & Design
  • Artists
  • ART PRICES
  • Market News
  • Style & Society
  • Events
  • Travel
  • Blogs
  • Videos
  • Slideshows

Products

  • Magazines
  • Gallery Guide
  • Blouin Art Sales Index
  • Somogy
  • Art Sites
  • Art Jobs

Louise Blouin Media

  • About Us
  • Subscriptions
  • Advertise
  • Contact Us
  • Louise Blouin Foundation
  • RSS
Copyright © 2012 All rights reserved. Use of the site constitutes agreement with our Privacy Policy and User Agreement.