By Lyra Kilston
Published: February 1, 2009
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Courtesy Michael Stevenson Gallery; © Guy Tillim
Guy Tillim, "Supporters of Jean-Pierre Bemba line the road as he walks to a rally from the airport, Kinshasa" (2006). Digital pigment print, 28 3/8 x 19 1/2 in.
at the San Francisco Museum of Modern Art (San Francisco) Through April 26, 2009 Taking inspiration from the indexical People of the 20th Century, August Sander’s legendary portraits of Germans in the 1920s, curator Sandra S. Phillips has selected four contemporary photographers who similarly pursue Sander’s quest to expose their zeitgeist through ordinary subjects. Judith Joy Ross has documented the sparse gatherings of antiwar protesters in America. Young idealists, older retirees, or average joes, they stand on sidewalks or plazas, facing the nation’s indifference. Guy Tillim, who lives in Cape Town, examines the urge for change in Africa, photographing volatile elections and small villages where change has come faster than expected. Similarly, Yto Barrada looks to her native Morocco to record the increased focus on tourism. Leo Rubinfien has the unenviable task of flying to sites of recent terrorist attacks — or "freelance warfare," as he dubs it. Snapping shots of the citizens of Cairo, Tel Aviv, Jakarta, or London, he captures their newfound vulnerability and unease. "The Face of Our Time" originally appeared in the February 2009 issue of Modern Painters. For a complete list of articles from this issue available on ARTINFO, see Modern Painters' February 2009 Table of Contents.
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