Yale Goes to Court to Protect a Van Gogh
Published: March 25, 2009
The Night Café, which entered the university collection in 1961 through a bequest from alumnus Stephen Carlton Clark, once belonged to the great Russian collector Ivan Morozov. Russia nationalized his holdings during the revolution and later sold the work. According to Yale’s suit, Pierre Konowaloff, a Paris-based man purporting to be Morozov’s grandson, last year asserted through a lawyer that he owned the painting and sent a draft complaint of a federal suit. Konowaloff argues that the Soviet nationalization of property was illegal and that the painting is the rightful property of his great-grandfather and his estate. “The implication of his argument is that American courts should try to undo the entire program of property reform undertaken by the Russian government in the early part of the 20th century, invalidating the transfers of title of Russian citizens’ property that Russia effectuated within its own borders,” Yale contends in its suit. “It was accepted at the time, as it is now, that the sales by the Soviet government were valid, as were later acquisitions of the paintings.” When the painting was given to Yale in 1961, Konowaloff’s parents made no claim on it, nor did Morozov’s widow, Yale argues. The university also argues that the family is barred from recovering the painting, or equivalent compensation, because it failed to act within three years of what it claims to be Yale’s unlawful possession. |
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