ARTINFO.com

The Year in Design

By Katherine Jentleson
Chart by Nigel Holmes

Published: April 1, 2008
This month we invited the New York-based architect Lee F. Mindel, FAIA, to look back at—and comment on—what he deems the most intriguing design objects to hit the block in 2007. Mindel is a partner at Shelton, Mindel & Associates, which is known for its refined use of 20th-century design in residential and commercial projects. He is a formidable presence at auctions, where he often buys landmark pieces for the firm’s roster of high-profile international clients, which includes Sting and Ralph Lauren.

His choices below reflect the astounding diversity of works that fall under the design rubric. “These pieces all bring history forward and, when integrated with architecture and the interior, empower space,” says Mindel. “There is something approachable, honest and thoughtful when the object transcends decoration.” As for the prices, Mindel points out that “compared with fine art, there is great value in iconic work by architects and designers.” He adds that price shouldn’t sway anyone too much. “I am nondiscriminating in my admiration of all things bright and beautiful.”


  • JEAN PROUVÉ
    The prototype large Maison Tropicale for Brazzaville, 1950–51
    Christie’s, New York
    June 5, 2007
    Est. $4–6 million
    Sold for $4,968,000
    Architecture is a relatively new and pricey auction category. But given that apartments at Robert A. M. Stern’s 15 Central Park West are weighing in at $7,000 per square foot, the iconic Prouvé structure looks reasonable at $3,000 per square foot.
  • ANONYMOUS
    Large boudoir mirror
    Czechoslovakia, circa 1928
    Dorotheum, Vienna
    May 9, 2007
    Est. €2,400–2,800 ($3,200–3,700)
    Sold for €4,000 ($5,432)
    The Czechoslovakian designers–a.k.a. the Chrome-Magnans–clearly absorbed the lessons of Mies van der Rohe’s Tugendhat house at Brno and his famous dictum that form follows function. Elegant, simple and distilled down to its essence, this mirror is pure, approachable and affordable.
  • MARTIN SZEKELY
    One prototype and two P.P.C. tables, 2006
    Phillips de Pury & Co., New York
    December 13, 2007
    Est. $110–120,000
    Sold for $133,000
    Szekely liberates the pedestal base from the top through an almost pointillist use of legs. We bought this for a client’s apartment overlooking the Hudson River piers, whose forms are echoed in the table.
  • ALFREDO BARBINI
    Sasso inciso sommerso glass vase, 1962
    Christie's, New York
    December 18, 2007
    Est. $8,000–10,000
    Bought In
    Art glass is under the radar. The Italians and Scandinavians are masters of capturing light and water through the manipulation of the medium. The inciso and sommerso techniques used in this organic sculpture create translucencies and submerge color, making you conscious of light—and light brings space to life.
  • ROBERT VENTURI
    Molded-plywood Queen Anne chair, 1984
    Sollo Rago, Lambertville
    April 21-22, 2007
    Est. $3,000–5,000
    Sold for $5,100
    Postmodernism is ready for a reappraisal. Venturi’s Queen Anne chair for Knoll uses laminated plywood to laminate history. Here the color patterns that appear on most of the Knoll series are absent, which poignantly emphasizes the silhouette.
  • HENNING KOPPEL
    Caravel cutlery, 1957
    Bruun Rasmussen, Copenhagen
    October 12, 2007
    Est. €10,000 ($14,179)
    Sold for €12,000 ($17,015)
    Henning Koppel’s Caravel flatware for George Jensen transcended the functionalism of the Bauhaus by incorporating the sense of the organic inherent in Danish decorative arts. Influenced by the work of Calder, Arp and Brancusi, Koppel said of his medium, “Functionalism has nothing to do with the art of forming silver.”
  • MARIANNE BRANDT
    An important and rare tea infuser, circa 1927 Sotheby’s, New York
    December 14, 2007
    Est. $300–500,000
    Sold for $361,000
    The rigorous discipline of the Bauhaus is evident in this tiny tea infuser, which nearly fits in the palm of your hand. From cuff links to skyscrapers, the Bauhaus manifesto involved an almost fetishistic manipulation of decorative elements.
  • ALVAR AALTO
    Cantilever dining chairs, Model no. 21, set of eight, circa 1940
    Wright, Chicago
    May 22, 2007
    Est. $20–30,000
    Sold for $39,600
    The great Finnish architect Aalto was a master of laminated wood. His furniture has gotten a bad rap because it doesn’t offer the comforts our couch-potato culture now demands. This dining chair is comfortable, however, and it even has a bounce to it.
  • GERRIT THOMAS RIETVELD
    Left-handed Steltman chair, circa 1970
    Sotheby’s, New York
    June 19, 2007
    Est. $15–20,000
    Sold for $90,000
    Rietveld was one of the first designers to pose the question, Is it art or is it furniture? In this chair, originally designed in 1963, you can see shades of things to come from the likes of Donald Judd, Sol Lewitt, Scott Burton, Carl Andre and Agnes Martin.
  • ANGELO MANGIAROTTI
    Table, 1959
    Dorotheum, Vienna
    November 13, 2007
    Est. €2,000–2,500 ($1113,800)
    Sold for €10,000 ($14,608)
    The octogenarian Italian architect continues to work, and to be reevaluated. Generally associated with carved stone and Carrara marble, Mangiarotti here beautifully employed the bronze pedestal base and wood tabletop.
  • PIERO FORNASETTI
    The important 32-panel La Stanza Metafisica screen, 1958 (detail shown)
    Sotheby’s, New York
    November 16, 2007
    Est. $100–150,000
    Sold for $301,000
    Fornasetti’s great work embodies the best of Italian Surrealism and evokes the world of Piranesi and Escher. We bought this for a European client’s penthouse overlooking Central Park. If you calculate the price of Fornasetti by the pound, this is really cheap–in essence, you’re getting an extrusion of 52 floor-to-ceiling feet of Fornasetti salami.
  • KAY BOJESEN
    Rocking Horse
    Bukowski’s, Stockholm
    April 24–27, 2007
    Est. 2,000–2,500 SEK ($295–369)
    Sold for 3,500 SEK ($516)
    Kids’ rooms don’t have to be goofy. In fact, children have an ingenuous response to great design that we’ve often unlearned.
“The Year in Design" originally appeared in the April 2008 issue of Art+Auction. For a complete list of articles from this issue available on ARTINFO, see Art+Auction’s April 2008 Table of Contents.

advertisements