By Jemima Montagu
Published: May 1, 2009
These strange contrasts have a powerful resonance for Ali, who, both peronally and artistically, is caught between conflicting traditions and cultures. He moves between the conservative society of Quetta to the buzzing modern metropolis of Karachi — or Fukoyama. By studying miniature painting, he rediscovered a connection with his Persian heritage, which has also given him a new understanding of his own time. Ali’s paintings reflect this complex interweaving, using symbols, myths, and allusion to reveal contradictory but coexisting layers of history, culture, and experience. Myth is grounded in history, and vice versa; Ali uses this symbiosis to show his own world turned upside down. Khadim Ali’s work will be shown in the group exhibition "East-West Divan: Contemporary Art from Afghanistan, Iran, and Pakistan" at the Venice Biennale, June 7-Nov. 22. "Gilded Demons" originally appeared in the May 2009 issue of Modern Painters. For a complete list of articles from this issue available on ARTINFO, see Modern Painters' May 2009 Table of Contents.
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