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False Prosperity at the Louvre

Published: June 8, 2009
PARIS— For the Louvre, this is the best of times at possibly the worst of times. The museum, arguably the world’s most famous, has been on an acquisition binge that it cannot maintain in the current weak economic environment.

A slew of major additions to the museum's collection last year was followed by this year’s purchase of a portrait of Count Mathieu-Louis Molé, prime minister under King Louis-Philippe, painted by Ingres in the 1830s. The Louvre picked it up, after much haggling, for €19 million ($26 million), considerably more than its entire annual acquisitions budget of €7.25 million. In total, the museum's acquisitions from the first five months of this year are valued at more than €38 million.

How does it do it? With help from corporate donors, including the French central bank, which can write off 90 percent of their contributions from their taxes. But such acquisitions give the museum an aura of financial stability where none exists, and some art-world watchers, like market expert Souren Melikian (also the international editor of Art+Auction), question whether this pace is sustainable — or if financial trouble will set in in 2010.

Read more at the New York Times.

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