Bob and Nancy Magoon fill their Aspen home with look-and-think-twice art. By Bridget Moriarity
Buenos Aires resident Dudu von Thielmann knows no boundaries when it comes to collecting. By Ted Loos
The best seat in the house is debatable in Barbara Pine’s New York apartment. By Marisa Bartolucci
Angeleno Rosette Delug's passion for fresh art has flowered rapidly. By Hunter Drohojowska-Philp
It's no secret that the art market has changed. Our annual investment guide helps you navigate the new terrain.
54 When in...
Urban dwellers flock to this Long Island haven for escape—and culture, thanks to ArtHamptons in July.
DEPARTMENTS
Changing Hue
Dealer Michael Hue-Williams, of London’s Albion gallery, has decided to relocate and liquidate. By Judd Tully
MARKETFILE
Target Practice
Christie's is spared the scrutiny that Sotheby's is under as a public company. Not fair, says A+A's Los Angeles editor.
Impressionist & Modern Art
The well-edited but largely unexceptional lineups at the Sotheby’s and Christie’s spring auctions inspired confidence in an art market rattled by economic events. By Judd Tully
Contemporary Art
Sotheby’s opened the contemporary-art auction season on May 12 with a solid if uninspiring session, while bidders seemed more willing to go the distance the following night at Christie’s. By Judd Tully
American Paintings
This spring’s auctions of American art may have been an improvement on the December editions, when Christie’s and Sotheby’s unloaded less than 60 percent of their lots, but they were hardly "green shoots." Katherine Jentleson
IN BRIEF:
Max Factors
The buy-ins of two Picassos expected to bring big prices in the New York sales this May
demonstrate how hard it has become to predict that market maestro’s results. By Katherine Jentleson and Adam Levine