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Slim and Conservative, Sotheby’s Sale Proves a Winner

By Judd Tully

Published: June 25, 2009
That mind-the-gap distance between what is now and what was then is still being analyzed, yet the new “recalibrated market” is undoubtedly mending and gaining strength.

That was evident with the strong result for Maurizio Cattelan’s delightful mini-self-portrait. Depicting the artist — all 14½ inches of him — perched on the edge of an art-book-filled bookshelf, Mini-Me (1999), in resin, rubber, fabric, hair, and paint media, sold to a telephone bidder for a rousing £493,250 (est. £180–250,000).

Considering the work hails from an edition of 10, though each one comes with a unique outfit, it was an impressive price. And, hey, it’s a living artist. Another work from the edition sold for $441,600 at Christie’s New York in May 2005.

“We feel if you price it right,” said Cheyenne Westphal, Sotheby’s contemporary-art chairman for Europe, “the market responds to it positively.”

Judd Tully is Editor at Large of Art+Auction.

The contemporary action in London resumes on Monday evening, June 29, at Phillips de Pury & Co.

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