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Federico Fellini

By Tamzin Baker

Published: November 1, 2009
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© Fondazione Federico Fellini, Rimini
Federico Fellini, "Rêve du 1er avril 1975," from "Le livre de mes rêves" (Flammarion, 2007). 19 x 13 ½ in.


© Archivio Storico del Cinema/AFE
Paul Ronald, "Marcello Mastroianni shooting 8½" (1963). C-print.

"Federico Fellini" at Jeu de Paume
Paris
Oct. 20, 2009 Jan. 17 2010

Federico Fellini may be one of the most studied names in cinema, but now the Jeu de Paume introduces a new context in which to interpret his extensive body of work. In this large exhibition, Fellini ephemera and everything from television interviews to behind-the-scenes photographs (including several images of the actress Anita Ekberg) grant the viewer a glimpse of the director’s journey from fledgling caricaturist to renowned auteur. Excerpts from La dolce vita (1960) and(1963) — two of the most acclaimed works in cinema history — accompany an unpublished book of dreams, illustrations Fellini made over the course of 30 years after discovering the writings of Carl Jung. Standing before Rêve du 1er avril 1975, a playful drawing of a pear-shaped woman suggestively perched atop a cloud, the viewer recognizes the same imaginative quality that defines Fellini’s distinctive cinematic style. By delving deeply into the filmmaker’s creative processes, the exhibition offers even his most devoted disciples a new set of critical tools with which to examine his movies. 

jeudepaume.org

"Federico Fellini" originally appeared in the November 2009 issue of Modern Painters. For a complete list of articles from this issue available on ARTINFO, see Modern Painters' November 2009 Table of Contents.

 

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