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Over the past decade, prints have accounted for a significant chunk of fine-art auction revenue. Although most of these works—which range from lithographs and silkscreens to etchings and drypoints—are relatively affordable, with more than half selling for less than $5,000 over the past 10 years, many examples have fetched upwards of $100,000. We looked at three artists with strong print and painting markets—Jean-Michel Basquiat, Sam Francis, and Andy Warhol— to determine how the two media compare. Below are line graphs of the art price indexes for their paintings and prints, based at 100 in January 2000; on the opposite page are bar graphs of the volume of prints and paintings sold by each artist at auction. Because of the low price point needed to participate and its relatively high liquidity, the print market offers opportunities for smart investment in addition to aesthetic rewards. Of course, prints, although less volatile than some other media, are not immune to contractions in the art market, as our art indexes make clear. Overall, however, none of the three artists’ works in the medium lost value over the past decade, despite all the ups and downs the economy experienced during that period. A $100,000 investment in a Warhol print in 2000 would have quadrupled in value by 2010.