Leonardo da Vinci is known as an artist, inventor, cartographer, scientist, engineer, anatomist, botanist, writer, and mathematician. Add fashion designer to that list. About 400 years before it become trendy for fashion houses like Bally, Dior, and Louis Vuitton to commission artists to create handbags, Leonardo sketched his own. Although the design, made in 1497, was first published in 1978 by leading Leonardo scholar Carlo Pedretti, who discovered it among the tens of thousands of drawings in da Vinci's 12-volume “Atlantic Codex,” the image remained in obscurity until recently, when Agnese Sabato and Alessandro Vezzosi, director of Museo Ideale (located in Vinci Itali, Leonardo’s birthplace), reassembled the fragmented drawings.
"Leonardo designed several fashion accessories, but this bag is pretty unique, " Vezzosi told Discovery News. "It blends beauty and functionality in a very harmonious way." Florentine fashion house Gherardini (founded by a family said to have Mona Lisa in their bloodline) have recreated the handbag, dubbed the "Pretiosa di Leonardo" (pretiosa used to mean "precious" in Italian), crafting it in fine leather. The reproduction will make its debut on January 10 in conjunction with the Florence fashion trade show Pitti W.
"It's a very chic handbag, very modern in its vintage concept. It is also very functional and capable. Indeed, it embodies the best Florentine tradition of leather work," Lorenzo Braccialini, marketing director of Braccialini, Gherardini’s holding company, told Discovery News.
After its premiere, the "Pretiosa" will be displayed along with drawings, a mechanical drum, and a clock by the Renaissance master at an exhibition curated by Vezzosi and displayed at
the 16th-century l'Accademia delle Arti del Disegno (January 11 to 13).
Comments
This is so inspiring. This post prompted me to think about renaissance Architecture and specifically architecture in Florence. Medieval architecture is strongly influenced by geometry and as the renaissance takes off, architects set out to create “architecture of mathematic perfection.” And I really feel like this handbag expresses a mathematic perfection.
It seems as though humanists had always been able to relate these perfect mathematical ratios back to the human body. As artists and humanists learn more about the human body they were really able to innovate more. We can really only celebrate, if we understand first. As humanist become experts in anatomy, garments become more body conscious in an effort to celebrate the “diving proportions.”